Christian Dior is called the man behind the new look. He was a French fashion designer and a dominate force in fashion in 50s. Christian is known as a founder of one of the most well-known houses of fashion in the world. The “New Look” was the dominant style in Christian’s works. Rounded shoulders, a cinched waist, curved hipline, very full skirt with a hemline almost 6 inches longer than the prevailing styles – all of that were the features of Dior at the time. This was a radical change from the styles of the previous decade. Tones of fabric were used and, of course, not everybody liked it. The step back in fashion was not popular among young people. Christian created such famous pieces as the Bar Suit from his corolle collection, Picture Hat, Waspie and the Cocktail Dress (what is more Dior was the first to name the early evening frock a “cocktail” dress in the late 1940s).
In the 50s Chanel, a French designer, was creating same type of clothes as in the 20s. The casual, super simple look with clean lines was prevailing in her
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His knowledge of technique and construction were making his designs very original and special. He was an expert tailor. Cristobal used bold materials, created heavy clothes and used ornate embroidery. One of his famous pieces is the Infanta Gown. Cristobal was getting a lot of inspiration form history. He used volume in clothes and used all shapes and sizes. Depending on a model, he was changing the place of the waistline and wanted to make women look beautiful in his clothes. Another famous piece created by Cristobal is an Evening dress inspired by a Spanish Flamenco Dress what refers on his Spanish origin. He was referred to as a "the master of us all" by Christian Dior and "the only couturier in the truest sense of the word" by Coco Chanel. He had a profound impact on the European fashion and on the day of his death in 1972, Women's Wear Daily ran the headline "The king is
Baker Patricia, 1991, Fashions Of A Decade: The 1950's,. New York, Facts On File, Inc.
New fashions were surfacing in both men’s and women’s fashions. Men were wearing Bermuda pants, baggy pants that were cut off at the knee, while women were wearing capris, tight pants that cut off just below the knee. Men were wearing tailored jackets and making a slight move towards the casual dress of today’s workplace. Women were wearing natural shoulders as opposed to the heavily padded ones of the war years. Flat, neck-hugging collars replaced the mannish collars of the late 1940’s. Waists were tightly fitted and skirts were long (Melinkoff 46). The jeans of the time were often lined with plaid flanel and dungarees were worn to the most casual occasions. The sandals of the fifties were not much different than the sandals of today.
In the 1960?s, society was changing by the minute and fashion was ?anything goes?. In the early sixties, Jackie Kennedy influenced fashion with her elegant, stylish outfits and her trademark pillbox hat. In the late sixties, the ?mod look? was popularized by go-go boots and mini-skirts, while bellbottom jeans, tie-dye shirts, long skirts and peasant dresses were worn by the hippie culture. Glance through any fashion catalog or magazine in the nineties and you will see models wearing the same fashions popularized in the late sixties. This illustrates how the 60?s contributed to today?s fashions. In the sixties, people in television, film and movies became the new socially elite and their influence had a profound impact on fashion, attitudes, and social values. In the nineties, supermodels and sports figures have joined this group. The fascination the public has with c...
Givenchy’s love for fashion grew when at the age of ten he attended the Pavillon d’ Elegance Paris Exposition. Once looking through Vogue magazine, he was inspired by Balenciaga men’s wear. He wanted to be a couturier and attended Ecole des Beaux-Arts in Paris, to start a formal education in fashion. His designing inspirations came from Elsa Schiaparelli and Madam Gres’s work. His experience also came from working at the House of Piguet in Paris; this salon was known for its dramatic yet simple style and after, at the House of Lelong that was known for their high quality clothing. Those positions gave him knowledge on how to work with couture customers and gave him an opportunity to build strong relationships with them (Press, 2002).
Werle, Simone. Fashionista A Century of Style Icons. New York: G.P. Putnam's Sons, 1977. Print.
Coco Chanel, born Gabrielle Bonhuer Chanel, on August 19, 1883 in Saumur, France was an amazing woman who redefined fashion as we know it today. She was a clothing designer who revolutionized the fashion industry with her suits, little black dresses, and avant garde flare. Because of this quickly in her young life she became well know, and rose to be the fashion icon that she is today. From the timeless designs that are still popular to this day, and the sophisticated outfits that can be paired with great accessories Chanel has done it all. When it comes down to it though it was Coco Chanel’s philosophy that “luxury must be comfortable, otherwise it’s not luxury” that lead to her success. (“Coco Chanel”)
Throughout the world of men’s fashion in the 50’s, a few men rose above social normalities and created a style everyone man wanted to follow. One of these men was Elvis Presley who was highly regarded in the music industry for his unique style. This originality carried through to his fashion choices with an obvious distaste of adhering to social standards. Elvis wore whatever pleased him; this included bright colours, patterns, large belts and even wearing his favourite colour of pink. Another key icon in men’s fashion was James dean. His simplistic yet edgy style became the ‘cool’ thing. His bad boy persona made the girls heart melt, making men all across the world try to achieve his look.
In Deauville, she introduced casual knit dresses which was shockingly different from what others were creating and wearing. “She introduced relaxed dressing expressing the aspirations of the 20th century woman, replacing impractical clothing with functional styling.” (Martin 80). Her designs stressed simplicity and comfort and revolutionized the fashion industry. Within five years of her original use of jersey fabric to create a poor girl look, had attracted the attention of influential wealthy women seeking relief from the prevalent corseted style. In 1954, Chanel presented her new collection of the signature suit. The Chanel suit is a standard garment in modern fashion. “The key to her design philosophy was construction, producing traditional classics outliving each season’s new fashion trends and apparel.” (Martin
Paul Poiret was born on April 20th, 1879 in Paris, France. His contributions to twentieth-century fashion has earned him the title in many people’s eyes as the “King of Fashion”, because he established the principle of modern dress and created the blueprint of the modern fashion industry. Poiret’s designs and ideas led the direction of modern design history. He was born into a working class family and his natural charisma eventually gained him entry into some of the most exclusive ateliers of the Belle Époque. Jacques Doucet, one of the capital’s most prominent couturiers, hired him after seeing promising sketches he had sold to other dressmakers. Furthermore, he was hired by the House of Worth and was put to work to create less glamorous and more practical, simple items because his out of the ordinary designs were not welcomed in open arms by opulent clientele. Despite this experience he was still confident in his ideas and ventured out on his own with money barrowed from his parents and opened a storefront. Moreover, he wanted to promote of the concept of a "total lifestyle” was seen as the first couturier to merge fashion with interior design. His independent work broke the normal conventions of dressmaking, and overturned their underlying presumptions. He liberated the woman’s body from the petticoat and the corset to allow clothing to follow woman’s natural form. Poiret also radically revolutionized dressmaking to switch from the emphasis surrounding the skills of tailoring towards those based on the skills of draping and began to use bright colors. Furthermore, Poiret was apart of the art deco movement, which was surrounded by a period of immense social upheaval, particularly for women, and emergence of technol...
Fashion plays an important role in the lives of billions all over the world; people, as part of a status craving society, turn to “fashion capitals” of the world for ways in which to dress and carry themselves. New York, Milan, and Paris are leaders among this fierce industry that the world lusts after. Fashion can speak volumes about ones personality, or also about the condition the world is in at the time. In France, fashion changed rapidly and feverously as the times changed.
They liberated women from tight corsets through her innovative use of tweed and jersey influenced by men’s clothing. Chanel created many timeless designs including the “little black dress,” the classic Chanel suit and Chanel No. 5 perfume. Her designs have forever changed the fashion industry. Coco created a modern, functional, chic look for women which made them feel liberated in their own clothes. Her style is described it as “less is more.”
Fashion has been around ever since ancient times, since the time of the Romans, it survived the world wars and is yet today a business with rapid changes. Fashion started off as an art form, a way for the riches to show their social status with unique and innovative designs that only they could afford. It was a way to separate the social classes of the society. In this paper I will include the creator of haute couture, and how the following designers developed couture, as well as having leading names in today’s ready-to-wear industry. The list is long, but I chose to focus on the three most important designers of the modern fashion industry.
Introduction Historically, multiple styles of dressing have been created during the last several decades, which played an important role in modern fashion in the UK. Everyone has a different and unique dressing style in their everyday life. Some styles are influenced by vintage styles which are attributing to the deep effects of old vogue, and another group of dressing styles are inclined into the fresh element. Despite those different styles, some of them have even evolved into the milestones in fashion history. To start this essay, it will introduce the evaluation of the first significant revolution of dressing style in the 1960s.
Clothing has been around for thousands of years; almost as long as the modern human has. At first, it served the practical purpose of protection from the elements; but, as life for early humans stopped being a constant struggle to survive, they started noticing how they looked and the concept of fashion began to take shape. These first few garments were typically dyed draped cloth that was pinned at the shoulder and/or waist. This was seen in many ancient civilizations around the world, Greek and Roman the most notable. Over time, clothing began to get more and more complex and formed to the body’s shape, eventually leading up to the tailored style we now have today. However, the sophisticated world of Haute Couture; or high fashion, can distinctly trace its roots to Paris during the mid-19th century. Clothing from there was thought to be superior to those from anywhere else, and women began to come from all over Europe just to buy dresses. This was probably due in part to one notable dressm...
As Olivia Singer writes in her article for Another Magazine, “famously, and much to the derision of his contemporaries, it was Yves Saint Laurent who popularised the trouser suit for women”. (Another Magazine, 2017). It is true that a few and daring women, like actress Marlene Dietrich, did wear a man suit, but Saint Laurent went further than dressing a woman into a man’s attire; he created a whole look, an emancipating, audacious and bold equivalent to the little black dress that “was to become the rage in fashion and show business[…], as Marguerite Duras claimed ( Marguerite Duras, Yves Saint Laurent-Icons of Fashion, Icons of Photography, 2014), . ‘Le Smoking’ was not intended to mask the female figure and render a woman into a man; it was the ultimate feminine tool of emancipation, accentuating the sexuality and femininity of the “Femme selon Yves”; the Woman in the eyes of Yves. It is still one of the most celebrated look of power-dressing and has since been shown not only by other couture Houses, but also by High Street