Prince, Earl Spencer, in his eulogy for his sister’s funeral, Princess Diana, describes who she truly was as a human being. Spencer’s reasoning behind this is to remind the public of the tragic loss that happened that day. He is able to do this by utilizing nostalgic diction, tone and pathos in order to remember Princess Diana through his eyes. Spencer begins his eulogy by explaining all the great things about Princess Diana through his nostalgic diction. He captures his audience by using words like, “extraordinary appeal, (Spencer 1) “essence of compassion,” (Spencer 2) and “selfless humanity” (Spencer 2). Spencer’s reasons for his diction would be to emphasize Diana’s way of living as unethical. The effect that it has on the people of the
In the passage the author addresses who Ellen Terry is. Not just an actress, but a writer, and a painter. Ellen Terry was remembered as Ellen Terry, not for her roles in plays, pieces of writing, or paintings. Throughout the essay the author portrays Ellen Terry in all aspects of her life as an extraordinary person by using rhetorical techniques such as tone, rhetorical question, and comparison.
Sarah Vowell’s Assassination Vacation is a humorous exposé on the sites of murdered presidents and how they are used commercially instead of historically. Vowell takes a series of trips to the murder related sites of presidents Lincoln, Garfield, and McKinley, pointing out the lack of historical context in each of these areas. The use of history and her personal experiences captivate the audience in an emotional level, creating a platform for her argument. She opens the reader to the true history of these events and adds to it in her own humorous way. Arguably, her modernized language and sarcastic style of writing is the strong point that expresses the dissatisfaction these sites bring to a true appreciator of history. By the use of her historical knowledge, the first hand accounts of her trips, and tone Vowell’s argument induces change in the information found in United States landmarks.
Poverty is huge deal a huge topic in today’s society and not many people take consideration on this important topic. In the short essay by Diana George “Changing the Face of Poverty; Nonprofits and the Problem of Representation” she uses several key rhetorical methods to argue how poverty is being represented and how it limits on what poverty actually is. George begins building her point by using illustrations in the essay to explain how poverty is not being represented properly by nonprofit organizations. Then asks for other people’s opinions on this topic to help get her point through. She also uses the title of her essay to get her overall idea through. All of these points are very important and should be taken in consideration when talking about poverty.
Margaret Thatcher’s eulogy of the deceased president, Ronald Regan, had a purpose which was to comfort the people of the United States, and to brag on all of his policies that he created in his term. Thatcher uses various tactics such as antithesis, anaphora, and hyperbole to make her speech as appealing and comforting as possible for the American people. Using these rhetorical devices she is appealing to the mourning nation.
I chose this word because the tone of the first chapter seems rather dark. We hear stories of the hopes with which the Puritans arrived in the new world; however, these hopes quickly turned dark because the Purtains found that the first buildings they needed to create were a prison, which alludes to the sins they committed; and a cemetery, which contradicts the new life they hoped to create for themselves.
Growing up in 1960s, Diana Spencer always knew royalty. This idea of power was a birth right through her father, but yet Diana did not know of the influence she was going to inflict one day. Princess Diana, through her marriage with Prince Charles, became an icon for the United Kingdom and impacted many in the world (Princess Diana Biography Princess). Along with her compassionate heart and humble soul, Diana ascended in the eyes of the public and became England’s sweetheart and beloved leader. Princess Diana soon inspired people all over the world by breaking the royal stereotypes, sponsoring many charities and providing a prime example of what it means to love one’s children and people.
Imagine that the person you love most in the world dies. How would you cope with the loss? Death and grieving is an agonizing and inevitable part of life. No one is immune from death’s insidious and frigid grip. Individuals vary in their emotional reactions to loss. There is no right or wrong way to grieve (Huffman, 2012, p.183), it is a melancholy ordeal, but a necessary one (Johnson, 2007). In the following: the five stages of grief, the symptoms of grief, coping with grief, and unusual customs of mourning with particular emphasis on mourning at its most extravagant, during the Victorian era, will all be discussed in this essay (Smith, 2014).
In the eulogy that President John F. Kennedy gave for the lately departed poet, Robert Frost, only three out of the four common elements that Kunkel and Dennis found in eulogies can be found in this specific eulogy. The elements I found in this eulogy are positive reappraisal, praise, and problem-focused coping while self-disclosure of emotion, credibility, affirmation of vivid past relationships, and continuation of interactive bonds could not be found. John Kennedy imminently starts off with a positive reappraisal: “Robert Frost was one of the granite figures of our time in America. He was supremely two things—an artist and an American,” (lines 3-4). Kennedy is telling the thousands listening that Robert Frost not only had a good life but
At one point Ellen DeGeneres got kicked off of a talk show, but it wasn’t for her performance, it was because she came out as lesbian and the talk show did not accept that. But instead of giving up, Ellen decided to take her career in her own hands by doing that she raised to fame years later. But how did she come from being at rock bottom to an inspiration to so many? It was a journey but in order to inspire, Ellen persuaded the audience to stay true to themselves by using pathos and ethos.
According to the FBI, more than 75 percent of all murder victims are women, and more than 50 percent of the women are between the ages of 14 and 29 years old. A part of that statistic is Kitty Genovese,a murder victim who is the focus of an editorial, “The Dying Girl that No One Helped,” written by Loudon Wainwright. Kitty was a 28 year old woman who was brutally stabbed to death while on her way home from work. The woman, named Kitty Genovese, lived in a pleasant, welcoming, residential area, in New York. There was at least 38 witnesses that came forward, and they all heard her cries for help, but no one came to her aid. Wainwright effectively demonstrates how society has started turning a “blind-eye” toward problems that can endanger someone's
On June 11, 2004, the former prime minister of Great Britain, Margaret Thatcher delivered a eulogy in honor of former president Ronald Reagan, she declares Reagan as a great man and president. Thatcher develops her ideas by analyzing all he has done using parallelism, repetition, and ethos. Using Reagan’s accomplishments and personal experiences, she amplifies how great of a man he was in order to make the nation comprehend what Reagan did. Thatcher opens her eulogy with “We have lost a great president,” indicating that the speech she gives with apologetic and heartfelt tone is not only to the American people, but to everyone else.
In Elisa Thompson’s Cold Blooded Murderer, a twisted tale of a young woman who killed six other girls, the captivated theatre audience hears the girl’s reasoning behind her serial killing spree. This haunting monologue, set in a police interrogation room, makes chills run down the audience’s spine by pulling on their heart-strings and making them relate to this misunderstood girl, a girl who also happens to be a murderer. Thompson’s use of polysyndeton, appeal to the audience’s sympathy , and direct address to the audience makes this piece so frighteningly relatable that the audience is left to introspect where their morals truly lie.
In this assignment, I will closely analyse the speech made by Earl Spencer for the funeral of Lady Diana, considering the complicated context and literary devises he uses to affect his audience. The speech was written as a funeral speech for Diana's close family and friends, but also, more importantly, for the public, as it was broadcasted worldwide. In the speech, although it's primary purpose is to pay respects to his sister; he uses the opportunity to promote Diana's charity work, and to raise controversy within the royal family. He never directly says it, but when analysing the text his feelings towards the royal family are apparent; from the fact that he mentions, " she needed no royal title to continue…" this comment is particularly clever because of its indirect subtlety, but the meaning behind it would still be clear to the audience, because of the media coverage of recent events.
One of the greatest feelings in the entire world is getting lost in a great novel, or becoming completely wrapped up in an amazing speech. Even if the characters are fictional, or the speech’s topic isn’t in someone’s particular interest, one can’t turn off their humane feelings that draw them to the story. These feelings and emotions towards characters and causes is simply an author’s use of the rhetorical device pathos. Pathos is the emotional appeal of a certain text. Whether it be sadness, humor, anger, a tone of voice, or even a visual representation, they are all considered pathos. In Emma Watson’s speech at the “HeForShe” campaign to end gender inequality, she did a wonderful job of appealing to her audiences through their emotions. The use of this device in her speech allowed the audience to feel and express her point of view for gender equality. Just by looking at Emma Watson’s visual appearance, hearing her soft yet pleading voice, and listening to her personal stories and statistics the audience more easily engaged and mentally participated in her campaign. This almost magical connection between Watson and her audience’s inner emotions is all creditable to pathos.
Katherine Philips is desperately trying to renew her faith in life, but she is struggling to do so because of the death of her son. She is attempting to justify the loss of her child as a form of consolation, while keeping somewhat emotionally detached to the later death of her stepson in “In Memory of F.P.” The differing phrases, words, and language contrast the two elegies and emphasize the loss and pain in “Epitaph” while diminishing the pain in “Memory of FP.”