Relationship Between The Japanese Lolita Subculture And Music Culture

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Lolita events while most of the time they would engage with taking photos and socializing within the Otaku societies. Other than performing inside Japan, cosplay has also expanded its culture into the West and South East Asia such as Hong Kong, Taiwan and Korea, the societies would put on cosplay events every year and create internet platforms, for people around the world who are interested in cosplay culture could communicate in a more convenience way, on the other hand Lolita has focused more in the West by expanding their culture and the Lolita fashion brands to places such as America, Ireland, Germany, Australia and so on. Additionally the manga and the film industry have also created a big impact in expanding the Lolita subculture to the …show more content…

One example to focus on is ‘Hatsune Miku’; Miku is a famous visual animation singer from a popular musical synthesizer application in Japan called ‘Vocaloid’ which created by the Japanese program writers, from the YouTube video on Miku’s performance, we could realize that even she is not a real person but, she does have her own music and songs which are written by the music gamers. In 2009 Miku has her first music concert in a place called Saitama, the concert have drawn an extremely huge attention in the otaku societies, a large amount of otaku have attended the concert with a 3D projection of Miku using computer digital singing voice and dancing on the stage, besides the live concert DVD box set have also been selling worldwide including America and Singapore, furthermore the concert has also attracted a lot of attentions from the technology societies, because the concept of 3D projection concert was never been used at the time, ever since Miku has continue its concert event every year in Japan, Singapore, United States and so

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