Blues music is very similar to jazz music and is a part of it, although it has a distinctive count, since it is 12 bars usually. The two genres developed around the same time. Blues tunes usually express hardship and their roots can be traced to work songs and spirituals. On Monday February 5th 2018, I was able to attend the “Ain’t I a woman” concert held by the school of music. This program was the 22nd annual African American Heritage Institute Concert. The concert was a chamber music theater which included Shayla Simmon as the actress, Jy Young Lee on the cello, Mikael Darmanie on the piano and Michael Parola on percussion. The concert had a good turn out and it was an educational, empowering experience.
Each performer is a renewed master
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Part one was about Zora Neale Hurston, who was an American novelist in the first half of the 20th century. She researched and wrote about the racial struggles of the United States and Haitian Voodoo. The performance also displayed how she was tokenized and discriminated against by the socialist of New York. Within in this part there were varies blues songs including “The Profit” by Max Roach with the arrangement by Charles Floyd, “Blues for Miles” by Diane Monroe.
The concert started with the lively song of “The Profit.” This was a polyphonic melody which had a quick tempo. There was some syncopation throughout the tune. “Blues for Miles,” was another powerful tune in that each instrument reacted and interacted well with each other. It was a seemingly calm song which allowed Simmons to tell the story of Hurston without being overpowering with the music. It was a polyphonic song with each instrument bringing a new element to the
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The first was at her home near Indianola, Mississippi in 1962. The second was in a hospital near Atlanta, Georgia in 1963. Fannie Lou Hamer was a political leader, organizer, and famer. She was an essential activist who organized the community for voting rights. Although voting was “legal” for African Americans at this time, various barriers where created to keep them from being able to vote such as reading test, poll taxes etc. Hamer was essential activist who left an enormous legacy. The last moment of her life which was highlighted was again at her home; where she realized the troubles, she faced and the hardships she still had to overcome. During this section the music mirrored her anguish and set the tone for the next portion.
Part three was composed of songs from a variety of genres including classical. “ “Lamentations” by Coleridge-Taylor Perkinson was a classical/ folk solo performed by Young. The notes in in “Motherless Child” by Frederick Tillis can be found in other blue song melodies. It is not twelve bars it still shares the lament which other blue songs are rooted in. “Freedom Land” by Charles Floyd was a resonating song which concluded the concert. The song was uplifting and was
“Sonny’s Blues” is a short story in which James Baldwin, the author, presents an existential world where suffering characterizes a man’s basic state. The theme of tragedy and suffering can be transformed into a communal art form such as blues music. Blues music serves as a catalyst for change because the narrator starts to understand that not only the music but also himself and his relationship with Sonny. The narrator’s view of his brother begins to change; he understands that Sonny uses music as an exit of his suffering and pain. This story illustrates a wide critical examination. Richard N. Albert is one critic that explores and analyzes the world of “Sonny’s Blues”. His analysis, “The Jazz-Blues Motif in James Baldwin’s “Sonny’s Blues”” is an example of how one can discover plot, characterization and jazz motif that builds this theme of suffering.
Nina Simone used music to challenge, provoke, incite, and inform the masses during the period that we know as the Civil Rights Era. In the songs” Four Women”, “Young Gifted and Black”, and Mississippi God Damn”, Nina Simone musically maps a personal "intersectionality" as it relates to being a black American female artist. Kimberly Crenshaw defines "intersectionality" as an inability for black women to separate race, class and gender. Nina Simone’s music directly addresses this paradigm. While she is celebrated as a prolific artist her political and social activism is understated despite her front- line presence in the movement. According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say that “Simone was known to have supported the struggle for black freedom in the United States much earlier, and in a more outspoken manner around the world than had many other African American entertainers.”
The third song was a blues entitled “Blues for Mel.” This was a dedication to Mel Luis, which was a well-known blues performer. The song had a sad and down to earth feeling. At the beginning it had a slow and soft beat, which gradually got faster at the end.
Perhaps the blues was representation of optimism and faith for the entire city of Harlem and all of African-American descent. Music is portrayed fluently and abundantly throughout the entire story of “Sonny’s Blues”. Despite the fact that Sonny frequently plays the piano, there is always a juke box playing, the “humming an old church song”, a “jangling beat of a tambourine”, a tune being whistled, or a revival meeting with the singing of religious words (Baldwin 293-307). The repetition of music in the short story is a realistic portrayal of how regular the blues, musically and emotionally, was present in an African-American’s life during the era of racial discrimination. Flibbert explains that the rooted, burdensome emotion felt by African Americans is difficult to put to words, other than describing it as the blues. He best defines the blues as “a mental and emotional state arising from recognition of limitation imposed-in the case of African-Americans-by racial barriers to the community” (Flibbert). Though a definite definition exists, the blues cannot simply be construed. To cope with this unexplainable feeling of blue, the African-American folk genre of jazz music was created. Finally, the blues was something African-Americans owned and that the white man could not strip them of. Though music appears to show up at the most troublesome times in “Sonny’s Blues”, it brings along “a glimmer of life within the
To commerate Black History Month, I have decided to do reasearch on an exceptionally talented musician Ella Fitzgerald. She was essentially the Aretha Franklin of the Jazz Age. She was an incredibly talented jazz singer who was considered the best by almost everyone. The reason she’s been chosen as today’s Black History Month is because she holds the distinction of being the first Grammy Award Winner who was both Black and female. Ella Fitzgerald had an everlasting impact on, not only how jazz music sounded, but also who performed it. When looking at a compulsive life as Ella’s, I was inspired by the huge impact she brought throught out music; especially jazz.
In “Blame It On the Blues” the author Angela Davis, argues against critics, like Samuel Charters and Paul Oliver, who say that the Blues lacks social commentary or political protest, by saying that the Blues was a subtle protest against gender and racial inequality. Davis uses various songs from Ma Rainey and Bessie Smith to prove this.
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
Slave music was divided into three groups; recreational, work songs and religious songs. A work song is some sought of music connected with specific work that is sung while conducting a task, timing or even appealing for protest. Work songs helped to organize groups of people into manageable units hence easing the burden of hard labor. Records of work song are ancient like the historical records; they vary depending...
The content is written in the style of the blues not only in the music but in the social perspective of the times in Harlem in respect to the sufferings and struggles of the African-American past and present experiences, and what they were going to encount...
All of humanity suffers at one point or another during the course of their lives. It is in this suffering, this inevitable pain, that one truly experiences life. While suffering unites humankind, it is how we choose to cope with this pain that defines us as individuals. The question becomes do we let suffering consume us, or do we let it define our lives? Through James Baldwin’s story, “Sonny’s Blues”, the manner by which one confronts the light and darkness of suffering determines whether one is consumed by it, or embraces it in order to “survive.” Viewing a collection of these motifs, James Baldwin’s unique perspective on suffering as a crucial component of human development becomes apparent. It is through his compassionate portrayal of life’s inescapable hardships that one finds the ability to connect with humankind’s general pool of hardship. James Baldwin’s “Sonny’s Blues” makes use of the motifs of darkness and light to illuminate the universal human condition of suffering and its coping mechanisms.
The first song, Magnificat in C, was one of the longer songs performed, and featured many solos by Union students. This song is in Latin, but due to the English translation the audience received prior to the performance, we were able to follow along and comprehend the lyrics. This song demonstrated the various parts of a choir and allowed the sopranos, altos, and tenors to express themselves through sectional solos.
Music is an application of human creativity through instrumental and/or vocal sounds, which express emotions of the writer and are appreciated by others for its beautiful sound. A powerful emotional tool that may enlighten and entice some, as well as mystify and repulse others. Either way it is an art form that invokes a whirlwind of emotions and thoughts for listeners to comb through. In the short story “Sonny’s Blues” by James Baldwin music plays a vital role in the life of his characters. The story portrays two brothers that grew up in harlem struggling with their environment as well as their emotional detachment from one another. Sonny one of the brothers in the story suffers from a heroin addiction that distances him from his family. The narrator Sonny’s brother, willingly creates a distance between him and his brother
Louis Armstrong’s rendition of “(What Did I Do to Be So) Black and Blue” altered various components of the original tune as he incorporated several jazz techniques typical of the 1920’s and pulled the piece out of its original context of Broadway. Doing so greatly changed the piece as a whole and its meaning, to call attention to the necessity of civil rights for the black population. Armstrong’s life was not purely devoted to music. As a civil rights advocate for the black population in the U.S., he grabbed the attention of the government through his fame and helped to bring equal rights to his brethren. But at times, Armstrong allowed his actions to undermine the importance of African American civil rights, which created negative sentiments
The Roots of Blues Music Blues is a very important type of music. Most music that you hear today has some form of blues in it. If it wasn't for the blues there wouldn't be any rock and roll, country, rap, pop, or jazz . Blues is also important for African American culture. African Americans were also the people who started the blues.
For me personally, music appreciation is defined as looking at different pieces of music and musical forms, and learning to find appreciation for them. This appreciation is formed not only by listening to several pieces of music, but by learning to understand what you may be listening too. This involves introducing yourself to many pieces of music and learning to interpret, what makes each piece different and unique. Understanding the historical background and societal changes that have taken place during the creation of the musical piece, is also an important factor to consider. Music is not only creative, but it also makes up part of a societies history. Music is an art form that connects different societies and cultures together, it possess the amazing ability to make us into one.