Riding Bikes and Raising Social Consciousness
Instructor’s comment: This student invites his readers along for a bicycle ride, immersing us in the sights, smells, sounds, and physical sensations of a phenomenon unique to San Francisco. Along the way he educates us about the political and social significance of the ride—but in such a genial, inclusive way that we may not even realize right away that we’ve been taught a lesson in social consciousness-raising.
crit’i cal mass’ n. 2: an amount necessary or sufficient to have a significant effect or to achieve a result.
—Random House Webster’s College Dictionary
On the last Friday of each month, Tom, an amiable Jesuit Brother who loves cycling, my best friend, Ron, a few awkward freshmen, and I would all meet at school around 5:00 p.m. We would all be dressed differently: me in my jean shorts, a ratty tee shirt, and my purple helmet; everyone else in a combination of blue jeans, sweaters, jackets, and red or white helmets. The colors of our helmets, clothing, and bicycles constituted at least a perfect rainbow. Wasting no time, we would begin our migration, a race against the fog and its pursuing damp chill, to dominate the streets of San Francisco for one night as a unit, a voice, a symbol, and a mass. On this one night of each month, cars become the minority, the police blocking the intersections to allow the steady flow of 1500 cyclists to flow continuously like a giant, fluid serpent, oozing around the skyscrapers. Fueled by whoops, shouts, high-fives, clanging bells, screeching whistles, rattling chains and fenders, and the mesmerizing, silent symphony of blinking red lights, we would pedal all over the city for our own personal reasons and causes, but also for the ...
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...Golden Gate Park by the well-maintained Victorian houses of the Castro and Lower Haight. Once on Kennedy Drive in the park, the entire Mass was about half its original size, since many people had split off and gone home along the course of the ride. When we finally got to the Polo Field, everyone laid their bikes down on the damp grass. The sun had already set, but there was just enough light in the sky to give it a dark blue color. The temperature was moderate (in my opinion), but many were putting their jackets and sweaters back on, including Ron and Tom. The freshmen found us almost immediately. They said they had “had a blast” and managed to stay right at the front with the “hotshots.” Good for them. I, on the other hand, was glad to stay at the heart of the mass, where we were a part of something important and wonderful. We were a critical mass—a velo de force.
The Santa Ana winds cause people to act more violently or unruly and makes others irritable and unhappy to a great extent. Joan Didion explains to the reader about how the Santa Ana affects human behavior in her essay “Los Angeles Notebook.” Through the use of imagery, diction, and selection of detail Didion expresses her view of the Santa Ana winds.
Chinua Achebe, a well known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe," (Achebe, p.251) while he also "projects the image of Africa as the other world,' the antithesis of Europe and therefore of civilizations" (Achebe, p.252). By his own interpretations of the text, Achebe shows that Conrad eliminates "The African as a human factor," thereby "reducing Africa to the role of props" (Achebe, p.257).
Her description is full of emotional words and phrases which enable the reader to feel indignant about the case’s verdict-Nelson is convicted of vehicular homicide following the death of her son. Malchik emphasizes that “[T]he driver who had two previous hit-and-run convictions pleaded guilty,” but the mother who lost her son is forced to be jailed for a longer time. This part of description shapes a poor image of a mother who in order to feed her tired and hungry children, has no choice but to jaywalk. The author explains to the reader that Nelson chooses to jaywalk not because she is crazy, but because of her mother’s identity as well as lack of safer road for them. The purpose of the author is touching readers to sympathize with the mother, assuaging the mother’s guilt, and proving that walking should be human beings’ freedom and liberty. Adding to this idea are words and phrases such as, “instinctive,” “injustice,” “the narrowest,” “lost right,” “Orwellian fashion,” “more treacherous,” “laziness,” and “scorn” (Malchik). All of these emotional words are awkward for Americans. As the author indicates, “[T]he ability to walk is a struggle, a fight, a risk”, which can help to arouse readers’ awareness of protecting their lost opportunities and rights. Apart from these, at the end of the article, Malchik uses several imperative sentences like: “Open your door; go for a walk; feel the spring”, to strengthen the tone. It is also an effective way to attract readers and create strong emotional
In Heart of Darkness, cultural identity and the dominance of the European, white male is constructed and asserted through the constructions of the "other", that is the African natives and females, largely through language and setting. Thus, while claims of Conrad's forwardness in producing a text that critiques colonialism may be valid, Heart of Darkness is ultimately a product of it's time and therefore confirms the contextual notions of difference.
This paper will discuss the many unique aspects of Oakland, California. Divided into five major parts, Oakland is a very diverse city. The five major parts include: Downtown Oakland which is located in the heart of the city, East Oakland which consists of the majority of the city, West Oakland, North Oakland, and the Oakland hills where the terrain is quite different from other parts of the city. While many may perceive the population to mainly consist of African Americans and Whites, there is a significant growing population of Latinos, and Asians. The topics covered in this paper will shed light on the city of Oakland itself, and discuss the unique city that it is. I will also give my personal experience and perception on the city, after living there for 16 years of my life.
During the winter of 1928, in Montgomery, Alabama, a black girl who was only fifteen-year-old got on a city bus so she could go visit her sick grandmother. She was supposed to go to the “colored only” section, there were no seats so she went to seat up front, but just as the girl sat down, a white man boarded the bus and the bus driver yelled “I said move”. “This bus ain’t goin’ anywhere until you get on back there with your kind”.
In the early twentieth century, San Francisco, a bustling city full of people with diverse cultures, stood in the midst of the Second Industrial Revolution. At this time, the brilliant inventions of airplanes, automobiles, and radios were changing the everyday lives of many. San Francisco had just recovered from the four-year burden of the bubonic plague (“Bubonic”). However, right when things were getting back to normal, a destructive earthquake hit the city on April 18, 1906. Although the shaking lasted for less than a minute, the devastated city had crumbled buildings and a substantial loss of lives. The San Francisco Earthquake of 1906 had a lasting effect on the city and its people, and it proved to be one of the most catastrophic disasters in history.
One example that could be considered racist is in Chapter one. In this paragraph, Joseph Conrad is talking about how the Europeans are colonizing Africa and what they are doing to the natives in the process. He says that the Europeans are at fault for many things, including extremely violent robbery and the murders of numerous people. He is speaking about the reality of colonization and how in the end, countries will only care about making money off of it. He said they accomplish this by using “brute force,” which obviously means violence and killing. The European countries wanted to take away Africa from those who had “a different complexion or slightly flatter noses.” Up until this point, it does not seem as if Conrad is using any racist ideas. However, he then goes on to say that all of this is acceptable because it will be worth it in the end. In other words, he was trying to say that the end will justify the means, no matter how many innocent people must be hurt in the process (page 8).
In the present era of decolonization, Joseph Conrad’s Heart of Darkness presents one of fictions strongest accounts of British imperialism. Conrad’s attitude towards imperialism and race has been the subject of much literary and historical debate. Many literary critics view Conrad as accepting blindly the arrogant attitude of the white male European and condemn Conrad to be a racist and imperialists. The other side vehemently defends Conrad, perceiving the novel to be an attack on imperialism and the colonial experience. Understanding the two viewpoints side by side provides a unique understanding that leads to a commonality that both share; the novel simply presents a criticism of colonialists in Africa. The novel merely portrays a fictional account of British imperialism in the African jungle, where fiction offers maximum entertainment it lacks in focus. The novel is not a critique of European colonialism and imperialism, but rather a presentation of colonialism and the theme of darkness throughout the novel sheds a negative light on the selfishness of humanity and the system that was taking advantage of the native peoples. In Joseph Conrad’s novel, Heart of Darkness, Conrad presents a criticism of British imperial colonization not for the purpose of taking sides, but with aims of bettering the system that was in place during Conrad’s experience in the African Congo. Conrad uses the character of Marlow and his original justification of imperialism so long as it was efficient and unselfish that was later transformed when the reality of colonialism displayed the selfishness of man, to show that colonialism throughout history displaces the needs of the mother country over the colonized peoples and is thus always selfish.
One night several weeks ago, I was riding the 72X back to campus from downtown. It was a Saturday night around six o’clock in the evening, and as a result the bus was packed with people, young and old, of all races and dress. The commuter crowd in Seattle is extremely diverse; a collection of white collar business people, students, homeless people, and other various characters utilizing public transit. The bus-goers behaved typically of Seattle transit users – heads down, headphones in, eyes closed or glazed over from staring into the
Conrad’s main character Marlow is the narrator for most of the story in Heart of Darkness. He is presented as a well-intentioned person, and along his travels he is shocked by the cruelties that he sees inflicted on the native people. Though he is seemingly benevolent and kindly, Marlow shows the racism and ignorance of Conrad and in fact of the majority of white people in his era, in a more subtle way. Marlow uses words to describe the blacks that, though generally accepted in his time, were slanderous and crude. He recalls that some of the first natives he saw in the Congo looked at him “with that complete, deathlike indifference of unhappy savages” (80; part 1). Marlow casually refers to the Africans with the most offensive of language: “Strings of dusty niggers arrived and departed…” (83; part 1). To Marlow, and thus to Conrad, the Africans are savages, dogs, devils, and criminals. Even the stories that Conrad creates for Marlow to narrate are twisted and false. The natives that Marlow deals with in the book are described as cannibals, and they are even given dialogue that affirms th...
Our Economy is not the only thing we should worry about, and it is also not the
Upon arrival into the jungle of vast buildings, the first thing noticed is the mobbed streets filled with taxi cabs and cars going to and fro in numerous directions, with the scent of exhaust surfing through the air. As you progress deeper into the inner city and exit your vehicle, the aroma of the many restaurants passes through your nostrils and gives you a craving for a ?NY Hot Dog? sold by the street venders on the corner calling out your name. As you continue your journey you are passed by the ongoing flow of pedestrians talking on their cell phones and drinking a Starbucks while enjoying the city. The constant commotion of conversing voices rage up and down the streets as someone calls for a fast taxi. A mixed sound of various music styles all band together to form one wild tune.
Heart of Darkness. That title rings with agony, loneliness, and the sense of evil. The words produce an image of a black heart entangled with unbreakable vines. To have a heart that is figuratively black and bounded to the ties of evil is a bitter and deathly symbol. Who could possibly have that heart? Joseph Conrad, for example, was a man with a heart of darkness. His life reeked with self deception and inner conflicts. Conrad’s book, Heart of Darkness is based upon imperialism and racism. Racism is cleverly hidden within the text, but imperialism is innocently depicted as the civilization of the Congolese people. Conrad’s writing can be interpreted two different ways. One approach is the reader might interpret his writing as an attack on the Europeans as the imperialists trying to help the Congolese, but the African people refuse their help. In contrast, the other approach might be that they feel sympathetic to the Congolese people. They see the Europeans has cruel and heartless. If we seek to understand the racism and the imperialism of that day and age, we can see racism in between the lines. I agree with many of Conrad’s critics when they say that he is completely racist, however I tend to see that no matter what race we are we all have a seed of darkness inside our hearts. Why are we infected with his powerful bug of a race overpowering any minority that is inferior to us due to any significant difference? In the case of Conrad’s book Heart of Darkness, it seems like Congolese people are nothing more than disposable and insignificant.
For more than half a century, one of the most noteworthy and instantly recognisable symbols of the city of San Francisco has been the beloved cable car. The little quaint vehicles going back and forth the steep hills amid the clanging of bells have been a fascination for all, whether old-time San Franciscans or visitors travelling from across the globe. No hill has ever been too steep nor any load too heavy for the charming cable car.