There are many differences between Pride and Prejudice, and Wuthering Heights. One of the main differences is the women in the stories and how they act. The two women that are surrounded by the two stories and all the problems throughout are Elizabeth Bennet, and Catherine Earnshaw. These two women share major roles in all the conflicts in their respective stories. These two women are also vastly different sharing very few similarities.
They have huge differences in resolve. Elizabeth’s resolve led her to many different problems and amplified both her positive and negative qualities. Only one person was able to change her resolve and even then it took very large circumstances where Elizabeth was so completely wrong over her first judgment on Mr. Darcy’s character that she has no choice but to change her opinion and change her solve from one that was against Mr. Darcy to one that tried to fix the issues that had occurred between her family and Mr. Darcy. Catherine on the other hand let her resolve be shaken and confused. She would act one way with Heathcliff, and act as another person with Edgar. She let most adult figures in her life guide her future. Her lack of resolve is best shown when she cannot choose to be with Edgar or Heathcliff as she loves both. It is not until her death that she gains her resolve to be with Heathcliff. Her resolve then transcended into another level as she was able to overcome death to remain with Heathcliff. This is a huge difference as Elizabeth’s resolve is a central part of her character; Catherine does not find hers till she is on death’s very doorstep.
They have extreme differences to the love they feel for others. Elizabeth on a multitude of occasions turn people of a higher class than her do...
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...don Heathcliff. She cared so much that she defied her husband, and the very act of death itself, to be with Heathcliff. The fact Catherine came back as a ghost, to be with Heathcliff, shows how much she cared for him.
In Conclusion, there are many differences between Elizabeth Bennet, from Pride and Prejudice, and Catherine Earnshaw, from Wuthering Heights. They have a difference in the way they loved and married, their resolve, and the way they act towards others when they are angered. The only similarity, which is very slim, is the way they cared for one particular member of their family.
Works Cited
Austen, Jane, and Donald J. Gray. Pride and Prejudice. An Authoritative Text, Backgrounds, Reviews, and Essays in Criticism. New York: Norton, 1966. Print.
Brontë, Emily, Fritz Eichenberg, and Bruce Rogers. Wuthering Heights. New York: Random House, 1943. Print.
The story of Dame Ragnell and "The Wife of Bath's Tale" are works that are very similar yet have differences that set the two apart. The most obvious comparison between the two works is the dilemma faced in each. In both stories a man's life is at stake and all he has to do to be spared is to answer one question. That question has to do with what women really want. Another similarity involves the outcome of each story. The differences between the two stories are revealed in the plots. The differences that stand out the most are the circumstances leading up to the question being asked and the attitude of the person that has to marry the old hag to get the answer to the question. There are many small differences between the stories but they are not as important as the two mentioned.
Elizabeth's strength of character is emphasized by its contrast with the weak, naive acceptance of Jane's, the instability and excess of Mrs. Bennet's and the blind, weak-willed following of Kitty's. Her strength is also shown in her rejections of the proposals of Mr. Collins and Darcy. Unlike her mother, she does not base her choice of lovers on the financial security they will give her, and has the strength to reject them. This is especially evident in her rejection of Darcy's initial proposal, when she displays a passionate strength in her anger due to her belief that he has willfully prevented Jane and Bingley's marriage and wronged Wickham by refusing to grant him the property that the old Mr. Darcy bequeathed him. In both cases, the suitor is self-assured that his suit will be accepted, and as a result Elizabeth's rejections are amplified by the size of the blows that their egos receive. In Rosings, she does not let Lady Catherine tyrannize her as "the mere satellites of money and rank, she thought she could witness without trepidation." The Lucases and Collinses are submissive to Lady Catherine, with Maria being "frightened almost out of her senses", and it is probable that society as a whole behaves likewise, as Elizabeth suspects she is "the first creature who had ever dared to trifle with such dignified impertinence". She is again presented as a rebel against ideas of class when Lady Catherine pays a visit to her to ensure that ...
The claim that Elizabeth is strong is indisputable. The strength of her personal integrity is highly evident in her refusal of Darcy's first marriage proposal. At the time, she believed Darcy to be arrogant and selfish, based on Wickham's account of Darcy's disgraceful behaviour towards him. She was also furious with him for ruining Jane's chance of happiness (through marrying Bingley). Yet, it would have been prudent for her, a girl with only £1,000 and 4% interest annually from it, to marry Darcy, whose estate is worth £10,000 a year. She never wavers, though -- "her intentions did not vary for an instant". The strength of her convictions and loyalty towards her sister made her reject his offer, and with it, probably all possibility of her every marrying "well" and securing a comfortable future. Also, she was not intimidated by Darcy's wealth and high social status, daring to tell him exactly what she thought of him and to risk his anger by offending him -- "You could not have made me the offer of your hand in any possible way that would have tempted me to accept it." It is very clear that Elizabeth's principles are uncompromisable.
Catherine Earnshaw appears to be a woman who is free spirited. However, Catherine is also quite self-centered. She clearly states that her love for Edgar Linton does not match how much she loves Heathcliff. She is saying that she does love both, and she is unwilling to give one up for the other; she wants “Heathcliff for her friend”. Catherine admits that her love for Linton is “like the foliage in the woods”; however, her love for Heathcliff “resembles the eternal rocks beneath”. She loves Heathcliff and yet she gives him up and marries Linton instead, Catherine believes that if she marries Heathcliff it would degrade and humiliate her socially.
...hey affect the lives of the women around them, yet somehow do not change to a great extent throughout the plays. On the other hand, both characters are comparable in that their eventual fate could be argued as being in many ways as a result of their own deeds and possibly the strains of society.
Society has created a set of standards for women that has been portrayed in literature for many centuries. Shakespeare depicted these strict standards in Athens during the 16th and 17th centuries in his play A Midsummer Night’s Dream. Two centuries later, in her novel Pride and Prejudice, Jane Austen depicted the expectations of women during the 19th century in England, and the resemblance between the two was anticipated. Women had nearly the same roles throughout the centuries, although there were some differences. Weaker women had a tendency to conform completely to these harsh standards for men and betrayed other women, whereas stronger women were more likely to think for themselves and behave in their own ways. Both Austen and Shakespeare
Original script of ‘Pride and Prejudice’ was written by Jane Austen in 1813 during romanticism, and its social background is late 18th century England when social rank was highly valued. Unlike texts, cultural characteristics, social, political changes and history are reflected in the form of image in the movie. The original script of ‘Pride and Prejudice’ was first dramatised in 1940 by Robert Z. Leonard and also screened in BBC television. This essay will analyse most recently dramatised version of ‘Pride and Prejudice (2005)’ by Joe Wright.
When filming a novel, especially one as well-known as Pride and Prejudice, differences can be observed between every adaptation that is made. These differences mainly arise from different opinions concerning the actual conceptual message of the book and therefore lead to rather different intentions of what an adaptation should be about. Hence the fact that no matter which book is turned into a movie, there are going to be different things between the two. Although there were some differences between the novel and the movie, to an extent the movie is still able to depict what Austen wanted her readers to take from the book even though there were some major changes.
The novels Pride and Prejudice and Emma, both by Jane Austen, could not be more different in their story: one deals with the trials and tribulations of finding a husband, while the other tells the story of a rich, young woman and her dealings with society. While very different in their basic plot, both novels are shaped by
Catherine is trapped between her love of Heathcliff and her love for Edgar, setting the two men down a path of destruction, a whirlwind of anger and resentment that Catherine gets caught in the middle of. Catherine is drawn to Heathcliff because of his fiery personality, their raw attraction and one certainly gets the sense that they are drawn together on a deeper level, that perhaps they are soulmates. C. Day Lewis thought so, when he declared that Heathcliff and Catherine "represent the essential isolation of the soul...two halves of a single soul–forever sundered and struggling to unite." This certainly seems to be backed up in the novel when Catherine exclaims “Nelly, I am Heathcliff! He's always, always in my mind--not as a pleasure, any more than I am always a pleasure to myself, but as my own being...” This shows clearly the struggle Catherine feels as she is drawn spiritually to Heathcliff, but also to Edgar for very different reasons. Edgar attracts Catherine predominantly because he is of the right social class. Catherine finds him "handsome, and pleasant to be with," but her feelings for him seem petty when compared to the ones she harbours...
Out of the two Elizabeth is the sister that can make in the real world because she is stronger than Jane, Jane is simply too trusting, she likes everyone she meets, and trust everyone she meets, in the modern world trusting someone you don't knowing when you first meet them can have dire consequences. Elizabeth is more assertive, more confidant, not afraid to speak her mind those qualities make her independent, a person who doesn't need to relay on someone else for things that she can do her self. Jane is the type of person who has had people helping her since was born, she doesn't have the skills to survive in the real
Bronte, Emily. Wuthering Heights. Norton Critical ed. 3rd ed. Ed. William M. Sale, Jr., and Richard J. Dunn. New York: W. W. Norton, 1990.
During the first half of the book, Catherine showed different types of love for two different people. Her love for Heathcliff was her everything, it was her identity to love and live for Heathcliff but as soon as she found out how society views Heathcliff, she sacrificed their love and married Edgar Linton in the hopes of saving Heathcliff from Hindley and protecting him from the eyes of society. In her conversation with Nelly, Cathy who professed her love for Heathcliff quoted “My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself.” Catherine proved Nelly Dean that the only person who can make her feel pain and sorrow is Heathcliff. The extent of her love was uncovered when she sang her praise of “I am Heathcliff” because this was the turning point in the book that allowed the readers to truly understand and see the depth of Cathy's love for Heathcliff. On the other hand, Catherine's love for Edgar wasn't natural because it was a love that she taught herself to feel. It might have come unknowingly to Cathy but she did love Edgar as she said “My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees.” Cathy knew that it was not impossible to love Edgar for he was a sweet and kind gentleman who showed her the world but unlike ...
Both Jane Eyre, by Charlotte Brontë, and Great Expectations, written by Charles Dickens, have many Victorian similarities. Both novels are influenced by the same three elements. The first is the gothic novel, which instilled mystery, suspense, and horror into the work. The second is the romantic poets, which gave the literature liberty, individualism, and nature. The third is the Byronic hero, which consists of the outcast or rebel who is proud and melancholy and seeks a purer life. The results when all three combined are works of literature like Jane Eyre and Great Expectations. BOTH NOVELS CONVEY THE SAME VICTORIAN IDEOLOGIES COMMON FOR THE TIME PERIOD IN, WHICH THEY WERE WRITTEN. Brontë displays many of her experiences and beliefs through the main character, Jane, in her novel. As does Dickens, he portrays his own experiences and thoughts through Pip, the main character of Great Expectations.
...th's marriage and that of Jane and Bingley. Jane and Bingley have always remained the same, and will always do so, but Elizabeth and Darcy can question each other's motives and can undergo change.