Religious Contributions and Feminism in “Sweat” By: Zora Neale Hurston
Words and characters represent symbols that contribute to the depth of literacy works, and these symbols vary according to cultural standards. Stemming from the Harlem Renaissance, Zora Neale Hurston’s work presents issues that focus on the disruption of African Americans. from American literature in the nineteenth century forward. Not only did African Americans write about their experiences coming out of slavery, but they also faced spiritual and gender changes, which altered the entire world view of their people. An important writer, Zora Neale Hurston, had “ideas concerning a folktale genre which were characterized chiefly by their reliance upon personified images” thus,
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Referring to biblical consequences, Delia must labor like all men and women for their entire lives. Related to this, Hurston writes how “Sunday night after church, Delia sorted and put the white things to soak” (175). Her clothes-washing also represents the idea of her sins just as she washes the stains out of other’s clothes. Delia’s special way of sorting clothes by using a hamper to make things “so much neater than a number of bundles lying around” also accounts for this cleansing (Hurston 175). Therefore, Delia sorts her sins and actions in life as she does her clothes. This method, a purging approach to life, mirrors Delia’s spiritual aspect as well as her relationship with Sykes. Without the ability to purge each day’s disunity from her mind, she could not have sustained the wreck of her marriage for so …show more content…
Delia’s wish for a peaceful home and garden and the only way she can maintain that is by the help of others. The men on Joe Clarke’s porch, including Jim Merchant, Joe Lindsay, Walter Thomas, Elijah Moseley, and Old Man Anderson. These men state specifically that “there oughter be a law about Sykes” (Hurston 179). Hence, these men can see the ultimate evil of Sykes and the damage he has inflicted upon Delia, “the stoutest woman of the town” (Hurston 179). A suggestion arises that something should be done. Consequently, “a grunt of approval went around the porch but the heat was melting their civic virtue” (Hurston 179). Although capable of acting, these ruling men do not. Because of this, they give only passing credit to Delia’s situation. Any help from the law will not arrive, so when man’s judicial practices fail, Delia must act on her own tuition. To do this, she must internalize some degree of masculine influence since power, until this point, refers only to men. According to Powers, “Hurston determines the validity of God or the gods not through the refinements of theological insight or the consolations of meditative reflection but through the exercise of material power as represented in a particular form of masculinity” (Powers 235). To this God or these gods, Delia must finally answer. Thus, Delia makes her ultimate stand against Sykes. She
...lia Jones endured fifteen years of violence, disrespect, and infidelity, and only in those last few months was she able to muster some form of resistance. Until Sykes threatened all that she had, her home and her job, she was content enough just sweating it out. However, Sykes made that grave mistake on his own accord, and when leaving Delia with nothing to lose, he found that he had set himself up for a losing battle. Delia had surrendered to him in all those years, but Sykes had finally found a way to bring out the worst in his wife, and her aggression was finally realized by defending all that she had. After such pain and endurance, one can easily recognize how Delia Jones played the lead role in a short story called "Sweat."
Zora Neale was an early 20th century American novelist, short story writer, folklorist, and anthropologist. In her best known novel Their eyes were watching God, Hurston integrated her own first-hand knowledge of African American oral culture into her characters dialogue and the novels descriptive passages. By combing folklore, folk language and traditional literary techniques; Hurston created a truly unique literary voice and viewpoint. Zora Neale Hurston's underlying theme of self-expression and search for one’s independence was truly revolutionary for its time. She explored marginal issues ahead of her time using the oral tradition to explore contentious debates. In this essay I will explore Hurston narrative in her depiction of biblical imagery, oppression of African women and her use of colloquial dialect.
Zora Neale Hurston grew up in Eatonville, Florida also known as “Negro Town” (Hurston, 1960, p.1). Not because of the town was full of blacks, but because the town charter, mayor, and council. Her home town was not the first Negro community, but the first to be incorporated. Around Zora becoming she experienced many hangings and riots. Not only did Zora experience t...
The most apparent symbol in the story is the title, "Sweat". It is also mentioned in the story, "Looka heah, Sykes, you done gone too fur. Ah been married to you fur fifteen years, and Ah been takin' in washin' fur fifteen years. Sweat, sweat, sweat! Work and sweat, cry and sweat, pray and sweat" (Hurston 679). The "Sweat" is the product of Delia's hard work supporting them. It stands for her work ethic and how she has tried to make her work as best as she can, it is a big part of her life.
This paper examines the drastic differences in literary themes and styles of Richard Wright and Zora Neale Hurston, two African--American writers from the early 1900's. The portrayals of African-American women by each author are contrasted based on specific examples from their two most prominent novels, Native Son by Wright, and Their Eyes Were Watching God by Hurston. With the intent to explain this divergence, the autobiographies of both authors (Black Boy and Dust Tracks on a Road) are also analyzed. Particular examples from the lives of each author are cited to demonstrate the contrasting lifestyles and experiences that created these disparities, drawing parallels between the authors’ lives and creative endeavors. It becomes apparent that Wright's traumatic experiences involving females and Hurston's identity as a strong, independent and successful Black artist contributed significantly to the ways in which they chose to depict African-American women and what goals they adhered to in reaching and touching a specific audience with the messages contained in their writing.
Zora Neale Hurston's writing style in Dust Tracks on a Road is one of her greatest advantages. She easily and humorously show cases southern African American dialect. Examples of this southern African American dialect is when she shares with her readers co...
Zora Neale Hurston’s short story “Sweat” is about a woman, Delia, who is physically and emotionally abused by her husband, Sykes, whose actions she struggles to overcome. Through all the abuse, Delia takes pride in her hard work and her religion. In this story, Hurston uses religion and moral symbolism that controls the character’s actions throughout the plot. Delia is a hard working woman who uses her faith in God to guide and protect her from her husband’s physical and emotional abuse. She, as a protagonist, is physically weak but yet spiritually strong.
“Early on, the narrative establishes that Sykes both physically and mentally torments Delia. Scolding him for scaring her by sliding across her knee a bullwhip that she thinks is a snake, Delia say...
Zora Neale Hurston’s “Sweat” is a distressing tale of human struggle as it relates to women. The story commences with a hardworking black washwoman named Delia contently and peacefully folds laundry in her quiet home. Her placidity doesn’t last long when her abusive husband, Sykes, emerges just in time to put her back in her ill-treated place. Delia has been taken by this abuse for some fifteen years. She has lived with relentless beatings, adultery, even six-foot long venomous snakes put in places she requires to get to. Her husband’s vindictive acts of torment and the way he has selfishly utilized her can only be defined as malignant. In the end of this leaves the hardworking woman no choice but to make the most arduous decision of her life. That is, to either stand up for herself and let her husband expire or to continue to serve as a victim. "Sweat,” reflects the plight of women during the 1920s through 30s, as the African American culture was undergoing a shift in domestic dynamics. In times of slavery, women generally led African American families and assumed the role as the adherent of the family, taking up domestic responsibilities. On the other hand, the males, slaves at the time, were emasculated by their obligations and treatment by white masters. Emancipation and Reconstruction brought change to these dynamics as African American men commenced working at paying jobs and women were abandoned at home. African American women were assimilated only on the most superficial of calibers into a subcategory of human existence defined by gender-predicated discrimination. (Chambliss) In accordance to this story, Delia was the bread victor fortifying herself and Sykes. Zora Neale Hurston’s 1926 “Sweat” demonstrates the vigor as wel...
Zora Neale Hurston’s short story Sweat is a visceral reminder of the acute oppression and sexism women have always faced in American society. The protagonist of the story, Delia, is married to a cruel and angry man named Sykes. Through a depiction of their married life this short story shows that despite patriarchal oppression, women have exercised their agency and resisted in a myriad of ways.
In Zora Neale Hurston’s novel Their Eyes Were Watching God, the character of Janie Crawford experiences severe ideological conflicts with her grandmother, and the effects of these conflicts are far-reaching indeed. Hurston’s novel of manners, noted for its exploration of the black female experience, fully shows how a conflict with one’s elders can alter one’s self image. In the case of Janie and Nanny, it is Janie’s perception of men that is altered, as well as her perception of self. The conflict between the two women is largely generational in nature, and appears heart-breakingly inevitable.
...btains wisdom. Delia's goodness and her faith in God in the end, prevails over Sykes’ powerful muscle and violent manner.
Hurston uses the power of language and different narrative techniques to show Janie's transition throughout the novel. It is important to notice that in Janie's journey from object to subject, the narration of the novel shifts from third person to a mixture of first and third person; thus, the shift shows the awareness of self within Janie. Language becomes an instrument of injury and salvation and of selfhood and empowerment. The use of powerful language is exemplified well in the text when Janie is asked to say a few words as the new Mrs. Mayor. Joe, her second husband, quickly cuts in and says, "Thank yuh fuh yo' compliments, but mah wife don't know nothin' 'bout no speech-makin'. Ah never married her for not...
It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than Wright. When she did write politically, she was very subtle about stating her beliefs.
Zora Neale Hurston’s writing embodies the modernism themes of alienation and the reaffirmation of racial and social identity. She has a subjective style of writing in which comes from the inside of the character’s mind and heart, rather than from an external point of view. Hurston addresses the themes of race relations, discrimination, and racial and social identity. At a time when it is not considered beneficial to be “colored,” Hurston steps out of the norm and embraces her racial identity.