Research Paper On Raphael

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Today, on this bright Saturday morning, I have the pleasure of interviewing Mr. Raphael. Raphael’s full name in Italian is Raffaello Sanzio or Raffaello Santi, but he is better known as Raphael. Once Raphael said, “when one is painting one does not think.” Raphael is very well known for his Madonnas and his work at the Vatican. Raphael’s work is admired for its clear and easy composition and for its visual achievement of the Neoplatonic ideal of human grandeur.
1. So Mr. Raphael what was your early life and training like?
That is a great first question. I was born on April 6, 1483, in Urbino, Italy (Raphael). During the time of my birth, Urbino was the cultural epicenter of the Arts. My father, Giovanni Santi, was a painter for the Duke of
After I had finished the Stanza, Leo X was quick to hire me for other commissions that he had in mind. Leo appointed me as his chief architect when Bramante died, even though I had never worked as an architect before (Sayre 232). With all the help of my assistants, I was able to better focus myself on the art of sculpting. Under this appointment from Leo, I designed a chapel in Sant’ Eligio degli Orefici. I also designed Rome’s Santa Maria del Popolo Chapel as well as a part of the inside of Saint Peters basilica. In 1515 Leo in asked me to supervise the preservation of marbles, which had precious Latin inscriptions. Two years after my promotion Leo asked me to help him again. He gave me the job of drawing an archaeological map of Rome; he also made me commissioner of the antiques in the city. By this time I was in charge of all of the papacy’s artistic projects in Rome, such as architecture, paintings, and decorations (Encyclopedia
My body was buried in the Pantheon in Rome.
However, right before my death, my movement towards Mannerism inspired many painting styles in Italy’s upcoming Baroque period. Raphael was an amazing artist, was and is commonly known for his paintings, architectural structures, sculptures, and for his involvement with figures of authority. He created beautifully symmetrical pieces such as his Madonnas and Frescoes. Raphael was put in places of authority so many times by important figures, such as Leo X and the Pope that he can, and should, be considered as a figure of authority himself. Raphael is to this day, and will most likely be in days to come, recognized around the world for his impact on Italy’s High Renaissance

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