When people think of the military, they often think about the time they spend over in another country, hoping they make it back alive. No one has ever considered the possibility that they may have died inside. Soldiers are reborn through war, often seeing through the eyes of someone else. In “Soldier’s home” by Ernest Hemingway, the author illustrates how a person who has been through war can change dramatically if enough time has passed. This story tells of a man named Harold (nick name: Krebs) who joined the marines and has finally come back after two years. Krebs is a lost man who feels it’s too complicated to adjust to the normal way of living and is pressured by his parents.
In “Soldier’s home” Krebs is completely different from when he left for the marines. He no longer sees the world the same. Instead he sees it as a place stuck in time with very little changes. He has to lie about things that happen in war to be able to stomach what truly happen. “His town had heard too many atrocity stories to be thrilled by actualities. Krebs found that to be listened to at all he had to lie, and after he had done this twice he, too, had a reaction against the war and against talking about it”(1).
Krebs often thinks how complicated normal life is. He looks at the girls with their fancy hair dos and the way the dress. He sometimes thinks it would be ok to have a women but it’s too complicated to even try. That’s what the army taught him. “He wanted to live along without consequences. Besides he did not really need a girl. The army had taught him that” (2). Krebs mentions the army a lot throughout the story which can make one draw the conclusion that maybe the reason why Krebs is the way he is, is because the condition and standards he was...
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... he doesn’t love her but he eventually says sorry. This shows Krebs is really confused on what to say now. He no longer wants to tell lie to the people around him and he stills feels like life will just be too complicated with the lies he’ll have to tell and the job he doesn’t want. “He had felt sorry for his mother and she had made him lie. He would go to Kansas City and get a job and she would feel all right about it” (7). Krebs may forever feel alone in this world that seems stuck in time. He may never feel how he felt before joining the marines. Krebs is living a life that he feels is much too complicated for him. He is no longer the same person he was two years ago. The person he once was is now somewhere buried deep beneath the lies he tells every day to bare the things he has done. Krebs is still fighting a war, not a physical war, but a war within himself.
Tina Chen’s critical essay provides information on how returning soldiers aren’t able to connect to society and the theme of alienation and displacement that O’Brien discussed in his stories. To explain, soldiers returning from war feel alienated because they cannot come to terms with what they saw and what they did in battle. Next, Chen discusses how O’Brien talks about soldiers reminiscing about home instead of focusing in the field and how, when something bad happens, it is because they weren’t focused on the field. Finally, when soldiers returned home they felt alienated from the country and
In the story “Home Soil” by Irene Zabytko, the reader is enlightened about a boy who was mentally and emotionally drained from the horrifying experiences of war. The father in the story knows exactly what the boy is going through, but he cannot help him, because everyone encounters his or her own recollection of war. “When their faces are contorted from sucking the cigarette, there is an unmistakable shadow of vulnerability and fear of living. That gesture and stance are more eloquent than the blood and guts war stories men spew over their beers” (Zabytko 492). The father, as a young man, was forced to reenact some of the same obligations, yet the father has learne...
A photo of Krebs during World War I shows him with a corporal and two German girls on the Rhine River. One's first thought of this picture may be of a lighthearted sightseeing trip on leave from the front. However, in the photograph, Krebs and the other corporal are described as "too big for their uniforms," the German girls as "not beautiful," and the Rhine does not even appear in the photograph (154). This is how Ernest Hemingway begins "Soldier's Home," the story of a young war veteran named Harold Krebs who has recently returned home. Everything that Krebs says and does is to make his life as smooth and have as few complications as possible, more than likely a stark contrast to his life in Europe.
Author Tim O’Brien in “How to Tell a True War Story” uses the physical and mental mindset of isolation in the Vietnam war to create a story with many literary devices that makes a captivating story. The author uses point of view, verbal irony, and the character Tim O’Brien to enhance his written experiences of the Vietnam War. This story teaches the reader that experiences that were lived by the reader can be altered by the mind to a certain extent, where they can be questioned as true or not. Perhaps at a sports game or in a heated situation such as a police chase or court case. Tim O’Brien’s experiences have captivated many readers, but are they true? Or just a product of insanity from war? Well, Tim O’Brien leaves that up to the reader to decide.
Many people say that the metal of a man is found in his ability to keep his ideals in spite of anything that life can through at you. If a man is found to have done these things he can be called a hero. Through a lifelong need to accept responsibility for all living things, Robert Ross defines his heroism by keeping faith with his ideals despite the betrayal, despair and tragedy he suffers throughout the course of The Wars by Timothy Findley.
...ust deal with similar pains. Through the authors of these stories, we gain a better sense of what soldiers go through and the connection war has on the psyche of these men. While it is true, and known, that the Vietnam War was bloody and many soldiers died in vain, it is often forgotten what occurred to those who returned home. We overlook what became of those men and of the pain they, and their families, were left coping with. Some were left with physical scars, a constant reminder of a horrible time in their lives, while some were left with emotional, and mental, scarring. The universal fact found in all soldiers is the dramatic transformation they all undergo. No longer do any of these men have a chance to create their own identity, or continue with the aspirations they once held as young men. They become, and will forever be, soldiers of the Vietnam War.
...though people believe that, those on the home front have it just as a bad as the soldiers, because they have to deal with the responsibilities of their husbands, there is nothing that can compare to what these men have gone through. The war itself consumed them of their ideology of a happy life, and while some might have entered the war with the hope that they would soon return home, most men came to grips with the fact that they might never make it out alive. The biggest tragedy that follows the war is not the number of deaths and the damages done, it is the broken mindset derives from being at war. These men are all prime examples of the hardships of being out at war and the consequences, ideologies, and lifestyles that develop from it.
The environment in which Kiley was first deployed to lacked rules since authorities were not present to enforce them, the highest ranking NCO’s favorite pastimes ran from “dope to Darvon...there was no such thing as military discipline...You could let your hair grow...didn’t have to polish your boots or snap off salutes, or put up with the usual rear-end nonsense” (91). Thus along with the medical unit, Kiley’s exposure in a medical detachment far away from the tropical warzone gave him a deceptive impression of the Vietnam war. His ingenuous attitude shows that as a young soldier, Kiley had entered the war with a simplistic worldview, unsuspecting of the severity the war brought on to everybody within its sphere of influence. In one of the early chapters, “How To Tell A True War Story”, O’Brien recalled the time Lemon and Kiley went off by themselves after the platoon marched for two days, “A nature hike, [Rat Kiley and Curt Lemon] thought…giggling and calling each other yellow mother and playing a silly game they invented” (69). Kiley is momentarily portrayed as a kid, who is untouched by the harsh realities of the Vietnam War. But the juxtaposition of placing an unsuspecting child in a hostile war zone sets an ominous tone for Rat Kiley. Like most soldiers who had been drafted into the war, Kiley initially did not have the emotional
In a family there is a special bond, but when war becomes part of the family’s life, it slowly deteriorat what was once a loving relationship of the soldier and his/her family to an isolation between the individual and their family. Based on the short story, Where Have You Gone, Charming Billy , TIm O’Brien used imagery to help readers envisioned a soldier desired of returning home. O’ Brien constantly used the word pretend to displayed the relationship between a family and the soldier during war. “He was pretending he was a boy again, camping with his father in the midnight summer along the Des Moines River… He pretended his father would be there by the campfire and they would talk softly about whatever came to mind and then rolled into their sleeping bags, and that they’d wake up and it would be morning, and there would not be a war…” (O’Brien 622) According to O’Brien, soldiers seek for his/her family during stressful circumstances of the war.
“Soldier’s Home” takes place in Krebs’ hometown. Nevertheless, Krebs’ life in the navy gets mentioned throughout the story. His hometown is symbolic of uncertainty; the navy represents structure. It is safe to assume that Krebs was taught a lot of things in the navy because they “taught” him how to feel about something as personal as his love life. This should cause the reader to infer that the navy controlled greater aspects of Krebs’ life- or gave it structure. On the other hand, Krebs’ life is filled with equivocation when he returns home. His home’s symbolism reflects his true nature. His mom tries to encourage him to get his life together, for other boys his age have already done so. Krebs is not exactly elated to do so. He often comes off as if he does not know what he wants while he is at home. He has a hard time readjusting because there were no definite instructions for
The story of Soldier’s Home by Ernest Hemingway talks about Krebs who came back home
...often times tragic and can ruin the lives of those who fight. The effects of war can last for years, possibly even for the rest of the soldiers life and can also have an effect on those in the lives of the soldier as well. Soldiers carry the memories of things they saw and did during war with them as they try and regain their former lives once the war is over, which is often a difficult task. O’Brien gives his readers some insight into what goes on in the mind of a soldier during combat and long after coming home.
In Hemingway’s short story “Soldier’s Home”, Hemingway introduces us to a young American soldier, that had just arrived home from World War I. Harold Krebs, our main character, did not receive a warm welcome after his arrival, due to coming home a few years later than most soldiers. After arriving home, it becomes clear that World War I has deeply impacted the young man, Krebs is not the same man that headed off to the war. The war had stripped the young man of his coping mechanism, female companionship, and the ability to achieve the typical American life.
A true war story blurs the line between fact and fiction, where it is neither true nor false at the same time. What is true and what is not depends on how much you believe it to be. In the chapter “How to Tell a True War Story” from the novel “The Things They Carried” by Tim O’Brien, the author provides various definitions to how the validity of a war story can be judged. The entire chapter is a collection of definitions that describe the various truths to what a true war story is. Unlike O’Brien, who is a novelist and storyteller, David Finkel, the author of “The Good Soldiers”, is a journalist whose job is to report the facts. Yet in the selection that we read, chapter nine, Finkel uses the convention of storytelling, which relies heavily on the stories the combat troops tell each other or him personally. Finkel attempts to give an unbiased view of the Iraq war through the stories of the soldiers but in doing so, Finkel forfeits the use of his own experiences and his own opinions. From O’Brien’s views on what a true war story is combined with my own definitions, I believe that Finkel provides a certain truth to his war stories but not the entire truth.
The story, A Soldiers Home, is about a man in conflict with the past and present events in his life. The young man’s name is Harold Krebs. He recently returned from World War 1 to find everything almost exactly the same as when he left. He moved back into his parents house, where he found the same car sitting in the same drive way. He also found the girls looking the same, except now they all had short hair. When he returned to his home town in Oklahoma the hysteria of the soldiers coming home was all over. The other soldiers had come home years before Krebs had so everyone was over the excitement. When he first returned home he didn’t want to talk about the war at all. Then, when he suddenly felt the urge and need to talk about it no one wanted to hear about it. When he returned all of the other soldiers had found their place in the community, but Harold needed more time to find his place. In the mean time he plays pool, “practiced on his clarinet, strolled down town, read, and went to bed.”(Hemingway, 186) When his mother pressures him to get out and get a girlfriend and job, he te...