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Baroque period quizlet
Baroque quizlet
Essays on the baroque musical style
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The Brandenberg Concerto #2 in F: Movement 1 Allegro by Johann Sebastian Bach is from the genre identified as concerto grosso during the Baroque period. A concerto grosso contains one small group of performers identified as the concertino versus one large group of performers identified as the tutti. The concerto grosso was a central form of baroque music encompassing distinctions between loud and soft playing of music. The First movement is allegro in ritornello form, which is typically the first movement of a concerto grosso, fluctuating between the tutti and solo groups. The Allegro movement generates a mood of joyfulness throughout the whole section, which is representative of the Baroque period.
The beat of Brandenberg Concerto #2 in
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The texture of Brandenberg Concerto #2 in F: Movement 1 Allegro overall is polyphonic with energy. A polyphonic texture encompasses two or more melodies that are played at the same time. The overall texture of the first movement is high and light, almost airy sounding. Some of the instruments have separate textures, such as the trumpet, which has an assertive, high, lively texture heard over the other instruments. In fact, in Brandenberg Concerto #2 in F: Movement 1 Allegro, the trumpet score is easily picked out and is considered one of the most challenging scores for a trumpet player. Furthermore, the instruments take the melody lines, using imitation and variation to change the sound while building a continuousness in the composition. The texture and the changes help me to enjoy the composition by making it interesting for …show more content…
Timbre can generate the uniqueness of a composition. The timbre uses oboe, recorder (flute), trumpet, and violin in the concertino and violins, viola, double basses, cello, and harpsichord in the tutti to create uniqueness. The basso continuo, played by the cello and harpsichord in this composition, helps to create a unique timbre. The timbre changes create variety and distinction that allow further enjoyment of the composition. In Brandenberg Concerto #2 in F: Movement 1 Allegro, in addition to the basso continuo which creates unique timbre, the solo sections are played by differing two instruments during each section, which creates not only continuity, but also timbre that is interesting, rich, and distinctive.
Brandenberg Concerto #2 in F: Movement 1 Allegro is a brilliant composition by Johann Sebastian Bach. It is an excellent example of the characteristics of music during the Baroque period, yet with a uniqueness of a masterpiece of
The dynamic levels at the beginning were in piano, but it did not stay that way, there were changes in the sound there were crescendos and decrescendos but mostly toward the end. The harmony was very polyphonic it had many sounds play at one and the texture was also thick it had many layers of sounds because of the number of instruments and the variety of instruments playing simultaneously. The instruments played in this composition were strings, woodwind, brass, and percussion like, cello, flute, French horn, and timpani and they for the tone color the instruments did have a high pitch range. The form for this was theme and variation because he had a theme and variation he took the melody and used it over and over and over again by changing different elements. Prokofiev’s Piano Concerto No. 2 in G Minor, Op. 16 rhythm was a medium walking pace and the steady beat was recognizable. For dynamics, the composition started off mezzo and had changed where it was forte and had crescendos. The melody seemed to be in minor scale
The Baroque style of music was in prominence from the beginning of the 17th century until the mid-18th century. Some primary features of this style, particularly in the later years, include an emphasis on polyphonic textures and a continuity throughout the entire piece. Most compositions were created for specific events and sometimes written for particular instruments. (Kamien, 2015). The Trumpet Concerto for 2 Trumpets, composed by Antonio Vivaldi, is one example of these late Baroque style compositions and one we can use to analyze: the common elements, the overall effect, and the composer’s possible perspective.
(TheRealConcertKing), the polyphonic contrapuntal style is apparent. However, it is accompanied by concerto grosso with use of the technique of terraced dynamics in ritornello form (Whitehouse 76). In Johann Sebastian Bach’s, “Brandenburg Concerto No 4 G major BWV 1049”(Classical Vault 2), the major and minor tonality is obvious, The terraced dynamic are clearly heard when the solo (violin and two flutes) play and when the full orchestra plays (Whitehouse 86). Author Whitehouse writes,” The immediate decrease in sound when the smaller group plays and a return to a full sound when the full orchestra plays” (Whitehouse 87). Bach also used ritornello form in “Brandenburg Concerto No 4 G major BWV 1049” (Classical Vault 2). Bach’s chosen ripieno is, tutti, solo, tutti, solo, tutti, solo (Whitehouse 8...
<td width="50%">Baroque Concerto FormClassical Concerto Form Concerto grosso (use of string orchestra set against a number of solo instruments) is the most popular concerto form of this period. Other forms include The ripieno concerto and the solo concerto.Symphony form develops from baroque concerto forms and becomes the new form. Shorter movements than classical form.Concerto longer than baroque from. Fairly strict structure and prerequisites, e.g. Traditional ritornello form, virtuostic displays etc.More freedom and experimentation with traditional form. First movement has solo passages extending into long sections; alternated between four or five ritornello sections. First movement constructed in a variant of ritornello form with a double exposition. Violin is preferred concerto solo instrument although the harpsichord becomes more and more popular throughout the century.The newly prominent piano tak...
Wolfgang Amadeus Mozart composed an exemplary piece of classical music that can be seen in television and films of the twenty-first century. Mozart would hear a complete piece in his head before he would write it down. He created pieces that had simple melodies, but also the orchestration sounded rich. Out of the forty-one symphonies Mozart composed, I have chosen Mozart’s Symphony No. 40 in G minor or better known as The Great G Minor Symphony, written in 1788. Mozart’s Symphony No. 40 is considered the most popular out of all forty-one symphonies because the opening movement is very memorable. Mozart’s Symphony No. 40 is effectively composed through the use of a specific form, elements of music, and using the appropriate instruments so one can see brilliant scenes unfolding.
Baroque era covers the period between 1600 and 1750 beginning with Monte Verdi (birth of opera) and ended with deaths of Bach and Handel. The term baroque music is borrowed from the art history. It follows the Renaissance era (1400-1600). It was initially considered to be a corrupt way of Renaissance by conservatives. The dominant trends in Baroque music correspond to those in Baroque art and literature. Some features of Baroque art included a sense of movement, energy, and tension (whether real or implied). Strong contrasts of light and shadow enhance the effects of paintings and sculptures. Opera is one of the types of music in the Baroque era. It represented melodic freedom. Baroque era was usually referred to as the thorough-bass period. In early Baroque era no tonal direction existed, but experiments in pre-tonal harmony led to the creation of tonality. [1] Baroque genre included instrumental suite, ritornello, Concerto grosso and chant. There were important composers of the Baroque period such as Johann Sebastian Bach, George Frideric Handel, Antonio Vivaldi William Byrd Henry Purcell and George Phillip Telemann. Starting in northern Italy, the hierarchical state -- led by either the urban bourgeoisie or despotic nobles -- replaced the fluid and chaotic feudal system of the middle Ages. [2] For this reason, some historians refer to the Renaissance as the Early Modern Era. Sculptors, building on the techniques of artists such as Giovanni Bernini (1598-1680), found ways to create the illusion of energetic and even violent movement in their works. Painters created larger and more crowded canvases. Virtuosity was used in all the arts. The arts became an important measure of learning and culture. Music moved from the science of number to an expressive art viewed as an equal to rhetoric.
...ers and the audience. The dramatic nature of this piece alone is something to be reckoned with as it is extremely passionate. The symphony is presented in 4 movements as is common and begins with a Poco Sostenuto- Vivace, followed by a Allegretto movement, Presto movement, and finally ends on an Allegro con brio movement. the central theme of this piece is introduced in the first movement by a flute playing in tripple meter continuously ascending up the scales rising in dynamic contrast, continuing to grow into a louder and more stark contrast between it’s highs and lows. Consistently dance like, the piece is celebratory of its roots buried in historical Austrian music that has been present in the culture for years. The accomplishments of the soldiers for which the piece was composed for are easily told of simply by the energy and power present throughout the piece.
Lydia Artymiw is an American concert pianist who has gained decent reputation over 30 years. She is the Distinguished McKnight Professor of Piano at the University of Minnesota. During her career, she has made herappearances at nearly all major American orchestras across the nation, including Boston Symphony Orchestra,New York Philharmonic Orchestra, and the Los Angeles Philharmonic Orchestra at the Hollywood Bowl. An acclaimed chamber musician, Lydia Artymiw has collborated with many celebrated artists around the world. Solo recital tours have taken her to all major cities in America, improtant music centers in Europe and troughout the Far East. She aslo revceived several prizes and compliment by the media and press. For those who are not
Unlike the concertos of the baroque period, the classic era mainly emphasized the solo concerto. The choice of solo instrument, however, was somewhat broader then in the baroque era. There was more of a trend during the classical period towards keyboard concertos. This style was originated in North Germany, by C.P.E. Bach, and gradually spread to other areas. Mozart took the concerto to its greatest heights. "His incomparable ability to weave the complex strands of the concerto fabric without entangling or obscuring either soloist or orchestra has never been surpassed.
The texture is polyphonic. It has a slow tempo and there is no presence of accelerando or ritardando. Harmony is a consonant of the word. Melody is conjunct and peaceful. Has a lot of repetition.
...rease in popularity during the Baroque Age. The listeners enjoyed hearing the keyboard pieces that were often grouped into suites and played in the same key. Organ music was also very important during this era, mainly being played in church services. The major forms of keyboard music were preludes, chorals, variations, and fugues. Each of the three musicians used these forms of keyboard music in their pieces. Through these forms, Bach was able to take on every genre of music, creating his own which was the keyboard concerto. The works that Handel composed were often forgotten unless they were an oratorio. Telemann’s music was generally complex containing French, Italian, and Polish styles. Though the styles of music between these three men vary, they were able to leave a positive lasting impression causing people to reproduce and listen to their music regularly.
Nepomuk Hummel’s Trumpet Concerto in E is one of the most famous pieces in the trumpet repertoire and one of Hummel’s most recognizable works. Hummel had a very close connection to Mozart and his works, which helped establish a foundation for Hummel’s compositional style. His studies and friendship were no doubt an influence in creating this masterpiece for the trumpet. When listening to Hummel’s concerto for trumpet, one can find direct references Mozart’s Don Giovanni and other works by Mozart. Although Mozart was only apart of Hummel’s life for a brief period of time, he left the largest impression on Hummel’s compositions and it is very apparent in the Trumpet Concerto in E.
“‘Concerto’ described works whose individual lines, instrumental or vocal, were assembled into a harmonious whole (Bartók: Concerto for Orchestra).”The conductor of this piece was Pierre Boulez. This composition has five moments which are the introduction, games of Paris, elegy, interrupted Intermezzo, and the finale. The instruments I noticed in this performance were the Violin, Viola, Cello, Flute, Timpani, Horn, Harps, Double Basses, Oboe and Tuba. According to the program this took place at the Hieronymus Monastery in Lisbon, Portugal. The Hieronymus Monastery is a gorgeous performance space. The monastery has high ceilings with a large arch. The ceilings even have a beautiful circular designs there is several arches within the buildings that give the area a sophisticated appearance. The color gives the place a golden tone. Where the audience is sitting there is columns in the middle with an intricate design on each one and the columns seem to have a glow effect. The space behind the orchestra is a wall with beautiful designs and arches. Within these arches are mosaic pictures that add color to the golden tone. This place is so exquisite it leaves one speechless. When the conductor comes onto stage the audience claps and the conductor bows. Boulez was much different in his entrance then Janson, Janson smiled when bowing as Boulez did not. The first movement
This piece was originally composed by the talented Italian composer, Nino Rota around the 20th century. Rota was a well-renowned music composer and an enthusiast of the viola. He dedicated most of his compositions to his fellow music composers. Notably, Rota composed the second Sonata to Piero Farulli. This particular piece contained three different movements under C major: Allegretto scorrevole, Andante quasi Adagio, and Allegro scorrevole. In the “A Little Bit of this, a Little Bit of that” concert, Julia Heinen and Francoise Regnet tried to bring out the calming effect of the different pieces. For instance, the Allegretto scorrevole had a tempo that varied in nature. It started out fast but slowed down during the performance
...chestral introduction with an imperfect cadence. A strong rhythmic ¾ allegro passage, with sequences and descending scales is played by the orchestra, with timpani and cymbals. The music modulates, and a short, quiet woodwind passage is then alternated with an orchestral passage with dotted rhythms, creating a `terraced dynamics' effect. Part B begins with a major clarinet melody accompanied by pizzicato strings. A minor flute sequence follows, and is followed by a repetition of the oboe melody. A string sequence is then played, imitated by the oboe. There is a crescendo, then the rhythmic orchestral melody returns, alternated with a short flute passage. There are suspensions, descending scales and a crescendo, followed by a strong rhythmic passage with the timpani playing on the beat. Imperfect cadences are played, before the piece finishes with a perfect cadence.