Elements of Darkness in Apocalypse Now and Heart of Darkness In both Apocalypse Now and Heart of Darkness certain elements of darkness attempt to show how deep one must look inside themselves to discover the truth. Conrad portrays the idea of the darkness of the human heart through things such as the interior of the jungle and it's immensity, the Inner Station, and Kurtz's own twisted deeds. Coppola's heart of darkness is represented by the madness of the Vietnam War and how even to look for a purpose in it all; is itself quite mad. It was no accident that a documentary was made on Francis Ford Coppola's 1979 film, "Apocalypse Now" entitled "Hearts of Darkness- A Filmmaker's Apocalypse" since the production of the film was something of a horrific journey for those involved. Throughout the production, the cast and crew were plagued by some serious problems.
Vietnam was a war fought by the unwillingly, for the ungrateful, led by the unqualified. Apocalypse Now is Coppola’s film based on Heart of Darkness, but set in the Vietnam jungle. The major theme in the novel is the examination of America’s involvement, militarily, in Vietnam. However, like Conrad’s novel, it also shows the potential inherent darkness in all human hearts. Coppola retains the basic structure of Conrad’s novel for his film.
Marlow calls the natives at the first station "black shadows of disease and starvation" (Conrad 20). A little further into the text, Marlow is horrified by what he is seeing, by the darkness he and the reader are being presented with. These are both excellent examples of the negativity towards the natives throughout the book. So, the darkness of the natives is a metaphor for their supposed incivility, evilness and primitiveness. However, if the reader looks a little deeper, they can see that this darkness also ... ... middle of paper ... ...ss: Search for the Unconscious.
The value and popularity given to the gothic horror genre has also varied during the past few centuries. As a result, in order to understand the horror genre’s foundations, it is important to observe the Gothic novel’s modifications. Horror stories have existed for thousands of years, initially in the form of verbal communication. The themes of ruthless enemies and supernatural beings were common themes in myths in an attempt to set morals. However, at present, the true horror literature in its written form mostly aims to entertain.
Parallels Between Conrad's Heart of Darkness and Coppola's Apocalypse Now Apocalypse Now is a very vivid and sometimes disturbing film centered on the Vietnam War. Because it was based on Joseph Conrad's novella Heart of Darkness, it is possible to draw some parallels between the two. Both can be interpreted as metaphors for a journey through the inner self, and each has its own singular message to convey. Apocalypse Now very perspicuously depicts the fact that men have hearts of darkness, and it explores the evils of war. At the same time, however, it seemingly glorifies some aspects.
Conrad, Joseph Heart of Darkness 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical, 1988. Sarvan, C. P. [Racism and the Heart of Darkness.]
The aim of this work is a comparison between the novel "Heart of Darkness" and "Apocalypse Now," Francis F. Coppola film loosely adapted from the novel by Conrad. “Apocalypse Now” was performed as film based on the text of Conrad and placing it in the context of the Vietnam War. Although several elements were added, such as characters and situations that are not in the text, the film reflects in many ways “Heart of Darkness” in the history and development. Adapting the work of Conrad, many abstract things that are not in the text, jump to the screen. In other words, text transformation into visual representation vision adds a vision of evil in men, the fear of death, nostalgia for the home, etc.
Conrad, Joseph. Heart of Darkness & The Secret Sharer. New York: Penguin Books, 1978. Fortmeyer, Russell. 'Apocalypse' cast filled with rage http://collegian.ksu.edu/issues/v099B/fa/n022/a-e-apocalypse-fortmeyer.html created 1994 (accessed 23 Jan. 2000).
Finally, Many movies and films were inspired by the movie series and the books by Edgar Allen Poe. The Tales of Terror is most known as one of the first movies that incorporated a mixture of horror and comedy (99) into the movies. Roger Corman had directed and created many movies and television shows already (mostly horror), but wanted to add something new to some of his movies. For example, that year he created another movie called the Premature Burial, and according to rottentomatoes.com, much of this movie was also greatly based on the dramatic stories and books of Mr. Poe. The genres of this movie was horror, drama, and mystery (158).