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protest music and its impact on racial issues
protest music and its impact on racial issues
Music and Society essay
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Music, for generations, has been used to display the continuous atrocities occurring within our world; whether the musical composition be “We Are the World” or “Imagine” by the infamous John Lennon. These influential songs helped identify the sociological struggles the world was facing during those times of turmoil and strife. Currently the American society is dealing with various forms of racial tension amongst the communities of our diverse country. Society’s perception of race and the values we have tied to individual ethnic groups for a long time have been misconstrued in such a way that they have led to institutional racism and privilege. Discussing race and its role in society often times is a taboo subject for many individuals, but in …show more content…
These messages center around the ideas of race through the viewpoint of the African-American male mindset. The first striking line states, “I was raised in a decade of hate young nigga”. The 1960s, the decade in which this quote is referring to, was more or less filled with the same magnitude of racial tension that is plaguing society today. T.I. claims that the times of his childhood, much like today, have people of all colors fighting and bickering over the inequalities of society, resulting in an environment saturated with hate. This claim promotes the idea that race is what creates separation between us all even though no particular ethnic group is biological different than one another (Brannon, “Race Lecture”). Although taken out of context this line seems as though it would contribute to the inequality in society, but with a closer look, any individual can see that T.I. wants to rid the world of this ugly truth. No adolescent should have to grow up with hate within their heart because of the opinions of the people around them. T.I. was exposed to this injustice and wants to correct this wrong before it effects any future generations. The next line deals with the notion that African-American males are not truly apart of the American society as a whole. Approximately halfway through the song, T.I. can be heard saying, “What the fuck do you know about being a black man in America?”. T.I. understands the fact that African-American males in the United States suffer from an inability to acquire wealth, income, education, or job status, the four determinants of class in our society (Brannon, “Class Lecture”). Institutional inequality has kept a good portion of the African-American male population from succeeding in various endeavors, and this line helps to bring to light this sad but somewhat unknown information. The third and final pivotal
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans.
Werner, Craig Hansen. 2006. A change is gonna come: music, race & the soul of America. Ann Arbor: University of Michigan Press.
Music is another was that people can have a sense of cultural identity. Gloria also writes about how even the Chicano music portrays the struggles that they have had to endure. Even though there can exist this sense of pride in one’s music, to some Chicanos there was a sense of shame. “In the 50s and 60s, for the slightly educated and agringado Chicanos, there existed a sense of shame at being caught listening to our music”
In Between the World and Me, written by Ta-Nehisi Coates, the author writes with passion to his son about the many different stages of his life intended directly to depict the life of a black person and in how racism, prejudice, and slavery has caused a black life to be unequal to a white one. In his writing Coates states
Rap started as a social movement during the mid-1970’s, once the 80’s arrived it started expanding dramatically, and became popular among white suburban youth. During the late 1980s and early 1990s rap became overtly political with its messages, which expanded its popularity further. Unfortunately, political rap lost its popularity in the mid-1990s; regardless of this artists and their voices have been marginalized because of corporate control. Although there does not seem to be a direct connection between rap music and its whitening, the author claims that it is not coincidental. Despite the political messages within the genre, rap has been viewed through a racist
The following report gives a critical analysis of Dr. Cornel West’s book, “Race Matters.” In his book, Dr. West, a scholar, theologian, and activist, presents key issues of the day (1990s) primarily relating to race. He wrote “Race Matters” following the Los Angeles riot of 1992 after the acquittal of white police officers involved in the tragic beating of Rodney King. The book was originally published in April 1993 by New York: Vintage Books. This book is comprised of eight separate essays focusing primarily on racial issues relative to current events, the political climate, and market forces. Dr. West’s basic argument is that race matters in all aspects of American culture as well as abroad. He attempts to raise the awareness of his readers (and audiences) about the importance of race as an integral part of American society.
“Together the matrices of race and music occupied similar position and shared the same spaces in the works of some of the most lasting texts of Enlightenment thought..., by the end of the eighteenth century, music could embody differences and exhibit race…. Just as nature gave birth and form to race, so music exhibited remarkable affinities to nature” (Radano and Bohlman 2000: 14). Radano and Bohlman pointed out that nature is a source of differences that give rise to the different racial identities. As music embodies the physical differences of human, racial differences are not only confined to the differences in physical appearances, but also the differences in many musical features, including language, tonality and vocal expression. Nonetheless, music is the common ground of different racial identities. “In the racial imagination, music also occupies a position that bridges or overlaps with racial differences. Music fills in the spaces between racial distinctiveness….” (Radano and Bohlman 2000:8) Even though music serves as a medium through which different racial identities are voiced and celebrated individually, it establishes the common ground and glues the differences
One of Williams main topics of concerns is the wrong messages that “public airwaves” are sending to their listeners and followers. Williams claims rap and other medias are representing and sending the wrong message about African American communities. She mentions that rap music once held a positive message but now rap music is bombarding the public with the use of profanity, violence, and obscenity throughout their lyrics and music
The purpose of this study is determine why and how African American music that’s is so deeply rooted into the community is being culturally appropriated. This is a topic that has been the on the foreground of race for years. Activists and celebrities like Adrienne Keene, DeRay McKesson, Azealia Banks, and Jesse Williams helped bring the issue into the national attention. Most of the world or better yet the appropriators have very little knowledge of what the word actually means. In order to understand the problem we must first understand the word Culture and Appropriation. Culture being defined as the beliefs, ideas, traditions, speech, and material objects associated with a particular group of people. Appropriation the action of taking something
Before the war started, a wealthy white man by the name of John Hammond worked to integrate black and white music.1 Since his childhood, he enjoyed the music of numerous black artists, and he wanted to share his love with the rest of America. He used much of his inherited fortune to make this possible. He went against the general opinion of society and his parents, who despised black people. Hammond refused to ignore black artists’ musical abilities because of their color, “I did not revolt against the system, I simply refused to be a part of it.”2 He used his money to organize the most eclectic group of musicians ever assembled, for an integrated audience of his time. Hammond’s efforts made an indelible impact on the music industry. The musicians Hammond introduced in...
Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New York City has now taken over the mainstream, but originated as an empowering art form for urban youth and emerging working class.
The music industry’s history is a convoluted mess. There is no real consensus on what the music industry IS and what paths it has taken. Were the Beatles the greatest band to ever exist? Maybe. Is there a hyper objectification of women throughout the “men’s club” that is the music industry? Probably. It’s this hard to define, frankly confusing business that is worth roughly $130 billion dollars today. With it’s flimsy and opaque edges, can the music industry ever be called into question on its wrongdoings? The racist undertone throughout its history may force it to. With the music industry as an ever growing business that seems to change almost every decade, the one thing that has not changed throughout time is an undercurrent of racism that
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
...r through the power of music, will not be forgotten. Racism, sexism, and other forms of prejudice are simply not acceptable in modern society, and the sooner they can be eliminated altogether, the sooner the world can truly advance.
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.