Production History—Hamlet William Shakespeare’s Hamlet is one of the most produced plays of all time. Written during the height of Shakespeare’s fame—1600—Hamlet has been read, produced, and researched by more individuals now than during Shakespeare’s own lifetime. It is has very few stage directions, because Shakespeare served as the director, even though no such official position existed at the time. Throughout its over 400 years of production history, Hamlet has seen several changes. Several textual cuts have been made, in addition to the liberties taken through each production. In recent years, Hamlet has seen character changes, plot changes, gender role reversals, alternate endings, time period shifts, and thematic alternations, to name only a few creative liberties modern productions of Hamlet have taken. The story is brilliant. A brooding young prince, scorned by those he loves, betrayed by his Uncle, and yet “too much in the Sun” to accept defeat. Revenge, sexual tension, bloodshed, and tears—Hamlet has it all. Hamlet is a relatable character to an audience on a multitude of levels. Whether one is coming into their own, accepting major changes in their lives, feeling betrayed by loved ones, or merely experiencing a lover’s quarrel, they can certainly relate to Hamlet. Above all, Hamlet exudes the one element inherent to all human beings—a strong sense of pride, perhaps excessively so. Hamlet begins on a dark night in Denmark’s Elsinore Castle. The ghost of recently deceased king, Hamlet’s father, is discovered by a pair of watchmen, followed by Horatio, and eventually Hamlet. The ghost informs Hamlet that he has been wronged by his brother Claudius, who coveting the throne, and after successfully plotting and murdering... ... middle of paper ... ..., Kean made no such revolutionary changes. He is credited with being the first to break from the psychological consistency the Hamlet character always seems to have. Kean’s Hamlet reacted calmly, with affection and eagerness upon seeing his father’s ghost. Also, Kean is the first to depict Hamlet as treating Ophelia lovingly, rather than somewhat brutally. Ophelia was portrayed as a significant character in this production, which was a first. In later productions, Ophelia’s character gains incredibly prominence, as women’s rights progress. In the early 1900s, Hamlet was “rediscovered.” A resurgence of productions came about, and with the creation of a modern director now in place, several alternations were made. Hamlet was converted into movies, opera, condensed plays, parodies, and even later offshoots were created, such as Rosencrantz and Guildenstern are Dead.
This play takes place mostly in Elsinore, Denmark between the fourteenth and fifteen century following the death of the late King Hamlet, who has been dead for two months prior to the beginning of the play (Shmoop Editorial Team). Act One commences in the middle of a routine nightly shift where Horatio, Hamlet’s friend, and two other guards witness the coming of a spirit that bears an uncanny resemblance to the recently deceased king. Meanwhile at Elsinore Claudius is crowned King with Hamlet’s mother as his queen. This chain of events causes discontent within Prince Hamlet as he delays his mourning time out of spite for the coronation. Afterwards, Horatio and the guards come to the consensus and tell Hamlet of their encounter so that the Prince may meet with the Ghost. The Ghost reveals to Hamlet that he was a victim of a well-planned murder at the hands of Claudius.
In Hamlet, by William Shakespeare, the main character, Hamlet, possesses qualities and characteristics that shape him into the man he is. Grief stricken and revenge seeking, Hamlet’s true self is displayed through his actions. Hamlet’s love, Ophelia, serves as a foil to his character highlighting his strong mind, coping methods with emotions, and corruption within families.
There have been numerous remarks of William Shakespeare’s most celebrated drama Hamlet. Almereyda managed to make Hamlet a theoretical play, into an intense, action-driven movie without losing much of the initial tragic atmosphere of the original play. The play Hamlet focuses strictly on the state of Denmark on the original Elsinore castle, however Michael Almereyda was able to modernize the movie to New York City. In many ways I think that the modernized version of Hamlet is easier to appreciate but in review that diminishes the play’s “greatness,” in my personal opinion.
... Hamlet is merely a young man, looking for revenge for the death of his father. A young man that has gone through hell and back since his fathers death, losing his love, his mother marrying another man, best friends betraying him, all of which finally lead to his demise. Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends.
Hamlet is a character that we love to read about and analyze. His character is so realistic, and he is so romantic and idealistic that it is hard not to like him. He is the typical young scholar facing the harsh reality of the real world. In this play, Hamlet has come to a time in his life where he has to see things as they really are. Hamlet is an initiation story. Mordecai Marcus states "some initiations take their protagonists across a threshold of maturity and understanding but leave them enmeshed in a struggle for certainty"(234). And this is what happens to Hamlet.
Numerous changes can occur in 400 years. That change is demonstrated in Shakespeare's play and in Michael Almereyda’s movie Hamlet.The style of Hamlet, Ophelia, and Gertrude changes in each version. Each fashion sense changes the way a character is seen. Though the apparel alters the way the audience perceives a character the words do not. Hamlet is still a beloved play written by William Shakespeare.
Different adaptations of William Shakespeare’s works have taken various forms. Through the creative license that artists, directors, and actors take, diverse incarnations of his classic works continue to arise. Gregory Doran’s Hamlet and Kenneth Branagh’s Hamlet bring William Shakespeare’s work by the same title to the screen. These two film adaptations take different approaches in presenting the turmoil of Hamlet. From the diverging takes on atmosphere to the characterization of the characters themselves, the many possible readings of Hamlet create the ability for the modification of the presentation and the meaning of the play itself. Doran presents David Tenant as Hamlet in a dark, eerie, and minimal setting; his direction highlighting the
Zeffirelli’s filmic Hamlet evidently interprets the original play especially considering Mel Gibson’s performance making it easy for the audience to understand Shakespearean dialect. Shakespeare’s Hamlet is a man with friends who proves to be much more reserved, and manipulative than someone might imagine today. His hamlet is considerate in his plans, but with no tact interpersonally. Zeffirelli’s audience is required to focus on the troubles, and character of Hamlet, who is nonstop, and unfriendly, but a sensitive loner when the time is right. Zeffirelli accomplishes this mixture while staying faithful to his starting place my maintaining solid screenplay with a constant flow supporting his own take on the story. Concisely, Zeffirelli’s Hamlet is both a free and a loyal understanding of its source, which is, for today’s viewers, a Hamlet in its own right.
Grigori Kozintsev’s adaptation of Shakespeare’s Hamlet has landed critical acclaim due to its faithfulness to the architecture of the play that helped to engross the eye despite the lack of aural stimulation, as well as its added political and personal lens. One of the most iconic scenes in Kozintsev’s production of Hamlet is the renowned graveyard scene in which the Gravedigger and Hamlet engage in battle of wits, and Laertes dramatizes his love for Ophelia. It is during this scene that Kozintsev strategically utilizes differing camera angles and abridgments of the original script to yield a much more conservative and idealized Hamlet that makes the situation in act 5 scene 1 much less ambiguous, while adding a political flair to the atmosphere via background details and props.
The story opens in the cold and dark of a winter night in Denmark, while the guard is being changed on the battlements of the royal castle of Elsinore. For two nights in succession, just as the bell strikes the hour of one, a ghost has appeared on the battlements, a figure dressed in complete armor and with a face like that of the dead king of Denmark, Hamlet’s father.
Michael Almereyda’s movie adaptation of Shakespeare’s Hamlet brings about a new perspective through its performance. The movie adaptation, Hamlet (2000), retells the original play in a modernized setting, bringing out various different elements of characters, which highlights a new reading of these characters as individuals, and a newfangled reading of the play as well. Throughout the movie, Ophelia and Gertrude, the woman-leads, are advanced in a progressive manner compared to the original play. In particular, Gertrude from Hamlet (2000) is noticeably altered from Hamlet, the play. This new interpretation of Gertrude and the play created by the movie adaptation advances the position of Gertrude as a woman, as well as motifs of incest, misogyny,
Hamlet’s mourning about the death of his father and the remarriage of his mother drives him to madness. This is the main characters inner tragedy that Shakespeare expresses in the play. First he considers suicide but the ghost of King Hamlet sends him on a different path, directing him to revenge his death. Shakespeare uses Hamlet to articulate his thoughts about life, death and revenge. Being a moral character he must decide if revenge is the right thing to do. Shakespeare relays many scenarios of reasoning to the audience about mankind His hero sets the wrongs on mankind right again.
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
Corum, Richard. Understanding Hamlet: A Student Casebook to Issues, Sources, and Historical Documents. Westport, CT: Greenwood, 1998. Print.
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.