Richard A. Kirk was born in Kingston Upon Hull in England in 1962. His family moved to Ontario, Canada when he was young. As a child, Richard spent most of his time drawing, reading, and exploring. His childhood home was located next to a river there was a petrochemical industry. This contrast between nature and man-made greatly influenced his aesthetic. He was also influenced by illustrators such as Mervyn Peake, Aubrey Beardsley and fantasy illustrators. Drawing was something that had always been with Richard because it was his way of "interacting with things he was interested in."
Richard describes his artwork as idiosyncratic, meaning it contains peculiar features. He mainly uses ink, silverpoint, oil paint, and watercolors to accomplish his unique aesthetic. Dispute playing with proportions and scale, his art is strangely realistic. His pen and ink drawings are very complex. They contain many overlapping images that are drawn using very small strokes. His artwork is narrative therefore it allows the viewer to decipher the story.
"Awakening" is one of Richards many ink drawings. It is done on 9" by 12" paper and was completed in 2009. This drawing is supposed to show the moment before waking up. It shows the dreamer in a third person perspective about to be awaken. Both the dreamer in reality and the dreamer in their dream are shown. The dreamer is asleep in what appears to be a garden. The dreamer's subconscious is a standing figure with a robe, hook for a hand, and head that resembles a TV satellite. There is an arm reaching from the edge of the paper about to tap the dreamer's subconscious on the shoulder, this shows that the dreamer is about to be awaken. To show that the dreamer is still asleep, there are other fig...
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...girl with her hair blowing in the wind. Everything in this piece seems to be going in the same direction. I think Richard took inspiration from the mystery of the song, because this piece definitely leaves the viewer with many questions. Where are the figures going to or looking at? What is the significance of only one human figure? This is another example of how Richard's artwork allows the viewer to come up with their own storyline.
Richard's artwork allows people to question how they perceive things. It allows people to come up with their own stories for each piece. Although his art doesn't spread a direct message, each piece has the ability to give each viewer a different perspective. He works towards creating something beautiful, but not by by stereotypical beauty standards. His artwork is meant to make you look at things in a way that you haven't before.
Upon returning to his studio Storrier picks a photograph that can be associated in a variety of ways. He makes works similar in subject matter, but which give different overall impressions. 'I never work from photographic documents. The little polaroids are just mental records. I paint pictures about, not from, photographs.' He explores the concept, and makes preliminary sketches and small studies of his ideas to decide the colour and tone. He chooses the size to make his artwork oncer he has his idea.
Graeme Base uses lines of different thicknesses to make the drawing look more realistic. He also uses different tones of colours. An example would be from ‘Six Slithering Snakes Sliding Silently Southward’, the main snake’s body and tail contains at least four different colours. He also repeats the way the books are place in the library.
Art has always been considered the effervescent universal tool of communication. Art does not require a concrete directive . One sculpture,drawing or written creative piece, can evoke a myriad of emotions and meaning . Artistic pieces can sometimes be considered the regurgitation of the artist's internal sanctum. In Richard Hooks graphic painting,Adoption of the Human Race, the effect of the imagery,symbols ,color and emotional content projects a profound unification of a spiritual edict.
The mixed reaction I have towards the painting is because, first off, I still wouldn’t know what is really behind it or what it’s trying to tell us without looking at it from a distance. When I looked at it from a computer desktop I could see a shoe, a mountai...
The pictures say a lot, however, with petite information. The artwork she displays are somehow complex, and one gets to understand their meaning over time as she uses vivid imagination to bring out facts and fiction together.
In order to understand the meaning of an artwork, besides the overall aesthetics of an artwork, it requires the viewer to have knowledge on the context in which a work of art is produced. With this knowledge, the viewer employs a holistic approach towards an artwork. For example, Pete Fecteau’s “Dream Big” is a mosaic is made of 4,242 officially licensed Rubik’s Cubes, as shown in the image below. When looked as the whole, the icon, Martin Luther King Jr. is seen. A historical icon that embodies freedom and hope, for people who are aware of his social and cultural influence, at that time. The simple components in this case would be the image of Martin Luther king Jr. and 4,242 well-arranged Rubik’s
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
...ructure balance of the sculpture. How he did it all from memory and made it look fantastic. The blackberry woman may not be one of my favorites, but I love the controversy it brings. How our world can be so cruel just because the color of one’s skin, will still forever intrigue and irritate me.
.... He uses his work as a form of therapy and puts his heart and soul into anything he touches. The pain from being unaccepted by his peers and family is put into his work. His nightmares from the past come out on paper. Without the judgment and pain thrown at him, he could have never been as great as he is today. Every aspect of his work has been affected by his life, whether it be relationships, being pushed down, or feeling alone. He has rose from the ashes of his past, taken all of the pain and turned it into something truly beautiful.
... though employing a familiar subject (the female form), shows the transformation from busy mosaics with gold embellishments to a brighter palate of colors and the use of stronger, bolder lines. The piece exemplifies his versatility as an artist.
Anything from a police man leaning on a wall that gets lost in the crowd on busy days to a cleaning lady next to a garbage can. Duane creates life like art pieces that you can lose the fact that they are fake. The amount of detail along with the expressions on the figures’ faces tells the tale. The spectator creates a relationship to the piece because its the familiar look or feeling they receive from the experience. Duane uses the figures’ as they are portrayed to accomplish an everyday ordinary person moreover with that technique displays the ability to relate the viewers to the art
Critical thinking is a very important aspect to understanding art. As David Perkins put it in “The Intelligent Eye”, we must avoid “experimental thinking”, a rash, quick way of thinking based on observations and use “reflective intelligence”, a way of thinking in which a viewer takes their time and dissects details and nuances to fully understand a work of art. A majority of viewers will look at a piece of art and come to a quick analysis of it, without much thought. But, according to Perkins, “The more attentive the observation is, the better the opportunity is for deeper learning” (Perkins 14). As Banksy said in Exit Through the Gift Shop, “the reaction to the work of art is the most important thing about it.” Without a reaction or an opinion, the work of art has no meaning. Therefore, in order to trul...
that draws the strongest contrast. When I see his painting, I see someone that is trying to express
The women which Stephen comes across in his journey in becoming an artist define him and change him by nurturing him, fascinating him, and inspiring him. Stephen was forever changed by his mother, the Virgin Mary, Eileen, the prostitute, and the seaside woman. The object of the artist is to create the object of the beautiful, I argue that it was the beauty in the women of A Portrait of the Artist as a Young Man, which created the artist in the end.
While looking at this sculpture it is transformed every time you move your own head, walk around it, and bend closer. It just has a way of changing shape. While looking at it, it first appeared to me as a man or some kind of creature. Looking at the name, one would realize what the sculpture is. The sculpture was a woman. It has a lot of rough and sharp points, but the surface was very smooth. It is kind of disturbing on how Picasso seems to see beneath the skin. He reveals the tendons in Fernande's neck. The fractured texture of Fernande's face, her hair a system of gorges and upland ridges, is a metaphor for the way we experience another person. (Hughs) Like Rembrandt's most intimate portraits, it is about the mystery of being close to another human being. (Cooper) Picasso makes you recognize this by inviting your eye down into those channels and crevices, until you feel you are inside Fernande's head. You can never exhaust the richness of this head. (Hughs)