"The darkness that had come in from the Mediterranean covered the city so detested by the procurator" (188). This "darkness," or the thunderstorms which are conjured throughout Bulgakov's mysterious and controversial novel The Master and Margarita seem to come with a reason. Each time, they bring a revelation of the capacity of certain characters and a vision of some higher power, one which may be above Woland and his multiple identities, one that may be connected with the peace-loving Yeshua and his philosophy of goodness, and more powerful than the power-hungry Pilate. They swallow everything, erase the boundaries between good and evil, rational and irrational-overall, they are a manifestation of that higher power, whatever it may be.
During the first thunderstorm of the novel, two important events occur: first, Varenukha gets attacked and beaten to a bloody pulp and receives a kiss from the beautiful witch, Hella, which we later find out has turned him into a vampire-all after he had disobeyed the commands of one of Woland's lackeys; second, Bezdomny gives up on his futile and crazed attempts to track the foreign consultant and succumbs to the insanity of his story and accepts that Woland is indeed, Satan. Neither of these men expected the outcome of these events.
There is at least one similarity between these two odd experiences. Both men were convinced that they had control over themselves and their misshapen fate, and when these supernatural events begin happening, they cannot believe the irrational, superstitious ideas and try to get to the bottom of what was going on. Inevitably, both face a power unarguably beyond their understanding of control. It was a humbling experience ...
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...ide, for those who are weak or frightened-as another reminder of their weakness and mortality, for those who are powerful-as a humbling reminder that there is always a higher power. It is a brute, blind force which knows no reason, which is impartial and fair to everyone. Everyone survives it the best they can. Of all the characters, Master survives his storms most successfully. While Woland remains banned to a life of eternal darkness, while Yeshua remains what he is, while Ivan and Nikanor Ivanovich continue to go mad during every full moon, Master earns his right to eternal peace with his lover. Certainly he earned it by creating Woland and his cohorts, Yeshua and his suite, the materialist writers from the Griboyedov, the noseless killer of Gestas and of course, "the cruel fifth procurator of Judea, the knight Pontius Pilate" (335).
Both stories feature a father figure who creates the action and attempts to play God.
In the book Storming Heaven by Denise Giardina, education, and the lack there of, plays one of the largest roles in the character's lives. At this time in West Virginia, where the book is set, many children had to leave school and actually go into the coalmines, as Rondal Lloyd did, or work on the family farm. Racial ignorance is also a key element Giardina confronts in the novel. The characters, chief and secondary, equally cultural and racially bland, pass on their beliefs and therefore help to maintain the continuous circle of inequality that carries on even today. Political knowledge, at least on the national and state level, is also lacking within the little town of Annadel. With this knowledge coupled with her own experiences from growing up as an immigrants daughter in the same coalfields as her novels characters, Denise Giardina tries to explain the function of education and ignorance in not only the coalfields of West Virginia, but throughout the entire world.
ROUGH RIDERS Ben Kerfoot 3/7/02 Per. 5 The Rough Riders were the most famous of all the units fighting in Cuba during the Spanish, American war. The Spanish, American war started by America wanting to expand their influence in the western hemisphere.
Warriors of God by James Reston Jr. is a non-fictional view of the third crusade. This particular crusade spanned from 1187-1192, containing many gruesome battles and a lot of intense moments between Islam and Christianity. Reston supplies the reader with a little background to the third Crusade when he talks about the first Crusades happening since 1095. Reston gives a fairly impartial view of this holy war. He discusses the battles, politics, and emotions of the Crusade as an outside party and if he takes any side at all it is with the Muslims. He often speaks badly of King Richard and he speaks well of Saladin, the sultan. He portrays Richard as a greedy, anti-Semite, who is intolerable of other religions, while he shows Saladin as tolerant to the Jews, reasonable, and an overall good leader. Reston wrote this book mostly to inform readers about the third Crusade but also to add some of his own insights. His thesis was a little unclear but he stated that the Crusades were the most violent event in history all the way up to Hitler’s rein. Reston did a good job in proving this when he told of battles and then analyzed them. He told of a time when King Richard had twenty thousand Muslims executed and when Saladin had Reginald of Chatillon beheaded along with many other Christian prisoners.
In Kate Chopin’s “The Storm”, sin happens to make a bond stronger than before. The story illustrates a couple who seems to be similar to the nature surrounding them. Both Calixta and Bobinôt happen to be going through a stormy period in their marriage. Although they are going through this turbulent period, Bobinôt’s actions display his imperfect but unconditional love for his wife. Bobinôt may not be the husband Calixta dreams of but throughout the story he illustrates that it does not matter what happens, the storm will pass and he will love her no matter what.
An individual’s ‘Sense of Place’ is predominantly their place of belonging and acceptance in the world, may it be through a strong physical, emotional or spiritual connection. In Tim Winton’s novel ‘The Riders”, the concept of Sense of Place is explored through the desperate journey of its protagonist, Fred Scully. Scully’s elaborate search for identity throughout the novel is guided and influenced by the compulsive love he feels for his wife Jennifer and their family morals, the intensity of hope and the destruction it can cause and the nostalgic nature of Winton’s writing. Two quotes which reflect the ideals of a person’s Sense of Place are “Experience is not what happens to a man. It is what a man does with what happens to him.’(Aldous Huxley) and “It is not down in any map. True places never are.” (Herman Melville). Huxley and Melville’s statements closely resemble Fred Scully’s journey and rectify some of his motivations throughout the text.
They don't needed anything to do with the things that happened in their past lives or the general population that may have had an impact over them. They didn't depend on any other individual to offer them some assistance with getting to that point; they comprehended and developed to get things going all alone. These two men realized what they needed and attempted to get that with a specific end goal to expand their perspectives. As I would like to think they both had the same level of determination and they don't let anything impede
William Shakespeare's "Macbeth" is an ominous tale that illustrates the danger in violating the Great Chain of Being, the hierarchy of things in God's ordered universe. The Chain ranked all of creation and human society as well. It ranked kings above nobles and nobles above the poor. When Macbeth murdered King Duncan and assumed the throne, the Chain was violated... chaos resulted. The atmosphere of the play symbolized this resulting turmoil. Specifically, light and shadow were used to exemplify the unnatural chaos and ominous tone of the work. This essay will explore the role of light and the role of darkness as it relates to the chaos resulting from the violation of the Great Chain of Being.
Ivan was telling the story about the return of Christ on Earth. Around the sixteenth century, Christ was reborn and appeared in the streets and start doing miracles by healing people and wake the dead. While Christ was performing his miracle, the Grand Inquisitor walked in and was threaten because he thought he was the only powerful that the people listen to.
Master and Margarita “ is a complex narrative which was wren by three standards. In the present write-up I will take up the role of the tricksters in the novel. I will give a reading of each of the trickster’s roles in the novel. Sometimes the brutal romp of Woland and his entourage ( behemoth the talking cat, Fagot/ Korovyer). Hella the maid with a purple scar on her neck and Azazello – walteyed member) have supernatural powers such as transformations of people and objects, transporting the people instantly to faraway places, and changing people’s own appearance and that of others.
In Kate Chopin’s “The Storm”, she offers an intoxicating account of two souls awakened by a storm. The story was composed on July 19, 1898. At this time in history women were considered objects, their sole purpose in life was to serve their husbands. In addition, social stratification was an important aspect of society that determined who they married. Calixta’s marriage could have been a product of an arrangement, making it of unnatural origin. Chopin points out singular characteristics of the storm to shed light on the uncommon strength of a marriage when it is not determined by social norms. Consequently, Chopin brings Calixta and Alceé together to embellish their passion, in which Calixta plays an active role rather than a submissive one.
The conflict between good and evil is one of the most common conventional themes in literature. Coping with evil is a fundamental struggle with which all human beings must contend. Sometimes evil comes from within a character, and sometimes other characters are the source of evil; but evil is always something that the characters struggle to overcome. In two Russian novels, Fyodor Dostoevsky’s Crime and Punishment and Mikhail Bulgakov’s The Master and Margarita, men and women cope with their problems differently. Raskolnikov in Crime and Punishment and the Master in The Master and Margarita can not cope and fall apart, whereas Sonya in Crime and Punishment and Margarita in The Master and Margarita, not only cope but pull the men out of their suffering.
In this struggle they they both overcome they have a few similarities between them and their experiences. One big overall similarity is that they both do not fit in with any of the crowds. Another one is pretty obvious is that they both had to have COURAGE to do what they did.
Soaked in the supernatural, Shakespeare’s The Tempest possesses an impenetrable veil of eeriness. It opens with the tempestuous roaring of thunder and lightning, setting the stage for panic and confusion amongst the mariners. The mariners scatter and hide, while Ferdinand’s hair stands on end. This wild and surreal atmosphere prepares the characters and the audience for future encounters with supernatural beings. When the spirit Ariel wakes Gonzalo and the others, Gonzalo says, “’Tis best we stand upon our guard, or that we quit this place. Let’s draw our weapons” (II.i.317-318). The mortals are on guard against the supernatural, and this suspenseful atmosphere often returns when Ariel and the other spirits approach these unknowing men. When Prospero remembers ...
... of view. Likewise, the tone is also the same for both tales: supernatural/demonic action that moves at a fast pace. Here differences begin to occur. The setting, plot, and characterization in the stories are not consistent with one another.