In life, arguments tend to spring up over which of some groups is superior and should receive respect from the others. After all, the world is a hierarchy. However, this thinking sometimes leads to the converse becoming part of the status quo: ‘If a group is the leader, then the others should respect it; but if a group is not the leader, then the leader should disrespect it.’ Women’s rights have created one such conflict: Feminists believe women do not have enough rights, and misogynists believe women should be subordinated to men. This theme, among others, is present in Sophocles’ play The Oedipus Cycle, in the third part, “Antigone”. Each character holds an opinion on the question of what rights women should have. Sophocles is behind the scenes, pulling the strings based on his own opinions. What he writes says a lot about his time period.
Antigone and her former husband-to-be, Haimon, uphold the argument for feminism. Antigone plans to brazenly defy Creon’s decree stating that no one may lay Polyneices’ corpse to rest. When Ismene becomes concerned for her sister’s safety, Antigone holds her stance: “Creon is not strong enough to stand in my way” (Sophocles 191). Despite Creon’s threat of death to anyone who dares to resist his rule, Antigone decides to proceed with her plan to give Polyneices a proper burial. Though he apparently believes she should not have broken Creon’s law, Haimon supports Antigone, albeit indirectly: “CREON: Every word you say is for her! HAIMON: […] / And for you. And for me. And for the gods under the earth” (221). Haimon does not deny that he speaks in her defense. Therefore, he is on her side to some extent he does not reveal to Creon. He also opposes Creon in regards to the conflict between God’s law...
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...God, despite that she is female in a society that believes in male superiority for the most part. Both the Choragos and the Chorus convey Sophocles’ belief that God is superior to man in law, and therefore Antigone’s position on women’s rights is valid.
There is no “correct” answer to this question. It is completely a matter of opinion, and no one can prove either side right. People may state that all people are created equal, or that God stated that woman would be at man’s whim; there is evidence for both sides. “Antigone” is not answer to this question, but instead a window into the ancient Greek perspective on this issue that pervades the ages to this day. In fact, the perspectives humanity can observe is finite, and not all perspectives will be observed. As such, no one can see the full picture; we can only dream of all the other perspectives that could be held.
In complete disregard to Creon’s threatening laws, Antigone knowingly risks capital punishment and seals her fate by choosing to bury Polynices out of respect for Theban tradition. Antigone declares her independence by stating that “[she] will bury him [herself]. And even if [she] die[s] in the act, that death will be a glory,” (85–86). She takes full responsibility for her own actions, and recognizes that her inevitable death may come sooner than planned due to this deed. Antigone’s self-governing demeanor and ability to make her own decisions allows her to establish the course of her future. She self-determines her destiny by not sitting idle and working hard to honor her family. Antigone’s bluntness towards Ismene while trying to convince
Creon required the support of the Chorus of Theban elders, and for his verdict considering what to do with Polyneices' body. When Creon came to know of Antigone’s plan he called for her and when she did not deny of the fact that she buried her dishonorable brother’s body he grew angry and assumed Ismene her younger sister had helped her. Ismene being the good sister that she is lied and said she had helped Antigone, after that Creon ordered for them to be locked up. Haemon, Creon's son and Antigone's fiancé, promised to be loyal to his father and not talk to Antigone but he tried his best to persuade his father to spare her life, but they end...
Due to the actions she took based on her emotions, Antigone suffered a far worse fate than Ismene. During her conversation with Ismene, Antigone says: “Ismene, I am going to bury him” (Sophocles, 3). To this Ismene replies with: “Bury him! You have just said the new law forbids it” (Sophocles, 3). This is the first time we experience the difference in the sisters’ behavior. Antigone has decided to bury Polyneices, although Creon’s new law forbids it. She believed that the God’s proclamation means more than Creon’s, and tells Ismene: “I will bury the brother I love” (Sophocles, 4). Ismene, on the other hand, knows that this action is forbidden by Creon’s law and isn’t willing to break it. She says: “But think of the danger! Think what Creon will do! [...] Think how much more terrible than these our own death would be if we should go against Creon and do what he has forbidden![...]The law is strong, we must give into the law in this thing, and in worse. I beg the Dead to forgive me, but I am helpless: I must yield to those in authority. And I think it is dangerous business to be always meddling” (Sophocles, 3-4). Ismene clearly respects the law and knows the repercussions of breaking it, something that Antigone chooses to ignore.
Antigone’s views of divine justice conflict with Creon’s will as head of the state. Two brothers fighting against one another in Thebes’ civil war died while fighting one another for the throne. Creon, who had become the new ruler of Thebes, decided that one brother Eteocles would be honored, while Polyneices would be put through public shame. The body of Polyneices was to not be sanctified by holy rites, but was planned to be left unburied on the battlefield for animals to prey on it. Antigone, the sister of the two brothers wants to properly bury Polyneices’ body, but in doing so she would by defying king Creon’s edict. When Creon’s orders the Sentry to find out who had buried the body of Polyneices, Antigone is found to have buried the body of her dead brother. Since she disobeyed authority, her and her sister are temporarily imprisoned. He then wishes to spare Antigone’s sister Ismene and bury Antigone alive in a cave. To some up the foregoing, in honoring her brother she is performing the role of woman and warrior...
“Remember we are women, we’re not born to contend with men” (Sophocles, 18). The popular literary works, Antigone and A Doll’s House, written by Sophocles and Ibsen, are two famous tragedies that have been performed and read throughout the decades. Although countless audiences have been entertained by these well written plays, few would care to guess that many lessons and several unfortunate truths can be found with a less than tedious inspection of the characters and the reactions they give to their circumstances. The two main characters in these stories, Antigone and Nora, face adversities and problems that are amplified by their society’s views on the rights and abilities of women. The two main male characters in these plays, Creon and Helmer, cause the greater part of the struggle that the female protagonists face. The difficulties that Helmer and Creon create during the plot of these stories are the cause of three major characteristics of what one would consider typical to a headstrong man in a leadership position. The three features of Creon and Helmer that lead to the eventual downfall of Antigone and Nora, are pride, arrogance, and ignorance.
Though some view it as something that is concrete and cannot be changed, gender is an idea of how each human perceives themselves. Gender is nothing but a concept that is very fluid and can change throughout each generation. Unfortunately, though there is potential for change, human kind has barely made the effort to do so until recent years (barely) and continues to pretend as though these views of the sexes are set in stone. There is still this idea remaining that men should be the “ideal citizen” that brings honor, and that women should be meek and seen not heard. When comparing the views of these gender roles Christine de Pizan and Thucydides (through the voice of Pericles) have differing yet similar views on what is considered to be the
Also, women at that time were not considered equal citizens, but Antigone’s actions left people to rethink the extent of the equality in Athenian democracy. In Antigone, King Creon gives an edict against burying Polynices since he was seen as a traitor. Despite death being the punishment for breaking this edict, Antigone goes ahead and buries Polynices. She feels that, as a citizen and her sister, it is her right and responsibility to do so. Creon was undermining the principles of democracy by taking away peoples’ freedoms based on his personal opinions.
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
Antigone is a strong willed character who is not afraid to defend her beliefs. After learning that Creon has denied Polyneices of a proper burial she uses her free will to decide that she must lay her brother to rest, as she strongly believes he should be honored like the other fallen soldiers. Unable to
Antigone believes that a woman should be intrepid and strong, even at the risk of challenging men’s authority. When she proposes to bury Polynices, Ismene answers, “we’re not born to contend with men”. (75) Antigone’s response, “that death will be a glory” (86), does not directly address gender issues, but it expresses her fury at Ismene’s passivity. After the burial of Polynices, Antigone defiantly states, “I did it. I don’t deny a thing,” while being interrogated by Creon (492) and later comments that she was “not ashamed for a moment, not to honor my brother”. (572-3) Antigone’s gallant speech and defiance toward traditional gender identities audaciously shows her revolutionary desire for gender equality.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
In the play Antigone, Sophocles writing can be very controversial. He explains different perspectives of justice through the fates of the characters in the play. Creon and Antigone both would claim to have the law and Gods on their sides. They bring acceptable evidence for their reasoning to be true for their thought of the right way to carry out justice. Creon is certain that his ability to be king will justify leaving Polynices unburied. On the other hand Antigone sees justice as the ability to bury her brother. Conflict explodes with their inability to compromise over what is the definition of justice. Justice has a different role to play in any individual’s life because gender differs from man to women and society sometimes looks down upon women. Justice should be served and women should have the same divine rights that men do.
Feminism is a large issue in present day while it was not such an important idea throughout history. Man was historically stronger, smarter, and more useful than woman. As it turns out, that idea is incorrect although at the time that “Antigone” by Jean Anouilh was written, this idea was widely accepted by both man and woman. The play itself is about breaking what is law to do what is right, but under all of that lies the true theme of man vs. woman. Antigone is set out to see how far a woman can push a man before a war is started.
Despite the male dominant society of Ancient Greece, the women in Sophocles’ play Antigone all express capabilities of powerful influence and each individually possess unique characteristics, showing both similarities and contrasts. The women in the play are a pivotal aspect that keeps the plot moving and ultimately leads to the catharsis of this tragedy. Beginning from the argument between Antigone and Ismene to Eurydice’s suicide, a male takes his own life and another loses everything he had all as a result of the acts these women part take in. The women all put their own family members above all else, but the way they go about showing that cherishment separates them amongst many other things.
For centuries women have fought to obtain basic civil rights and today, they are still fighting to obtain equal rights. From the right to vote to their right to birth control, women have always been trying to assert their own independence in order to expand their freedom. While much progress has been made, there is still room for improvement. However, the evolution of women’s rights and the role of women is mirrored in literature and can be used to illustrate the progression throughout history. Sophocles’ Oedipus Rex is no different. Through the character Jocasta, Sophocles creates a counterpart to Oedipus and uses her to reveal the oppression of women by contrasting her and Oedipus’ relationships and reactions to the prophecy. Throughout the play Oedipus Rex, Sophocles illustrates Jocasta’s vulnerability and supportive nature in order to women as fragile, doting, and obedient wives and mothers to facilitate the necessity of self-assertion.