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Why does hamlet delay taking revenge on claudius
Hamlet getting revenge
Hamlet getting revenge
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Throughout the play of Hamlet by William Shakespeare it becomes apparent that revenge isn’t really worthwhile if you die in achieving it. Hamlet Sr. was murdered by his brother, Claudius, who then became king of Denmark and married his sister-in-law, Hamlet Sr.’s queen. Upon Hamlet’s discovery of the act of treachery he wants his revenge. In trying to accomplish it he kills an innocent man, Polonius. In result, the daughter of Polonius and former lover of Hamlet, goes mad and kills herself. The deaths of the innocent father and daughter cause another to seek revenge, Laertes. Laertes wants to avenge the deaths of his father and sister. The man who started it all is worried about being found out. In order to keep his actions covered up he teams up with Laertes to kill Hamlet. Claudius doesn’t know that hamlet’s friend, Heratio, also knows the truth about the death of the king. In the scene where everything is supposed to go as planned to kill Hamlet, Queen Gertrude drinks out of a poisoned cup intended for Hamlet and dies. Hamlet is wounded by an unblunted fencing sword with a poisone...
...n reference to Claudius: “It is a poison tempered by himself” (5.2.330). This statement could easily be applied to Hamlet himself. Had Hamlet simply killed Claudius in justified retribution instead of sparing him for the sake of unleashing a harsher torment upon him: Hamlet would have had a chance to have a happy ending with Ophelia, the woman he loved. Instead, Hamlet chose escalation, vengeance, and he ruined himself and all he loved in this pursuit. For dramatic affect and masterful literary necessity William Shakespeare had Hamlet choose his vengeance. Although this marks the ending of Hamlet as a hero and the beginning of the tragedy in the play, it could have been done no other way in keeping with the spirit of Hamlet. Put quite simply, had Hamlet chosen retribution instead of revenge, Hamlet, Prince of Denmark, would not exist as the famous play that it does.
Hamlet questions what may or may not happen however Laertes just wants the revenge fast and effective. Although these characters have different standards when it comes to revenge, they both immediately blamed and directed their anger towards Claudius when they found out their father’s were dead. Hamlet’s reason to blame Claudius is simply because he is his father’s murderer. In 1.5 while Hamlet is talking to the ghost of his father he says, “Haste me to know ’t, that I, with wings as swift/As meditation or the thoughts of love/May sweep to my revenge” (Shakespeare 1.5.31-33). At first is seems as if Hamlet would seek revenge right away because he seems eager to find out who the killer is and when he does find out he says he knew it was Claudius all along. He is furious and after this part in the play, Hamlet’s anger is mainly focused on Claudius. On the other hand when Laertes found out Polonius is dead he went straight to Claudius assuming it was him. By doing this he shows that he is controlled by his impulses unlike Hamlet who waited until he got proof to act on his fury. Laertes also blamed Claudius for not giving his father a proper burial, which can relate to Hamlet’s anger too because Hamlet felt as if there was not enough mourning for his father death. Not only did they both lose their fathers, but they both lost Ophelia, a female figure in their lives that they both loved.
His father was killed by Hamlet and his sister was driven insane due to the series of events that took place because of Hamlet. Like Hamlet, Laertes wants to avenge his father by killing the man who killed Polonius. As described earlier, Hamlet is slow to act. Laertes, on the other hand, acts quickly and with precision, wasting no time in acquiring his target and formulating a plan. Robert Palfrey Utter, Jr., puts it best, Hamlet and Laertes both come to the same conclusion that murder must be carried out, but Hamlet reaches that conclusion only “after he has had a few minutes to think it over.” (140) Once Laertes finds out that the man who killed his father was Hamlet he is ready to charge in and kill him as soon as possible. He is only stopped by Claudius, who advises him on a more subtle approach. Straight off the bat it is clear how efficient Laertes is compared to Hamlet. Hamlet wastes a large amount of time scheming up complex ideas on how to get a confession out of Claudius and how to kill him. Laertes on the other hand wastes no time in getting a straight and to the point plan that he can execute immediately. After spending more than half the play watching Hamlet squirm around on the stage getting almost nothing accomplished, the audience would be acutely aware of the stark difference between Hamlet and Laertes even though they share the same motivations. Laertes has his speed but he shares in Hamlets lack of critical thinking when he gets hot headed. He is in such a blind rage that he doesn’t think on what he is agreeing to do with Claudius. Just like Hamlet, his brash actions cost those around him his life. In carrying out the plan, the King, the Queen, Hamlet, and he all die to the poison that was used in the duel. Hamlet was slow and reckless while Laertes was quick and reckless. Wilds sums up the relationship between Hamlet and Laertes perfectly, “Laertes and Hamlet have been foils to each other
Many characters and people even with very few appearances or interactions with others can leave a lasting effect on someone or can impact the overall mood and message of a body of work. In William Shakespeare’s Hamlet, King Hamlet’s ghost or afterlife form makes a few appearances through the course of the tragedy but leaves a persisting effect that weighs heavily on the decisions and actions of Prince Hamlet that result in further deaths, adds depth and establishes the theme of revenge, and overall assists in the development of Prince Hamlet’s character as a person.
Over the last few weeks I have read and studied over “Hamlet” by shakespeare, throughout my studies I have been told to pick a motif that i think would best stand out to me and
During the final scene and act of Hamlet, both foils are engaged in an alleged friendly battle, where the king has placed a bet on Hamlet that he will win over Laertes. After their battle Laertes manages to hit Hamlet with the poisoned tip of his foil and in turn Hamlet gets him back. After the queen falls and dies, Laertes states to Hamlet “Hamlet, thou art slain: ...here I lie, never to rise again: thy mother’s poison’d: I can no more: the king, the king’s to blame” (5.2.306-313). Laertes tells Hamlet that he is going to die due to the poisoned blade, also that he himself is also going to die for the same reason and that Gertrude is also going to die for drinking the poisoned cup that was intend for Hamlet. He also states that Claudius is the one who devised everything. This line symbolizes how Hamlets prolonged revenge caused the deaths of so many innocent lives that had nothing to do with his father’s death. If he killed Claudius in the church or before that, then Hamlet wouldn’t have had so many lives lost during the cross-fire. After Laertes got wounded by his own sword he stated that “Why, as a woodcock to mine own springe, Osric: I am justly kill’d with mine own treachery’ (5.7.299-300). Laertes admits that his plan backfired by killing him. He caused his own death, but unlike Hamlet, Laertes didn’t kill any innocents along the way with his plan except himself. Finally after all his time spent acting mad, choosing to live or not, hesitating to act upon chance Hamlet finally kills Claudius “Here, thou incestuous, murderous, damned Dane, Drink off this potion. Is thy union here?’’ (5.2.318-319). Hamlet killed Claudius with the same weapon he had killed his father being the poison. Even though after such a prolonged mission, Hamlet kept his word that he promised to himself during Claudius’s confession “or about some
It is the idea of revenge that sends a cool shiver down the spines of justly men when they begin to question as to why someone would stoop to such a level. But yet it is still more than an idea for revenge has been carried out in various forms along all the eras of history side-by-side of that of novels and tragedies. Even so, revenge is still a dark scheme; an evil plague of the mind per se. It is such a plague that will turn even the greatest persons of the brightest, optimistically capable of minds into lowly, as well as lonely, individuals. Thus, revenge will, and can, only end in despair and agony of the mind. Therefore, provided that all that has been said is true, revenge would appear quite unseemly to the observant onlooker. However, taking an in-depth insight into revenge you can uncover quite a compelling feature, which is best summed up into one word. Pride. Pride is the one clear motivational proprietor needed to push a protagonist into the downward spiral of personal vendetta. Without pride, revenge is no more than a mindless massacre of flesh and bone ending in the obliteration of any hope for reconciliation.
Imagine a play in which a prince is seeking revenge of his father’s murder and ultimately succeeds. Now, imagine a play with the same plot, but with young love, dramatic scenes denying this love, and true madness that leads to suicide. Which sounds better? Which would hold your attention longer? Odds are that the second play described is the choice you have chosen or unknowingly chosen in your thoughts. If it is not, then you would be missing out on one of the most famous plays written by William Shakespeare. Both plays described have the fundamental plot of this Shakespeare’s Hamlet, but only the second is the true play that Shakespeare intended to be performed. Only the second play includes the young, lovesick and distraught Ophelia who separates the first described play from the second. Ophelia may not be the star of the play like Hamlet, but through her transformation into a state of madness along with her role in the only true romance in the play, we learn more about several characters and remain intrigued in the play.
Revenge has caused the downfall of many a person. Its consuming nature causes one to act recklessly through anger rather than reason. Revenge is an emotion easily rationalized; one turn deserves another. However, this is a very dangerous theory to live by. Throughout Hamlet, revenge is a dominant theme. Fortinbras, Laertes, and Hamlet all seek to avenge the deaths of their fathers. But in so doing, all three rely more on emotion than thought, and take a very big gamble, a gamble which eventually leads to the downfall and death of all but one of them. King Fortinbras was slain by King Hamlet in a sword battle. This entitled King Hamlet to the land that was possessed by Fortinbras because it was written in a seal'd compact. "…our valiant Hamlet-for so this side of our known world esteem'd him-did slay this Fortinbras." Young Fortinbras was enraged by his father’s murder and sought revenge against Denmark. He wanted to reclaim the land that had been lost to Denmark when his father was killed. "…Now sir, young Fortinbras…as it doth well appear unto our state-but to recover of us, by strong hand and terms compulsative, those foresaid lands so by his father lost…" Claudius becomes aware of Fortinbras’ plans, and in an evasive move, sends a message to the new King of Norway, Fortinbras’ uncle.
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
‘’The memory be green’’ (1.2.0-5). It has not been much time since Hamlet Sr. died, his memory stays fresh, but his brother, Claudius, has already married his wife and taken his kingdom. Claudius says he does it for the good of the Denmark, in The Tragedy of Hamlet, Prince of Denmark by William Shakespeare. In addition; Hamlet cannot stop his hatred and anger toward his mother and uncle. He gets devastated and goes in grief by the loss of his father. The appearance of ghost and the truth about his father’s death drags him to revenge. He moves from grief and depression to revenge and into insanity. The insanity that starts with as an act becomes real and destroys Hamlet and his loved ones.
Throughout Shakespeare’s play, revenge intertwines to bring about the deaths of most of the main characters. Hamlet’s course of revenge initiates the first fatality when Polonius gets caught spying on him and Gertrude (III. iv. 24-25). By pursuing revenge, Hamlet killing Polonius paves the way for more lives to be lost. Claudius sees the murder as an opportunity to eliminate Hamlet, because Laertes’s obsession with revenge leaves him vulnerable. Laertes’s and Hamlet’s revenge lead to the deaths of Gertrude, Laertes, Claudius, and finally Hamlet (V. ii. 287-357). The revenge of each character ironically ended their own life. By acting upon revenge and having inimical intentions, the individuals brought fatalities that were unnecessary.
Through previous years, philosopher’s have tested numerous theories that help us in defining the nature of our being, often these are stalled by the nuanced thought behind our heart and mind. Philosophers often believed that we were slaves to our passions despite our reasoning, even now this could be proven by acts of love, but more than often proven it can be seen through our desire for revenge. Unlike it’s counterpart [avenge], revenge is both a verb and a noun that can be not only acted upon but attained. Revenge is what one seeks after being wronged and often an action never thought through by reason, but a fight of a person’s passions towards a self declared justice. Portrayed in a copious amount of movies, songs, and art, the theme of revenge has been held iconically within Shakespeare's most famous play, Hamlet. Centered around corruption of the mind, body and soul, Hamlet is seen by many as the embodiment of revenge through it’s characters (Hamlet, Laertes, and Fortinbras); it is within their actions and development that each character portrays the dichotomy of their passion and reason to prove that we are slaves to our passions until reason catches up.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.
William Shakespeare's Hamlet presents the generic elements found in Renaissance revenge tragedies ("Revenge Tragedy"). However, although Hamlet is a revenge tragedy by definition, Shakespeare complicates the basic revenge plot by creating three revenge plots out of one. By adding significant innovations, Shakespeare creates "three concentric rings of revenge" (Frye 90), depicting an indecisive protagonist who is an intellectual rather than a physical hero, an ambiguous ghost, and several problematic aspects of the play, such as the reason for Hamlet's delay, the confusion of time, and the truth behind Hamlet's apparent madness.