Rhetorical Analysis Of Brutus In 'Julius Caesar'

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Brutus’ speech held more authority and truth than Antony’s. On the day of Caesar’s death, both Brutus and Antony gave their two cents on his murder. Brutus argued that the murder was necessary and Caesar would have became a tyrant if he continued on. However, Antony argued against Brutus, and stated Caesar shouldn’t have died and that the act was unjust. Though in the end it is Brutus who triumphs over Antony, because of his use of pathos, ethos, and rhetorical questions. To begin, pathos was one of Brutus’ main rhetorical techniques, used to relate to the public. In the beginning of the speech, he asks “if there be any in this assembly, any dear friend of Caesar’s, to him [Brutus] says, that Brutus’ love to Caesar was no less than his” …show more content…

He begins with asking, “had you rather Caesar were living and die all slaves, than that Caesar were dead, to live all free men?” (Shakespeare 870). As exampled before, there is only one answer to this question, thus making it rhetorical and to be taken rhetorically. By doing so, the audience only see one option: Caesar had to die. Afterwards, Brutus inquires “who is here so rude that would not be a Roman? If any, speak; for him have I offended” (Shakespeare 871). Much like the previous example, this question has only one beneficial answer for the listeners. So while asking this he is making the people both see his perspective, and also be too afraid to deny him. For his final question, Brutus asks, “who is here so vile that will not love his country? If any speak; for him have I offended” (Shakespeare 871). This is Brutus’ biggest question and insult, he finalizes his point with this and secures the audience’s devotion. Admitting one is going against his entire country was extremely frowned upon in ancient Rome, making this comment and question, the perfect combination and, more importantly, rhetorical question. Rhetorical questions truly sold Brutus’ case and point, though it was always necessary for him to use both ethos and pathos as

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