Red Riding Hood’s revenge? “Don’t ever take candy from a stranger or get into his car” this line has been drilled into our young little brains from teachers to parents. We have grown up being told never to trust a stranger because “stranger danger” one of my favorite lines as a child. Not only was this directed to us with our parents and teachers, but the classic folktale, “Little Red Riding Hood” has been taught to young children for many years. The stories moral is not to trust strangers and do not associate with them for any reason. While reading Perrault’s version of the classic folk tale, his moral is that children, especially young girl’s, can be eaten by wolves by just talking and trusting a stranger. He points out that women are more …show more content…
One thing I noticed about this movie in comparison to Perrault 's story is how the women differ. In the story Little Red is portrayed as a girl who doesn’t think for herself and just gives out any information. In this quote from Little Red Riding Hood the narrator says, “The poor child, who did not know that it was dangerous to stop and listen to wolves, said…”(Pg. 12) Here we see how Little Red doesn’t think for herself and just gives out information. However, in the movie Haley tricks Jeff by giving him wrong information, “You know, actually, it 's kinda funny. Because every time I would mention some obscure singer or band, you knew so much about them. But not right away, it was like a few minutes later. Maybe enough time to look them up on the web?” In this quote, we see Haley as an intelligent women and unlike Fairy Tales where we always have women portrayed as ditzy or unaware. I thought it worked well because this shows that women are smart and capable unlike the Fairy Tales. Throughout the whole story, Haley plays many games with Jeff and always seems to be one step ahead. For a fourteen year old, Haley’s performance was wonderful. Her character was brave, bright, and very sharp. Although, in the beginning her character did appear like Little Red in the novel, but she amazes the audience towards the rising action. This movie shows how women should not be considered weak and can fight for
According to the Internet Movie Database's exhaustive records, Louisa May Alcott's novel "Little Women" has seen itself recreated in four TV series, four made for TV movies and five feature length movies since 1918. The most recent version appeared in 1994 and features Winona Ryder, Claire Danes, Kirsten Dunst, Samantha Mathis, Eric Stoltz, Susan Sarandon, and Gabriel Byrne. As a long time fan of the novel, who has happily carted her large leather bound gold-gilded unabridged edition whenever she has moved, I find that I was disappointed in this newest movie version. As a movie lover, however, I found the movie to be an enjoyable experience.
It is believed by many that it is human nature to deem themselves to be a tantamount to God. Such is the case when one decides to take revenge against those who wrong him. Though vengeance seems like the perfect way to achieve justice, a sense of equity, in actuality it is merely an unsatisfactory hypocritical action. This is the definitive realization of the protagonist, Edmond Dantès in Alexandre Dumas’ “The Count of Monte Cristo”. The protagonist comes to understand that after a lifetime of searching for justice, he really only yearns justice from himself. Akin to many of Alexandre Dumas’ other masterpieces, “The Count of Monte Cristo” is a dramatic tale of mystery and intrigue that paints a dazzling, dueling, exuberant vision of the Napoleonic era in France. In this thrilling adventure, Edmond Dantès is toiling with the endeavor of attaining ultimate revenge, after being punished by his enemies and thrown into a secret dungeon in the Chateau d’If. He reluctantly learns that his long intolerable years in captivity, miraculous escape and carefully wrought revenge are all merely vital parts in his journey of awakening to the notion that there is no such thing as happiness or unhappiness, there is merely the comparison between the two. Ultimately, the irony that Dumas is presenting through this novel suggests that the inability to attain happiness through the hypocrisy that is revenge is because one is really avenging their own self. This becomes evident through his dramatic transformations from a naïve, young sailor, to a cold, cynical mastermind of vengeance, and finally to a remorseful, humble man who is simply content.
"Hamlet" is a revenge tragedy written by William Shakespeare. The setting of the story is in the middle ages around the 14th or 15th century. The play is mainly set in the royal palace in Elsinore, a city in Denmark. The story features plenty of deaths and a grueling revenge plot set by our main protagonist, Hamlet. What made "Hamlet" famous was not only it 's classic murderous story line, but also the way that Shakespeare puts together complex scenes. Act III, scene ii was a particular scene in "Hamlet" that captured Shakespeare 's literary genius because he used this scene to advance the play even further. What made this scene stand out are a couple of reasons. First, in this scene, hamlet appears to be more in control of his behavior than other scenes which proves that his sanity is still intact and showing that his insanity is just a decoy for his true plans. Second, this is the scene where Shakespeare revealed to the audience that the ghost
The Story of Edmond Dantès, the Sailor, who Becomes the Rich & Powerful Count of
In present day society, where political correctness and equality are at the top of the priority list, by reading essays such as the one by Karol Kelley we find that this might not have been the case in earlier days. Fairy tales such as Cinderella have been found guilty of possessing subliminal socialization traits. Classifying genders as inferior and molding young girls into the female that society expects them to be. In Charles Perrault’s version, which is considered the most common, Cinderella is seen as passive, limited, dependent and inferior. As critics argue, these traits can hinder a child’s self esteem. Karol Kelley states that the “expectations and the promises
The fairytale Little Red Riding Hood by Charles Perrault is a story that recounts the adventure of the protagonist Little Red Riding Hood as she fulfills her mother’s wishes to bring a package to her ill grandmother. Perrault’s short story conveys influential life themes on the idea of male predation on adolescent women who fall victim to male deception. Perrault successfully portrays these themes through his use of rhetorical devices such as personifying the actions of the antagonist Wolf predator as he preys on the protagonist Little Red. Perrault illuminates the central theme of upholding sexual purity and being aware of eminent threats in society in his work. Roald Dahl’s poem, Little Red Riding Hood and the Wolf, is an adaptation to
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
The folk tale of “Little Red Riding Hood” has numerous variations and interpretations depending on what recorded version is being read or analyzed. “Little Red Cap,” by the Grimm Brothers, and “The Grandmother,” as collected by Achille Millien, are different in numerous ways: the depth of the narrative structure, characters involved, length – yet, the moral lesson is largely unchanged between the two versions. One of the more glaring differences between the two versions is the way that the narrator and the actions of the characters are used to describe the young girl, female, and the wolf, male. Being either female or male are matters of biological makeup. The characteristics of femininity and masculinity that are associated with being female or male, however, are socially and culturally defined. How do these different descriptions inform gender construction, and more specifically, how do gender constructions help to naturalize stereotypes within the collective conscience of society?
Once Upon A Time started in 2011 and it is just ending their fifth season today. It stars Emilie de Ravin (Belle French), Ginnifer Goodwin (Mary Margret Blanchard), Jennifer Morrison (Emma Swan), Lana Parrilla (Regina Mills), Josh Dallas (David Nolan), Jared Gilmore (Henry Mills), Robert Carlyle (Mr. Gold), and Colin O' Donoghue (Captain Hook). Many young girls enjoy watching it because they use fairy tales. However, it is based for young adults because of the language content and maturity level. Females enjoy it because of the fairy tales, and males like it because it has a lot of action and adventure. However, The Musketeers started in 2014 and is in the middle of their third season. It stars Tom Burke (Athos), Luke Pasqualino (D' Artagnan),
“I've told her and I've told her: daughter, you have to teach that child the facts of life before it's too late” (Hopkinson 1). These are the first three lines of Nalo Hopkinson's short story “Riding the Red”, a modern adaptation of Charles Perrault's “Little Red Riding Hood”. In his fairy tale Perrault prevents girls from men's nature. In Hopkinson's adaptation, the goal remains the same: through the grandmother biographic narration, the author elaborates a slightly revisited plot without altering the moral: young girls should beware of men; especially when they seem innocent.
“I've told her and I've told her: daughter, you have to teach that child the facts of life before it's too late” (Hopkinson 1). These are the first three lines of Nalo Hopkinson's fairy tale “Riding the Red”, a modern adaptation of Charles Perrault's “Little Red Riding Hood”. Perrault provided a moral to his fairy tales, the one from this one is to prevent girls from men's nature. In Hopkinson's adaptation, the goal remains the same: through the grandmother biographic narration, the author advances a revisited but still effective moral: beware of wolfs even though they seem innocent.
... stories show symbolism for Little Red learning and maturing. The moral in Perrault?s story is weaker, because it ends in tragedy with Little Red being eaten and dying. In the Grimm brother?s story, because the woodsman comes to their rescue, Little Red learns from her mistakes. She knows not to wander off the path when going to her grandmother?s house, and she learns that talking to strangers can lead to trouble. Even if most children will never encounter a talking wolf, it shows that talking to strangers can put children in harms way Also, the moral of Perrault?s story addresses only ?attractive, well bred young ladies,? (Schlib, 2003, 669) which may not lead some readers to identify with the moral. Also, a child reading this story may not understand the relation between a wolf eating the little girl and talking to strangers, because it is written as a fairy tale.
My overall critical assessment of this movie is that it is a little over the top to get the point across. I did enjoy the movie it wasn?t a hard movie to watch and in the initial viewing it didn?t take a lot of analyzing to see the gender stereotypes or gender roles because they were practically spelled out and stamped on everyone?s foreheads. From Elle the typical blonde bombshell to Warner the tall, handsome, rich male, to Callahan the professional lawyer at the top with no female lawyers in his firm, who also uses his power to try to get in bed with Elle, there was Emmett who wasn?t self centered and didn?t try to make unwanted passes at Elle but at the same time he wasn?t ugly. So this movie Satirically pointed out many stereotypes that are very real in our society today.
First of all, through the use of symbolic characters, it gives ideas about gender in a general concept into the society rather than individuals. The main character Little Red Riding Hood in Perrault’s version is a female represented as “a little girl” the meaning of innocence and virginity which gives the hint of sexual attraction. She is portrayed as “the prettiest girl in the village” regarding her physically attractive while wearing a “red hood” which emphasizes the purity and the power of call attention because of the red color. All this aspects give a concept of the girls in the culture about taking especial care of their appearance, hence they are not given the opportunity to learn about the world which leads into ignorance and lack of experience. The next female character is the grandmother, an older and sick woman that is...
In the classical tale of Little Red Riding Hood, Little Red Riding Hood leaves her mother to visit her grandmother, and both the women possess the feminine roles in the society. The story commences in the kitchen with the mother baking. In many cultures, the communities assume that the women should cook, clean, and tend to impositions inside the household. As the grandmother appears in the plotline, the author illustrates her to be ailing and feeble. By describing this elderly female in the manner of weakness, the author subconsciously implies the faintness and vulnerability of women brought on by the ideas and practices of an earlier time period. The grandmother becomes vulnerable and naïve as she expresses her susceptibility to the wolf when she tells him she is “too weak to get out of bed” (Hyman 12). By admitting to her helplessness, she acknowledges the weakness of her gender to the more superior male wolf.