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Radio in the past
The impact of the radio during the 20th century
The history of radio
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Recommended: Radio in the past
Radio initiated in the latter portion of the 1900’s, a race war and world war shattered America was becoming gradually different than any time in her history. Thanks to the radio and its widespread adoption across the country as the collective form of mass media and entertainment. “The world of fantasy created by commercial radio programming was the most popular medium of entertainment in the United States from the 1920s until the 1950s. Tens of millions of citizens tuned in thousands of stations to hear news, sports, drama, comedy, and the various other formats by which broadcasters had adapted radio to aural entertainment.1
Radio broadcast served as an unintentional tool in constructing a unified African American populous by way of popular culture through music outlets. Radio provided relief from the dreariness and desolation of the Great Depression. “Comic strips, radio programs, and movies were affordable forms of artistic creativity that allowed momentary escape… and families gathered around the radio for nightly programs of comedy and music”.2 The creation of jazz music was developed during this pinnacle of technological change; African-American jazz musicians embraced the development of radio and how it transformed music in the eyes of Americans black and white. The most popular type of radio show was a "potter palm," an amateur concert and big-band jazz performance broadcast from cities like New York and Chicago. Due to the racial prejudice prevalent at most radio stations, white American jazz artists received much more airtime than black jazz artists such as Louis Armstrong, Jelly Roll Morton and Joe "King" Oliver.3 These figures in history embodied African Americans contribution to radio in the primarily white national...
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Bibliography:
1. J. Fred MacDonald: Media History eBooks. "DTTD!:African-Americans in Radio:Stride Towards Freedom: Blacks in Radio Programming." Accessed February 25, 2014. http://jfredmacdonald.com/africanamericansinradio.htm.
2. Hine, Darlene Clark, William C. Hine, and Stanley Harrold. The African-American Odyssey. Upper Saddle River, NJ: Prentice Hall, 2011. (P. 513)
3. Boundless. "The Jazz Age - The Culture of Change." Accessed February 25, 2014. https://www.boundless.com/u-s-history/from-the-new-era-to-the-great-depression-1920-1933/the-culture-of-change/the-jazz-age/.
4. Ibid (P.513).
5. Ibid (P.515)
6. Ibid (P.516)
7. Ibid
8. Ibid (P.517)
9. WTTW Chicago Public Media - Television and Interactive. "Durham's Destination Freedom | Power, Politics, & Pride | DuSable to Obama - WTTW." Accessed February 25, 2014. http://www.wttw.com/main.taf?p=76,4,5,3.
Hines, Ellen, and Hines, William, and Stanley, Harrold. The African American Odyssey. Fifth Edition. New Jersey: Prentice Hall, 2008. Print.
“His relaxed phrasing was a major change from the staccato style of the early 20’s and helped to set the stage for the Swing Era” (“Life & Legacy”). And as such a prominent artist, and in particular, jazz artist, Armstrong did not only change the perception of jazz and swing, but the views on African Americans and their culture. Armstrong and the Harlem Renaissance reflected black history and culture, and it became popular, even in white communities and clubs. Jazz as a whole genre helped further society’s views through the universal language of music, where any ethnicity could partake in it. And the revolution of jazz was lead by the stylings of Louis Armstrong. The duration of the jazz and swing era, lasting decades past the 1920s, symbolized the civil rights movement directly through the lyrics, sounds, and artists
Good morning, Sioux City. This is Adam Lewis and you are tuned to KL&R on this delightful March 3rd for all your news so you’ll know what’s going on.
The African-American Years: Chronologies of American History and Experience. Ed. Gabriel Burns Stepto. New York: Charles Scribner 's Sons, 2003.
James, Johson Weldon. Comp. Henry Louis. Gates and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. 832. Print.
...y and western music was the norm; and mainstream pop was practically everywhere in urban settings. However, as populations shifted, word of mouth spread, and radio stations were able to amplify the reach of their signals – white, middle-class teenagers came to discover a whole other world of music. Take for example, Alan Freed’s radio program, The Moondog Show, which played hit R&B records when other major stations refused to play them. Like radio stations, who utilized recorded music to garner an audience, TV shows did the same by holding special guest appearances by a famous musician or band. These appearances would not only generate views to keep the show on air, but it also elevated its popularity. As an example, consider Ed Sullivan’s television show, Toast of the Town, which went on to boost the popularity of Elvis Presley and several musicians and bands after.
Jazz has greatly impacted American culture and has been a positive outlet for cultural diversity and free thinking. This module has focused on the evolution of jazz from the early 1910’s to the mid-1920. During this time in American culture, the separation of races was still very dominant. Since jazz music speaks of freedom of social minorities, the genre was only beginning to become popular amongst the larger population. Ragtime was developed at the turn of the century; it was an outlet for African American music. As Jazz continued to evolve in the 1920’s social conflict began to arise. Prohibition of alcohol went into effect. This affected American society and the jazz culture, crime rates began to rise, people were demanding alcohol. Music, however, was still being created, and jazz music was still impacting the era. While there were many songs to listen to in
By the end of World War I, Black Americans were facing their lowest point in history since slavery. Most of the blacks migrated to the northern states such as New York and Chicago. It was in New York where the “Harlem Renaissance” was born. This movement with jazz was used to rid of the restraints held against African Americans. One of the main reasons that jazz was so popular was that it allowed the performer to create the rhythm. With This in Mind performers realized that there could no...
Also known as the Jazz Age and the Roaring Twenties, the American people felt that they deserved to have some fun in order to forget the emotional toll and social scars left from the war. The Jazz Age was appropriately named due to the illegal activities and good times, which included music, parties, and flapper girls. Jazz was a new style of music that originated out of the New Orleans area, where one of the greatest jazz musicians of all time – Louis Armstrong – began his career. The energy of jazz was a very new and almost uncomfortable style for the very traditional, rigid family of the 1920s. Young people in particular seemed to enjoy this new music the most, as it made them feel carefree. The energy of jazz was symbolic of the era’s trans...
"Introduction to Mass Communication." EFFECTS OF RADIO ON SOCIETY*Introduction to Mass Communication| Lessons Free Online Read Lessons. Zainbooks, n.d. Web. 3 Dec. 2013. .
American life was much different with radios starting to become popular and the creations of “talkies”. Radios started to become popular “13,750,000 American households had radios a figure that more than doubled in 1939” (1930s). Most people used it as entertainment and a way to get news in the house without news papers...
Now a days, many believe that jazz is not that important of music genre, but with our history, jazz plays a big role. “Jazz does not belong to one race or culture, but it is a gift that America has given to the world.”, quoted by Ahmad Alaadeen. Jazz in the 1920’s opened the eyes of whites and invited them into African American culture; it evolved Americans to where we are today since it brought a change to the music scene, an acceptance of African Americans, and a change of lifestyles.
The. The life and work of Toni Morrison. Retrieved on December 16, 2005 at. www.enotes.com/jazz. Glamour – Magazine review of Toni Morrison’s Jazz. Hitchcock, H. W. (2000) Music in the USA: A historical introduction.
Williams, Michael, W, ED. The African American Encyclopedia Second Edition. Tarrytown, NY: Marshall Cavendish Corporation, 2001. Print. The African American Encyclopedia Vol. 6.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf