Primitive Beginnings in Herman Melville's Moby Dick
Among the numerous themes and ideas that author Herman Melville expresses in Moby Dick, one of the less examined is the superiority of the primitive man to the modern man. As an undertone running through the entire book, one can see in Moby Dick the same admiration of the "noble savage" that is so prevalent in Melville's earlier tales of the simple and idyllic life of the cannibals, even though the focus has been shifted to the dangers of seeing things from only one point of view and to the struggle between good and evil.
Before proceeding to a discussion of how Melville glorifies "primitive man" in Moby Dick, a working definition for the term must be agreed upon. In her illuminating essay, "The Concept of the Primitive," Ashley Montagu points out the fallacy of using the term "primitive" in a scientific context because it is so ambiguous and has so many different connotations attached to it. He shows that so-called "primitive" peoples are neither as undeveloped, uncivilized, or simple as the term implies. However, here I will use the term subjectively, with all its implications, because when Melville idolized primitive man, he did not have a specific, scientific definition in mind. He had an ideal, the ideal of man before the corrupting influences of civilization had taken their toll.
On one level of thought, Queequeg offers a prime example of the superiority of a truly "primitive" man. This "native of Kokovo" is the romanticized picture of the peoples Melville encountered in his sojourns on the tropical isles, whose innocence and virtue so impressed him. He displays his selflessness and strength when he dives after and rescu...
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In Moby Dick, that feeling of reverence and admiration toward man's primitive beginnings is still there in the noble persona of Queequeg, in the whalers and whaling that he glorifies to such an extent, and in the primeval ocean itself, which teaches its wisdom to Ishmael.
Works Cited and Consulted.
Brodhead, Richard H. "Trying All Things: An Introduction to Moby-Dick. New Essays on Moby-Dick or, The Whale. ed. Richard H. Brodhead. Cambridge: Cambridge UP, 1986.
Duban, James. Melville's Major Fiction: Politics, Theology, and Imagination. Dekalb: Northern Illinois UP, 1983.
McIntosh, James. "The Mariner's Multiple Quest." New Essays on Moby-Dick or, the Whale. ed. Richard H. Brodhead. Cambridge: Cambridge UP, 1986.
Melville, Herman. Moby-Dick. New York: Holt, Rinehart, and Winston, Inc., 1964.
Analysis: Melville's Great American Novel draws on both Biblical and Shakespearean myths. Captain Ahab is "a grand, ungodly, god-like man … above the common" whose pursuit of the great white whale is a fable about obsession and over-reaching. Just as Macbeth and Lear subvert the natural order of things, Ahab takes on Nature in his
"He tasks me; he heaps me; I see in him outrageous strength, with an inscrutable malice sinewing it. (280)" At first glance, a modern reader might mistake this quote for that of a social justice warrior complaining about the patriarchy and not a line proclaimed by Captain Ahab in Moby Dick. However, as one deconstructs Herman Melville's classic, he will observe that this gaffe is actually justified. Despite originating over a hundred years before the equality movements, Captain Ahab symbolizes one of their ambassadors because of his hatred for the system that wronged him; his driving will to enact revenge; and being disdained upon for his actions. To commence elaboration, the first characteristic exemplified by Ahab that establishes his symbolism is his loathing for the body that ruined him.
A tattooed man he meets in an inn, named Queequeg keeps Ishmael company throughout his journey. At first, Ishmael is alarmed by Queequeg’s tattoos and brute like habits, but eventually he becomes fond of him. Together the two get on a whaling ship, known as the Pequod. The captain's name is Ahab. He is a rather strange character. The primary conflict of the story is that Ahab holds a grudge against Moby Dick, the great
In Herman Melville’s world-renowned tale, Moby Dick, the crew aboard the Pequod sail the seas in order to hunt, capture, and kill a mysteriously terrifying sperm whale named “Moby Dick”. For centuries, humans have used technological advances to protect their elite status in the animal kingdom, at the unfortunate expense of species ignorantly perceived as being too weak or unintelligent to fight back. Moby Dick illuminates one of the most historically cruel instances of selfishly-oriented, industrial engineering: whaling and hunting animals for sport. Humans and animals are the only living creatures with a similar state of consciousness and this cognitive interconnectedness binds the two species together in ways that can only be speculated and
In Plato’s Symposium, Socrates, an important figure in Greek philosophy, is depicted as one who possesses great virtue and the embodiment of one who has attained the idea of beauty by successfully climbing the ladder of love described by Diotima. Although possessing an ugly appearance, Socrates is divinely attractive inside because, by logic, wisdom is beauty. In the introduction, the author explains, “Socrates, [Alcibiades] says, is like the statues of Silenus – far from beautiful on the outside but full of lovely little figures of the gods inside” (Plato, xxiv). On the other hand, Alcibiades, an attractive and young politician, is portrayed through his ostentatious entrance to the feast as someone who is egotistic and lacking self-control and decorum. Alcibiades and Socrates’ relationship is revealed as the former conducts an encomium describing latter’s superiority over him. Based on the information in the speech and the introduction section of the book, one...
Brodhead, Richard H. "Trying All Things." New Essays on Moby-Dick. Cambridge [Cambridgeshire]: Cambridge UP, 1986. 9. Print.
Before exploring Ishmael, Ahab, and Moby Dick and their Biblical counterparts, it is important to understand Melville's background. He grew up as a baptized Calvinist in the Dutch Reformed Church. His parents trained him to obey God at all times, even if God’s commands seem unjust and cruel. However, he quickly turned against his faith after his father died. During his travels, he witnessed diseases, catastrophes, and hatred throughou...
Herman Melville’s stories of Moby Dick and Bartleby share a stark number of similarities and differences. Certain aspects of each piece seem to compliment each other, giving the reader insight to the underlying themes and images. There are three concepts that pervade the two stories making them build upon each other. In both Moby Dick and Bartleby the main characters must learn how to deal with an antagonist, decide how involved they are in their professions, and come to terms with a lack of resolution.
Throughout our lives, we value many things. Whether it’s valuing family, a passion, or even priorities, we highly praise certain things. For now, let’s take friendship into consideration. Some individuals value friendship whereas others don’t. Those who value friendship value it because they turn to in order to seek shelter when there’s nowhere else to turn to. It is safe to say friendship is a significant part of our lives, and no individual can vouch for friendship like Greek philosopher, Aristotle. Aristotle’s Nicomachean Ethics delves into this idea of friendship being a necessity as well as conveying the three types of friendship he establishes. Friendship based on utility, pleasure, and virtue were thoroughly examined and ultimately, Aristotle developed a stance on the fact that friendship based on virtue is the one to attain. Subsequently, he provides a strong foundation for which he says friendship based on utility and pleasure are unstable friendships.
An example would be two lovers developing a passion, or a group of friends becoming close through school. This type of friendship is different from acquaintances based on utility because they are pleasure seeking. Among the youth, passion is changing constantly. This type of friendship is related to the friendship of utility in the way that they are both subject to change. Aristotle views friendship of utility and pleasure as the same in a sense, because they will both dissolve eventually. Next he tells us the most pure type of friendship: those of virtue or good
Millhauser, Milton. "The Form of Moby-Dick." Critics on Melville. Ed. Thomas J. Rountree. Coral Gables: U of Miami P, 1972. 76-80.
At first glance, Herman Melville’s novel Moby Dick, appears to be the story of a man, his captain, and the whale that they quest to destroy. But a closer look reveals the author’s intense look at several metaphysical ideologies. He explores some of the most ponderous quandaries of his time, among these being the existence of evil, knowledge of the self and the existential, and the possibility of a determined fate. All of these were questions which philosophers had dealt with and written about, but Melville took it to a new level: not only writing about these things, but also doing so in a lovely poetic language backed by a tale packed with intrigue. He explores the general existence of evil in his antagonist, the white whale, and through the general malice that nature presents to humans throughout the novel. The narrator, Ishmael, gains a lot of knowledge about himself through his experiences on the whaling voyage, where he also is able to learn much about the phenomenon of existence itself. Also, through Captain Ahab, he sees more about the existence of man and the things that exist within man’s heart. Especially through Ahab and his ongoing quest for the white whale, and also in general conversation amongst the whalers, the issue of fate and whether one’s destiny is predetermined are addressed in great detail, with much thought and insight interpolated from the author’s own viewpoints on the subject.
...thout writing fiction novels. The narrator is a symbol for Melville’s readers, and poor Bartleby is a symbol for Melville. The narrator demands Bartleby to keep copying his work, but Bartleby has stated numerous times that he “would prefer not to”. Melville is against writing more fiction because he did not want to cheapen the means of his fiction. In the end, none of Melville’s works after “Moby Dick” became popular and he ended up dying in poverty and obscurity, very similarly to Bartleby.
One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter. However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville. While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces. However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the world as he found it without any greater insight.
There is much to be learned from the theme of the novel Moby-Dick. As in any book, there is a message or a sort of subliminal “moral of the story” type lesson you can learn from Moby-Dick.