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Id psychology the cask of amontillado
Psychological views in cask of amontillado
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Ending in death most foul, “The Cask of Amontillado” and “The Tell-Tale Heart” feature revenge and a painstaking cruelty. Pushed to the point of insanity and retribution sought over trivialities, the narrators tell each story by their own personal account. The delivery of their confessions gives a chilling depth to the crimes they have committed and to the men themselves. Both men are motivated by their egos and their obsessions with their offenders. Prompted by their own delusions, each man seeks a violent vengeance against his opposition in the form of precise, premeditated homicide. Carefully, cautiously the Montresor plotted precisely how he would exact revenge upon Fortunato. Much time and great energy was devoted to this plan, selecting a time that would be best: during carnival when the town would be celebratory, his servants apt to run off and join the celebration, when the two could silently disappear without notice or question. No detail is forgotten; he allows for no deterrents. He follows through with such a confidence that never does he stumble or hesitate in carrying out his plan. The Montresor indicates that he had never given. To continue with this ploy, he even goes so far as to express false concern for Fortunato as they pass through the catacombs. Blaming the nitre and damp, the Montresor suggests that they turn back as not to compromise Fortunato’s ill health, though he has no intent of doing so. Never once until the very end did Fortunato have cause to suspect that there were any foul plans afoot. The narrator in “The Tell-Tale Heart” has taken the time to meticulously plot. He sneaks nightly into the old man’s room preparing until he is ready to carry out his plans. His discontent lies... ... middle of paper ... ...us on deadly revenge. In each case, a retribution that is carried out in a cruel and callous fashion. The men fulfilling these actions are cold, calculating, and contemplative. They have painstakingly endeavored to seek retribution against what has plagued them: Fortunato and his insults to the Montresor and the old man’s piercing, chilling eye for the man from “The Tell-Tale Heart”. Driven to the point of madness by their own obsessions, they plot to murder their offenders. The tales are told each by the man who has indeed committed the crime. Each man’s insanity becomes more and more clear as they narrate confession; the Montresor with the unfailing ease with which he dictates his account and the man from “The Tell-Tale Heart” with his jagged and rough delivery. Their distinct mental instability calls into question to reliability of the report they give.
Montresor must trick and manipulate Fortunato to accomplish his goal of revenge. He tells Fortunato the reason he is at the ...
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
Edgar Allan Poe’s “The Cask of Amontillado,” is a short psychological thriller. The murder of Fortunato haunts Montresor so greatly that he feels the compulsion to tell the story some fifty years after the fact. He appears to be in the late stages of life desperately attempting to remove the stain of murder from his mind. That it is still so fresh and rich in specifics is proof that it has plagued him, “Perhaps the most chilling aspect of reading Poe’s ‘The Cask of Amontillado’ for the first time is not the gruesome tale that Montresor relates, but the sudden, unpredictable, understated revelation that the murder, recounted in its every lurid detail, occurred not yesterday or last week, but a full fifty years prior to the telling” (DiSanza).
Baraban, Elena V. "The Motive for Murder in 'The Cask of Amontillado'." Rocky Mountain Review 58.2 (Fall 2004): 47-62. Rpt. in Short Story Criticism. Vol. 111. Detroit: Gale, 2008. Literature Resources from Gale. Web. 7 Dec. 2010.
The Author, Hollie Pritchard, conveys the idea that the “Tell-Tail Heart” is a story of sadomasochism which entails egocentrism, pleasure through pain, and an abundance of sexually charged language. Pointing out the narrator’s sadomasochistic tendencies, the author provides valid points that serve as evidence to the narrator’s insanity. Highlighting how sadists suffer from a fixed idea, e.g. the old man’s eye, and the confession of the crime being the narrator’s way of self-inflicting the punishment onto himself, push the author to explore the different ways the “Tell-Tale Heart” is a story far more complicated than we can imagine.
“The Cask of Amontillado” is a dark piece, much like other works of Edgar Allan Poe, and features the classic unreliable narrator, identified by himself only as Montresor. This sinister central character is a cold ruthless killer that is particularly fearsome because he views murder as a necessity and kills without remorse. Montresor is a character who personifies wickedness. Poe uses this character and his morally wrong thoughts and actions to help the reader identify with aspects of the extreme personage, allowing them to examine the less savory aspects of their own. The character of Montresor detailing the glorious murder he committed is a means of communicating to the reader that vengeance and pride are moral motivators that lead to treacherous deeds and dark thoughts.
The irony in, “The Tell Tale Heart” is more obscure. The narrator is an insane and a man who has agitation, yet tries to persuade the reader that he is not just sane, but rather logical. He proves this by calmly explaining why the violent act happens, but only resulting in contrary to what is being influence to the readers. One of the act that takes place, was “every night, about midnight, [the narrator] turns the latch of [the old man’s] door and opened it ....It took [him] an hour to place my whole head within the opening so far that [he] could see [the old man] as he lay upon his bed”. (1) It is abnormal enough for someone to speak repetitively, the narrator broke this boundary, in putting his somewhat mad plan into action. Another ironic moment was the need to confess his murder at the end of the story, due to guilt that is feeding on him alive. Though he is free of the judgmental eye, he is to be imprison for his
Poe writes “The Tell Tale Heart” from the perspective of the murderer of the old man. When an author creates a situation where the central character tells his own account, the overall impact of the story is heightened. The narrator, in this story, adds to the overall effect of horror by continually stressing to the reader that he or she is not mad, and tries to convince us of that fact by how carefully this brutal crime was planned and executed. The point of view helps communicate that the theme is madness to the audience because from the beginning the narrator uses repetition, onomatopoeias, similes, hyperboles, metaphors and irony.
"The Tell-Tale Heart" is one of the most successful fables ever written. It took off its most fantastic details regarding the murdered man 's vulture like eye, and the long drawn out detail concerning the murderer 's slow entrance into his victim 's room, the story stays at an unforgettable recording of the guilty conscience of the man 's voice.
The Case of Amontallido In a psychological perspective, the author’s life is linked with the behavior and motivations of characters in the story. The author’s name is Edgar Allan’s Poe who portrayed his self in his writing. The miserable life of Poe can be measured through “The Cask of Amontillado” in which character named “Montressor” showed indifferent feeling towards his victim. After burying Fortunado alive, Montressor felt bad after burying his victim alive but then he attributes the feeling of guilt to the damp catacombs.
When they arrive at the Montresor estate, Montresor leads Fortunato down the stairs into the catacombs. Down here is where the Amontillado Fortunato is going to taste and where the revenge of Montresor is going to take place. As he get closer and closer, the narrator opens up more and more to how he is going to kill his "friend". It sound like it is a premeditated murder. Montresor seems so inconspicuous that he acts like he cares about Fortunato which is still a part of his plan.
Edgar Allen Poe’s gruesomely fascinating tale of vengeance and murder, “The Cask of Amontillado”, achieves its effect only through its usage of the first person point of view. This unusual perspective enables the reader to view the characters and conflicts through the eyes of the narrator, as he first discusses and justifies, and eventually, carries out his plans for the ruthless murder of his friend. The eerie tone and disorienting and materialistically-related setting of the story contribute to its theme of defending one’s honor and name and avenging all wrongdoings, even something so small as an insult.
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult" (34). The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
After Montresor had executed his plan, the reader should realize that his plan was perfect. He timed it so no one would hear them when they went down to the catacombs, he made sure the location he chose was secluded and hardly visited, and made sure that Fortunato died the way he wanted him to, a slow and painful death. After Fortunato dies, this can make the reader horrified that someone could do this to another person. Montresor was successful and was most likely never caught since he is telling the story 50 years later.
The characters in The Tell-Tale Heart are complex, interesting, and elaborate. Although much is not known about them, they each have minor details that make them stand out. Whether it be the old man’s eye, or the narrators growing insanity.