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the influence of music on culture
the influence of music on culture
the influence of music on culture
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Production Analysis of Two Musical Compositions
This paper will give a production analysis of two chosen compositions, Daft Punk’s Get Lucky and Alt-J’s Tessellate. The areas to which attention will be paid, will be instrumentation and spectrum analysis, this will determine the spectral character of the sound and the overall impression that it has on the mix. This will also demonstrate an understanding of the space of specific elements suggested by the recording techniques and how they sit within the mix. Reference will also be given to cultural background, identifying influences and concepts, with particular examples of pieces, which may have had an impact aesthetically. A brief comparison of the two compositions will also be given.
Daft Punk Get Lucky
During the introduction, Nile Rogers’ ‘clean’ sounding guitar riff, is in the forefront of the mix, with its energy based in the mid frequency spectrum 300-800 Hz with some higher overtones which end at around 5k Hz. It appears to be comprised of two layers, which is a typical feature of the band Chic; Rogers (2013) provides an insight to Daft punk’s goal for Get Lucky:
They [Daft Punk] asked me specifically, how did you make Chic records in the old days? And I said, well in those days, everything was a workaround because we were limited by technology, so I said, I do this part first [rhythmic]… then I play the other part [melodic] on top of it and combine it and put it up the middle… and there you have a Chic track.
It was apparent with this piece, having a single note rhythm section, further back in the space and less dominant, also a melodic section, which is comprised of four chords; this demonstrates the influence late 70’s disco had upon this piece and ...
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... Last accessed 2nd Feb 2014.
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Milton, J. (2012). The Producers: Charlie Andrew. Available: http://www.thisisfakediy.co.uk/articles/features/the-producers-charlie-andrew/. Last accessed 19th Jan 2014.
O'Brien, M. (2012). Alt-J An Awseome Wave. Available: http://www.prefixmag.com/reviews/alt-j/an-awesome-wave/69093/. Last accessed 19th Feb 2014
Sound on Sound. (2013). The Mix Review, Productions Analysed. Available: http://www.soundonsound.com/sos/nov13/articles/tmr-1113.htm. Last accessed 28th Jan.
Tingen, P. (2013). Daft Punk Peter Franco & Mick Guzauski: Recording Random Access Memories. Available: http://www.soundonsound.com/sos/jul13/articles/daft-punk.htm. Last accessed 1st Feb 2014.
“Music expresses that which cannot be put into words and that which cannot remain silent (Hugo, 2007).”Whether you grew up in the Roaring 20’s or in the Disco 70’s, music was a strong source of fun and entertainment. It is an art of sound in time that expresses ideas and emotions in significant forms through the elements of rhythm, melody, harmony, and color. If you ever heard the phrase “Do the Hustle” you would most likely be referring to the disco era of the 1970’s compared to the “jazz age” of the 1920’s. Both eras with their common and uncommon comparisons made a historical and unforgettable impact on today’s music.
Philip Auslander’s book “Performing Glam Rock” talks about a type of music that until this class, I have not heard much about. When I think Glam Rock I think of artists like Prince and Kiss, ...
In Rock- The History of Rock ‘n’ Roll, Yorke provides a chronological approach to rock and roll from 1877- 1974. Although it is not extremely detailed, a general overview of each year’s music is presented. Throughout the book, many descriptive summaries of individual artists may be found along with classic pictures.
It could be argued that ‘In-A-Gadda-Da-Vida’ served exemplary as testament to the changing attitudes towards rock music and psychedelic acid rock of the time. The prevalence of the genre was tangible, even the AFVN (American Forces Vietnam Network) added a special channel in 1968 for those soldiers serving overseas who had reported an interest in the musical style (Kramer, 2006). Perhaps this song was indeed the natural progression of music in a time of so much uncertainty for an entire generation fraught with equal parts revolutionary ideals and Cold War paranoia. The track’s tone, ambiance were defined by an eerily dark otherworldliness unheard of up until that point in rock music and arguably not replicated again until Black Sabbath’s NIB
Turntablism is the art of sound manipulation expressed on a turntable. It’s known for its popular “baby scratch” technique for moving the disc back and forth to create a mixed synth noise. Although very popular with various techniques created, turntables are fairly new instruments introduced into the last two decades. The knowledge of modification to the turntables along with hip-hop culture is necessary to understand the subculture of turntablism.
Popular music places a premium on accessibility, represents various meanings to boost both instant appeal and memorability - distinctive tunes, novel instrumental flourishes, danceable rhythms, repeated riffs - but its signal feature is melodic emphasis and great vocal gatherings.
Steven Connor delves into the mixing and creating of sound by computerisation, as well as the habits of sound; it’s immersion, pathos and objectivity.
When considering the versatility of a synthesiser as a keys player it can widen one’s oeuvre immensely. With its ability to imitate existing sounds and instruments to create beautiful polyphonies and to contrastingly emit haunting, dissonant soundscape’s from previously non-exiting timbres makes it not only a useful tool but and essential piece in a composer’s instrumental repertoire.
AUM 154.3 Music Analysis Essay - Nathan Morrissy ( Dubstep/Trap ) Include links to recorded materials (aka links to song).
Many say that music has evolved over the years. This essay shall explore the elements of two versions of one song. It shall discuss the correlations and disparities of these songs and confer how it has been revolutionised to entertain the audiences of today.
To fully understand any musical style, one must be able to analyze the various elements of music as they exist in that particular style. In this first musical close-up, we shall briefly describe these elements of music. In subsequent musical close-ups, we shall examine one or another of these elements in greater detail as it pertains to a given style or topic.
Ferguson focuses on the importance of creativity and how much we can build off of each others ideas. Remixing is using tools already invented to build new products, it opens a door to an on going process of new inventions and ideas. Ferguson shows the importance and the huge effect remixing has on our music industry and even technology on today’s market. Remixing gives
In today’s modern world the DJ has become a musician; the turntable, his instrument. It took fifteen years for this amazing resolution. DJ's have actually been around for years; mixing and scratching however, it did not come along until the late 70's or early 80's (“Disc Jockey 1”). A lot of people were doing this. But the main front line man was and still is Granmasterflash. Granmasterflash, one of hip-hop's founding fathers and the creator of the Quick Mix. He was the first person to change the arrangements of songs by using duplicate copies of records and manually editing/repeating the climatic part by rubbing the record back and forth (“Grandmaster Flash”). But now the DJ has changed. The kinds of DJ’s are different, the equipment is different, and the scratching is different.
Reeves, Alex. "A Brief History of Sound Design." Advertising Week Social Club. The Beak Street Bugle, 21 Jan. 2014. Web. 23 Feb. 2014.
"The Purpose of Music." EzineArticles Submission - Submit Your Best Quality Original Articles For Massive Exposure, Ezine Publishers Get 25 Free Article Reprints. Web. 23 Feb. 2010. .