Grappling with "Creative Block"
My mind is at times a broken record devoid of nuance. But when I walk outside into the morning sunlight today, the air tastes like smoke. That minute difference jostles my mind. In that moment, I, no longer preoccupied with internal tensions, savor the spirited atmosphere of people hurrying about, the underlying brick road and overlying partly cloudy sky. I hurry to preserve these thoughts, as I feel the inspiration already evaporating from my grasp.
Dong! Dong! Dong! The gong reverberates to rhythmic drum beats. The majestic lions' eyes slowly open, and their ears and feet twitch languidly. Da-da dum. Da-da dum. Da-da dum... Da, Da da, Da dum, Da Dum, DA DUM! Inside each lion, two dancers spring to life and explode with power and energy. In the background, instrumentalists conduct drums, cymbals, and a gong into an unstoppable, steady rhythm that elicit the lions' liveliness. Da, Da, Dum. Da, Da da, Dum. The lion heads sweep down toward the floor in a circular motion and punctuate the air with its presence, warding away evil spirits. Acrobatic martial arts moves, such as "towers" that involve one dancer lifted on top of another, elicit excited gasps from the audience. Lions then prowl among audience members in "low walk," their noses muzzling surprised faces and eyes blinking ferociously. To summon good luck and fortune, lion dancers shower the audience with lettuce at the end of the performance. Even as the lions run across the stage in "high walk" and crumble into sleepiness once more, the energy of the performance still lingers in the air—as lion dance has done since its inception approximately 1,500 years ago (Hulsbosch 112).
April 5, 2014. 10:00 AM. I and two fellow Columbia Lion Dance ...
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Kaufman, Scott Barry. "The Real Neuroscience of Creativity." Scientific American. Scientific American, 19 Aug 2013. Web. 7 Apr. 2014. .
Khatchadourian, Raffi. "Onward and Upward with the Arts in the Picture: An Artist's Global Experiment to Help People be Seen." New Yorker. 28 Nov 2011: 58-63. Web. 29 Mar. 2014.
Montaigne, Michel De. Translated by J. M. Cohen. Essays. London, England. Penguin Books. 1958. Print. Taylor, Diana. "'You Are Here': H.I.J.O.S. and the DNA of Performance." The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press, 2003. 161-189. Print.
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
The novel Pride and Prejudice is about five sisters and the things that happen on
elements and devices, perhaps one of the most important is through the representation of characters. By developing characters, novelists can express ideas as well as commentaries, and this can be further enriched by providing a foil. Conventionally defined as another character who contrasts with the main character, a foil helps emphasize the attributes of the latter while strengthening the message of the story. The two novels that feature foils discussed in the past 4 years are Jane Austen’s 1813 novel Pride and Prejudice and Kate Chopin’s 1899 novel The Awakening. In the novels The Awakening and Pride and Prejudice the characteristic foils that are encountered with Edna Pontellier and Adele Ratignolle flow with Charlotte Lucas and Elizabeth Bennet, as they ignite their individual qualities that not only contrast with each other but by comparison aid in illustrating important themes regarding the life of submission and dependence that women led during the 19th century.
Nordlund, Carrie. "Waldorf Education: Breathing Creativity." Waldorf Education: Creativity 66.2 (2013): 13. eLibrary. Web. 22 Oct. 2013.
Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.
performance to a major degree reflects the spirit of the times, and some of today's 'authentic' performances have less to do with historical accuracy, attempting rather to produce a performance which, in John Eliot Gardiner's words, will 'excite modern listeners.' (Sartorius)
Jane Austen’s novel Persuasion emanates the social and political upheaval caused by the war and depicts the transition into nineteenth century realism where class and wealth was considered extremely important in the social hierarchy. She explores the reactions to the newly diverse interactions between different social classes and although she was “no snob, she knew all about snobbery.” Therefore, she is able to realistically portray the views of upper class characters such as Sir Walter Elliot and contrast them to men who have earned their wealth, such as Captain Wentworth. Whilst Britain was involved with the Revolutionary and Napoleonic Wars in the early nineteenth century, the navy had a profound involvement therefore this is not only reflected in Austen’s real life, but also in her novels. This alters the narrative in the novel as a whole as Austen depicts how wealth and being upper class is no longer limited to hereditory but can also be earned through professions such as being in the navy. As a result, the contrasts between the opinions and actions of the men who work for their wealth and the men who merely receive it from their family are profound.
A calm crisp breeze circled my body as I sat emerged in my thoughts, hopes, and memories. The rough bark on which I sat reminded me of the rough road many people have traveled, only to end with something no one in human form can contemplate.
Jane Austen, author of Pride & Prejudice, Sense & Sensibility, and many other well-known books, was born on December 16th, 1775, in England. Her parents, George and Cassandra Austen, came from lower middle-class English families. When Austen was a child, her home had an open and intellectual atmosphere, and her family frequently discussed politics and social issues. This influenced her writing as an adult, which explored themes of social class and the treatment of women. As a teenager, Austen was sent to Oxford to be educated, but she contracted typhus and nearly died. She was then educated at home, learning what girls were normally taught during that time, such as French, needlework, and music. Austen was also a enthusiastic reader,
The text is Pride and Prejudice which is about the ups and downs of the connection/relationship between Elizabeth Bennet and Mr. Darcy. The person who changes the most throughout the novel is Mr. Darcy who changes for the affection of Elizabeth. The first copy of Pride and Prejudice was published in 1993 by Wordsworth Editions Limited. Jane Austen is the author and the genre of the novel is Historical/Romance. The book looks at Mr. Darcy and changing his personality, which characters remain static through the book, what Jane Austen is trying to say about the period of time the novel is set in and why Jane Austen has so many characters that stay the same all through the book.
The short story Girl written by Jamaica Kincaid is a mother’s compilation of advice, skills, and life experience to her daughter. The mother believes that her offer of practical and helpful guidance will assist her daughter in becoming a proper woman, and gaining a fulfilling life and respectable status in the community. Posed against the mother’s sincere concern for her daughter’s future is Sir Walter’s superficial affection to his daughters in the novel Persuasion written by Jane Austen. Due to his detailed attention for appearance and social rank, Sir Walter has been negligent to his daughters’ interests and fails to fulfill his responsibility as a father. Throughout both literary works, the use of language and tone towards persuasive endeavors reveals the difference in family dynamics and the success of persuasion on the character’s transformation.
Defining the novel is a challenging prospect because the act of naming means to circumscribe a genre that defies rigid codes. The novel's elasticity and readiness to incorporate other genres makes it slippery and untidy; nevertheless, the novelness of a text allows us to recognize a novel and distinguish it from other genres. As readers, we approach the novel with the expectation that it will possess novelistic attributes and judge the novel on its ability to master these. With this focus in mind, this essay explores how the following features in Jane Austen's Persuasion contribute to (or persuade us as to) the novelness of the text: the extensive treatment of its characters, a sense of cohesion and continuity present in a work of long prose fiction, and a vivid portrayal of the social order on the micro-level of the domestic scenes of everyday.
Abraham, A., Pieritz, K., Thybusch, K., Rutter, B., Kröger, S., Schweckendiek, J., … Hermann, C. (2012). Creativity and the brain: Uncovering the neural signature of conceptual expansion. Neuropsychologia, 50(8), 1906–1917. doi:10.1016/j.neuropsychologia.2012.04.015
There is a magnitude of research put behind trying to find the link between creativity and...
Pride and Prejudice "It is a truth universally acknowledged, that a single man in possession of good fortune, must be in want of a wife. " Taken from Jane Austen's classic novel, Pride and Prejudice, this is probably one of the most famous opening sentences in English literature. It is clear to see from this one sentence that the novel is going to be about money, marriage and morals. The question is, from whose perspective, is a single, rich man in want of a wife? As we begin to read the novel, it becomes apparent that it is Mrs Bennet who believes that all rich, single men must be in want of a wife when she says at the beginning of the very first chapter, "A single man of large fortune; four or five thousand a year.