Renaissance Art Essay

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Recommended: Achievement of the Renaissance

The end of the Middle Ages and the beginning of new era, the beginning of the transition from feudal to bourgeois medieval society, when the foundations of the feudal social way of life were shattered, and the bourgeois-capitalist relations have not yet emerged with all their mercantile morality and soulless hypocrisy, is known as the Renaissance. The love of aristocracy for wealth and splendor were provocative, where the Church considered as a clear access to the political power. Rome itself became the biblical Babylon, which dominated by corruption, unbelief and immorality. The era of free urban communes was short, the era of tyranny began shortly. A commercial rivalry among the European cities eventually turned into a bloody rivalry. In this complex world of the Renaissance were working artists, dreaming about the utopia and embodying their perfect world in their art. The artists of the Renaissance obtained the laws of perspective and chiaroscuro, studied the proportions and anatomy. Painting ousted icon, sculpture revived the free-standing statues, such as horse statue, portrait bust, adding to them sculptural architectural tombstone, scenic terrain. The new demands faced art and caused its enrichment in the types and genres. Along with the pre-existing religious and mythological genres of painting, new genres of portrait, historical and landscape paintings found their place. The heart of Renaissance art was filled with the principle of humanity, the dignity and beauty of the real man, his mind and creative powers. Unlike the medieval times of life-affirming culture, the Renaissance artists exempted from scholasticism and church dogma by contributing to the rise of science. The painters led by passionate thirst for knowledge o... ... middle of paper ... ...traits have a very interesting feature – they are tend to be kind. In any case not flattering, and a plump nose of the Queen Elizabeth of Valois could as evidence. She gazes into her models attentively, friendly, but very seriously – there is no consciously overworked details. Sofonisba died in 1625, at the age of 93, during her trip to Palermo. Seven years later, her husband set a monument on the grave of Sofonisba with the following inscription: "To Sofonisba, to my wife ... to the one of the most famous women in the creation of outstanding portraits ... Horatio Lomellino, filled with grief because of the loss of his great love in 1632, dedicates this humble tribute to such a great woman." Considering the habits and attitudes towards women of that era, these words perfectly highlight the life of this outstanding artist, whose life was, and still is, admirable.

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