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Recommended: drama analysis
Review of Whispers in the Wood The general plot of the play is a tailors daughter is being wooed by a wolf and her father is very protective of his "little girl" and is overpowered by the evil in the wood to do everything in his power to stop their relationship. I had once many years ago seen this play performed by Mid Powys Youth Theatre and loved every bit of it! I thought that it would be a hard performance to beat but I was wrong. Every single line, note and dance move was perfect down to a pinprick. Even if one of the characters had mucked up a line or move they brushed it over very well. Although the set was very minimal and largely symbolic - particularly for the fairy world- it still seemed that there was a lot on stage. This may have been because there were a lot of drapes and free flow ladders on and around the set. Both of these represented trees and the ladders introduced levels to the performance. The set was also very fairy tale with its net back-drop and flowing pastel coloured drapes, glowing under the UV light. Although not in its usual green and brown tones and lights as you would expect for a wood. The use of "moving head" lights which use di-chromatic lenses provided a clarity and
The play is set in three scenes. The entire play is set in the dining
Decker, Pamela. "Romeo and Juliet." Theatre Journal 62.4 (2010): 681-3. ProQuest. Web. 18 Apr. 2013.
The women in the play are observant. For example when the men are looking for
The poem “Woodchucks” written by Maxine Kumin seems to be about the “speaker” in the poem attempting justify her actions, but it is actually about her blaming the woodchucks for bringing her out the desire to kill the woodchucks, the so called “Hunter.” If the the poem was supposedly about her justification of her actions, she would have talk more about the process of her trying to keep the woodchucks away from her garden and how she had to use the last method although she allegedly didn’t want. But she started with gassing the woodchucks out and was blaming the woodchucks for their actions till the end of the poem.
meanings along with what is going on in the plot of the play, it is
Jardine, Lisa. Still Harping on Daughters: Women and Drama in the Age of Shakespeare. The Harvest Press Limited, Sussex, Great Britain, 1983.
Though its primary function is usually plot driven--as a source of humor and a means to effect changes in characters through disguise and deception—cross dressing is also a sociological motif involving gendered play. My earlier essay on the use of the motif in Shakespeare's plays pointed out that cross dressing has been discussed as a symptom of "a radical discontinuity in the meaning of the family" (Belsey 178), as cul-tural anxiety over the destabilization of the social hierarchy (Baker, Howard, Garber), as the means for a woman to be assertive without arousing hostility (Claiborne Park), and as homoerotic arousal (Jardine). This variety of interpretations suggests the multivoiced character of the motif, but before approaching the subject of this essay, three clarifica- tions are necessary at the outset.
The time this play took place in was in modern time, during the twenty-first century.
Maxine Kumin’s poem Woodchucks is not simply a farmer’s irritation over a couple of pesky woodchucks. The subject does have to do with humans having the tendency to become violent when provoked. However the theme of the poem takes a much darker path showing how it only takes something small to turn any normal humane person into a heartless murderer. The theme evolves by using dark references to the holocaust and basic Darwinist principles. These references are made through connotation, tone, allusions and metaphors.
In Tennessee William’s pays, the Southern Gothic style of literature is primarily used to portray the interactions between a character that is fixated in the past overcoming this fixation and moving on. William’s plays generally tend to feature a familial unit at their center, be it a conflict between husbands and their wives, the children and parents, conflict between siblings, or even between in-laws (Davis 1). Popkin takes this basic conflict and expands further on the specific style of William’s plays. He states that in most of William’s plays, there is commonly a conflict between a male and female, and one of them, generally the male, will play the role of a strong and confident “Adonis”, while the other will be the “Gargoyle” characterized by a fading beauty, desperation, scheming and cunning, or a disability to let go of the past (Popkin 45-47).
the play is set in 1912. The main themes of the play are lies, love,
Which brings me to Sister act, BEST. MUSICAL. EVER. Not only did I get to play the role of Sister Mary Patrick, my spirit animal, but I got to sing a ton of fun music with my sistas.
Dash, Irene. Wooing, Wedding, and Power: Women in Shakespeare's Plays. New York: Columbia University Press, 1981
...n a woman. The entire play is based around gender confliction. Rosalind is a character who is played by a man who pretends to be a woman who pretends to be a man who pretends to be a woman to win the love of a man. The theater, like the Forest of Ardenne, is an escape from reality where the wonderful, sometimes complexities of human life can be observed.
To give a little background on the play, the pursuit of marriage is the driving force behind the play. “I now pronounce you, man and wife.” This traditional saying, commonly used to announce a newlywed couple during a wedding ceremony, marks the happily ever after that many dream of today. In today’s society, marriage is an expression of love between two individuals. Marriage has not, however, always been an act of love.