African-American Culture In Fences And Levey's Black Bottom

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August Wilson’s famous 1983 stage play Fences explores African-American lifestyle in the 1950s. It tells the story of racial relations and African-American culture during that era. The main character in Fences is Troy, a mid-age African American man struggling to take care of his household. In August Wilson’s plays, the characters are developed to reflect the struggle of African American people, especially black males. These men are struggling for a power that is out of reach to them because the power is held by others. Two characters that stand out are Troy from Fences and Levee from Ma Rainey’s Black Bottom. Though these men live their lives in different decades, their situations are very similar. Both are oppressed by white culture and …show more content…

At eight years old, Levee watched white men assault his mother. He saw father sell his land to one of these men, and then went after them to retaliate the assault against her. His father was then killed by these men. This was his first lesson of the weakness he felt at the hands of white men. As a man, he continues to be oppressed by whites around him. He is controlled by his boss, Ma Rainey. His future career in music is dictated by white men; even his fellow black men try to push him down. The harder he tries to gain control of his life, the more he leads himself and others to destruction. His misdirected anger at all his problems and all the injustices he has encountered heightens until he commits murder. His injustices that have silenced him have led him to silence another and refuse this person his own future …show more content…

He works for Ma Rainey and has no creative opinion over their recording sessions. He tries to apply power over his fellow band members, although they refuse to do his version of the song in the absence of their boss. When he finally convinces the band members to play his version of the song, Ma comes in and says that they will do her version and the band complies. As a black man, Levee does not have control over many aspects of his life, but Ma Rainey reiterates that he does not even have control over women (Elam). After disagreeing on the music, Ma fires Levee. Levee sees this as just another instance of oppression, someone in his world who is working to bring him down (Crawford). After he is fired, he is given one more opportunity by the studio owner to make his own music. This makes him very happy because he feels like he finally has power over his work. The studio owner crushes Levee’s dreams when he buys his song for a small amount of money. In the article “Blues on Broadway: Ma Rainey’s Black Bottom,” Sandra Shannon says that “blues performers had the possibility for success in the North, but their talent and hard work, which were used to provide success for themselves, once again provided the success and economic gain for someone else” (88). Shannon concludes by saying, “Wilson fashions drama out of the tragedy that blues performers experienced in 1920s America and

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