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The divine comedy essay
The Historical Relevance of Dante's Works
The divine comedy essay
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The goal of this paper is to give an overview of Dante, his life, and his most famous work, “The Divine Comedy”, including themes, symbols, events, characters, and character selection. Dante Alighieri is considered one of the most famous writers of literature from the Middle Ages. Second only to Shakespeare himself, Dante uses not only the people around him in his work(s), but also the environment, settings, events and personal experiences. This is what sets him apart from the other writers, not only in the Middle Age, but from the many generations of writers to come after him. Later, you will see how he puts himself, and others, in his works in order to make since of the events in his time. He uses his relationships, his exile, and his beliefs to express a point to the people, religious leaders, and the government of his time. “The Divine Comedy” was written I believe to express opposition to the corruption, scandals, and misuse of the power from not only the government, but more so to the religious establishment of that time, which also controlled the government. By using the people from his time as “subjects” in his story, he places them is the respective levels of Hell, Purgatory, and Paradise based on their actions (The Divine Comedy)
In his work, “The Divine Comedy”, Dante uses many of the events in his life as a type of “story plot” and some of the events in his life become the basis of his story. Born in the late 1200’s, Dante grew up in a higher middle class family. At the age of 12, Dante’s parents arranged a marriage between himself and the daughter of family friends, also from the upper class (Sparknotes). The two had no problems with each other, but in his teenage years, Dante grew blindly in love with another woman,...
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...le and inner rings. The outer ring of hell is a place where all the people who harm one another go to suffer. The middle ring is the place where the people who harmed themselves or even committed suicide. The punishment for these people is that they have been turned into trees and shrubs so that the animals may break and eat them. The most inner circle of the 7th level of hell is reserved for the blasphemers who have misled all of the people around them.
In the eight level of Hell, Fraudulence is the most populated place in hell. This is for the liars, sorcerers, false prophets, seducers, bad politicians, hypocrites, unwise and false councilors. These people are thrown down into stony ditches and under bridges for all of time. The souls are guarded by a large, flying beast with the ability to change appearances, much like the inhabitances’ sin, such as a fraud.
Alighieri, Dante. The Divine Comedy of Dante Alighieri: Inferno. Trans. Allen Mandelbaum. Notes Allen Mandelbaum and Gabriel Marruzzo. New York: Bantam Books, 1980
“Early in the spring of 1300, "midway along the road of our life," Dante is lost and alone in a dark, foreboding forest. To survive this ordeal, he must visit the three realms of the afterlife, beginning with Hell.” (Smith) Dante’s Inferno, one of the great classical poems that have come out of literature that’s topic is hell. Dante’s Inferno, gives a descriptive look into hell, from the eyes of Dante. Dante goes into detail about every part of hell. The people, what it looks like, sins to go there, the whole shah-bang. Dante splits up hell into nine different parts. In which he sends different types of sinners to each part. Each hell is made up differently, each has different systems that make up that particular systems. For example, circle three, has Cerberus the three headed dog, and another circle is completely frozen over. There are three circles of hell in Dante’s Inferno that are the best in the book: Circle one, circle six, and circle three.
Dante elaborates on Virgil’s idea of Hell by creating a new idea of Hell by giving it circles. Dante puts the sinners in specific circles based on what sin the sinners committed It is just like prison; criminals go to prison because they break the law. The only difference between prison and Hell is that in prison you have a certain time to serve; but in Dante’s Hell the sinner does not serve a set amount of time but still has to live with punishments forever.
Hell is what he is referring to when the author says firey pit. He describes hell as the lowest,
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
In my personal opinion I think that the first circle of Hell should be people who committed petty sins that would barely classify them as a “sinner”. This circle would contain a various amount of different people that told little lies and similar sins but still lived fairly good lives for the most part. In this circle it would include greedy people and wasters that did not affect anyone’s lives in a positive or negative way. The next layer I think should be slightly more severe fraud such as telling lies for gain. The third circle of hell I would say would be all types of betrayal. I would put those sinners here unless they committed murder along with betrayal, then they would be lower in hell. After betrayal in the fourth circle of Hell should be the lustful. In this circle there would be different degrees of lustfulness. These different levels would depend on the level, amount, and overall situation that caused one to commit lechery. For example a woman with an abusive husband who kissed another man would be really low in this circle. On the other hand a man married to a sweetheart who slept around with many woman would be punished worse. Next in the fifth circle of hell would be the violence sinners. Violence against self would not even be a sin in my Hell. The violence against god sinners would be punished worse than the violence against nature ones. The
Moreover, Dante, the narrator of the Inferno, has succeeded in not only telling the frightening story of the Inferno, but also pointing out the importance of the relationship between human’s sins and God’s retribution, using the monsters as the symbols for each kind of sin and its punishment throughout the progress of the story, which teaches his readers to be well aware of their sins through the literature – a part of humanities; the disciplines that teach a man to be a human.
Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.
...d God(Rudd 8-11). Keep in mind the punishments are still getting worse as they go down to the bottom of hell. These punishments are to stay in a river of blood or get shot, get souls trapped in trees and only talk when bleeding and having harpies eat them, very weird and the last one is burning sand and raining fire. Dante may have chosen to give the seventh layer these punishments because he saw it fit because since they harmed themselves god or others they will be harmed forever in hell.
The story of Francesca and Paolo compel Dante the pilgrim but this allows us to see how the pilgrim differentiates from Dante the poet. The pilgrim, hears out Francesca’s story in which she describes the dissatisfaction with her previous marriage to Giancotto and how all that changed when she encountered when she met Paolo. After Francesca shares her story with the pilgrim, he responds to them both, “Francesca, your afflictions move me to tears of sorrow and of pity” (Inf. 5. 116-117). It
This source will provide a great wealth of knowledge and act as an authority for this essay. They provide a great insight to Dante's masterpiece.
Inferno is the first and most famous of a three part series by Dante Alighieri known as the Divine Comedy that describes his journey to God through the levels of Hell, Purgatory, and Paradise written in the early fourteenth century. Scholars spanning over nearly seven centuries have praised its beauty and complexity, unmatched by any other medieval poem. Patrick Hunt’s review, “On the Inferno,” states, “Dante’s extensive use of symbolism and prolific use of allegory— even in incredible anatomical detail—have been often plumbed as scholars have explored the gamut of his work’s classical, biblical, historical, and contemporary political significance” (9). In the story, each of the three main characters, Dante, Virgil, and Beatrice, represent
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
... Moreover, such belief in human reason signifies Dante's hope towards a bright society and the pursuit of God’s love as the other part of self-reflection. In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.