Power relations in Macbeth

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Shakespeare’s play Macbeth reinforces power relations in its own context. It normalises many systems of power, specifically patriarchal, feudal and religious power. Patriarchal power is emphasised in Macbeth through the exchanges of characters of different genders, specifically Macbeth and Lady Macbeth. Shakespeare displays feudal power in this drama as one of the primary power structures of this era; it’s reinforced through the enforcing of principles such as the divine right of kings and the chain of being. Religious power is another dominant power system that defines behaviour of the time and is especially relevant due to the reformation and the recent Gunpowder Plot. The concept of ‘body politic’ is also relevant in analysing power relations in Macbeth.
Patriarchal power in Shakespeare’s Macbeth is emphasised through the interactions of characters, specifically Macbeth and Lady Macbeth. The patriarchy has existed for the entire of recorded history and was particularly strong during the 17th century. This ideology of the absolute power of God, the supreme patriarch, was seen to be reflected in the absolute power of the monarch and in the husband and father of a family. In this system women were inherently subordinate to men, and this was reinforced in plays which detailed women’s physical and mental defects, spiritual evils, rebelliousness and general inferiority. Macbeth was one of these dramas. Shakespeare portrays women as crafty, who use ‘female’ methods of securing power—manipulation— to realise their ‘male’ ambitions. The institutionalised societal constraints deny them the opportunities to pursue these ambitions independent of men. Lady Macbeth’s unsexing quote in I. 5.38–43 communicates the developing relationship in Ma...

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... Body politic is a metaphor in which a country is seen to be one entity, likened to the human body. This is a common motif in Shakespeare’s Macbeth and is used to communicate a few different ideas. Firstly, the metaphor of the human body dictates the necessity of order to the Scottish ‘body’. It communicates the idea that harmony in the self leads to harmony in the state, therefore division within the self will equal division in the body. Many characters seem to have an ideological preoccupation with the body. An example of this is the Weird Sisters’ pleasure in dismemberment, as demonstrated in I.3.27-29 and IV.1.4-34. In I.3.57 Macbeth is described by Banquo as ‘rapt’. This communicates the idea that his mind is disjoined from his body, making him a danger to the state. This danger in shown in the Weird Sisters, who can suddenly become bodiless and vanish.

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