Repression In Kate Chopin's The Story Of An Hour

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In the short story, by Kate Chopin “The Story of An Hour”, the reader is transported into an era of 19th century American South”; furthermore, they see into a life of a women who is ensnared. As the story reads, the theme of repression becomes ever so obvious in the marriage between Mrs. Mallard and Brentley Mallard. The story begins on quite a dark note, with the death of Brentley Mallard, husband of Louise Mallard. As the reader soon finds out that Mrs. Mallard the main character in the story, has many issues brought forth throughout, including what is described as a “heart trouble”; Which is the main reason right from the start that Josephine, Mrs. Mallard’s sister, is apprehensive to break the news too bluntly. In that moment you see …show more content…

Louise still seated in her room, manufacturing fanciful new possibilities for the future, is disturbed by her sister calling through the keyhole “For heaven’s sake open the door.” Louise still on an extraordinary high of liberation, snaps back to reality, says a prayer for longevity for all to come, and opens the door. She left that room with a new lease on life, a triumph over subjugation and tyranny, “like a goddess of Victory”. Louise stepped down the stairs, no longer a victim, but a free spirt. Then just unexpectedly as Brentley’s death, the door to the house opened; moreover to Louise’s surprise, it is none other than Mr. Mallard himself, alive and well. Apparently not aboard that fateful wreck, standing there, oblivious of any ill begotten news of his demise. The story ends with doctors pronouncing Louise Mallard dead of “heart disease”, Chopin leaving us with one final line “of the joy that kills”. Which really shows how intensely Louise felt towards her new found freedom, and certainly illustrates how much she had agonized throughout the marriage to Mr. Mallard. The theme of repression in “The Story of An Hour” is intertwined all the way through from start to finish, certainly demonstrating how pervasive it was, not only in the characters marriage, but the 19th Century, and likewise in Kate Chopin’s

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