Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Examples of dramatic irony is oedipus the king
Character development of iago in othello
Examples of dramatic irony is oedipus the king
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Examples of dramatic irony is oedipus the king
The tragedy of Othello by William Shakespeare shows what a person, like Iago, with great intellect and wit uses these talents to cause pain in love and terror to those around him. Iago holds physiological power over Othello thoughts by lying to him and giving him false evidence of his wife Desdemona. In the process of Iago’s plan, Desdemona becomes the victim of pain and sorrow from Othello. Although Iago possess great intellect, he also feels threat of jeopardy towards his plan of bringing down Othello by, Cassio, Roderigo, and Emilie. Iago uses his intellect as a weapon by overwhelming the other characters with derogatory language.
Iago decides to turn against Othello because he feels as if he lost towards a Moor. Iago tells Brabantio, “. . . you’ll have your daughter covered with Barbary horse” (Othello I.i.12). Iago notifies Desdemona’s father that she has married a color
…show more content…
Iago states to Roderigo, “Now whether he kill Cassio, / Or Cassio him, or each do kill the other,/ ever way makes my gain” (V.i.12-14). If Othello kills Cassio, the job will become easier for Iago. Iago will not have to get his hands dirty and he will deny his presence and knowledge of the incident. Iago stabs Roderigo after Iago injures Cassio to accuse Roderigo the murder so that no accusations lead to Iago. On the other hand, the opinion from the article, “Common-Sense Interpretations of Shaksp[a]ere” by Edwin W. Chubb states, “We know that if Cassio is killed, Iago will be freed from source of exposure, and if Roderigo is killed, he will be freed from the reproaches of a fool from whom he had borrowed money”(426). Iago sees Cassio’s life as a threat towards the lies he has told Othello making Iago solve the problem by killing Cassio. Iago only cares about himself; Iago knows if Roderigo dies he no longer has to pay back the money Iago borrowed from Roderigo in Act
Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renown for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly attached to a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives. Shakespeare never discloses much about Iago’s past, raising the questions:
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
	Iago uses a different tactic to manipulate Brabantio. He changes Brabantio's way of looking at the marriage of his daughter Desdemona to Othello. He awakes Brabantio by saying "Awake! What, ho, Brabantio! Thieves! Thieves! Look to your house, your daughter, and your bags! Thieves! Thieves!" (I.i.76-78) By saying this, Iago shows a new perspective to Brabantio by insinuating that Othello has stolen his daughter. Iago reinforces this when he say's,
Although in William Shakespeare's tragedy Othello, Iago initially provokes Othello’s insecurities and anger towards Desdemona, it is Othello’s lack of self confidence that make him responsible for the murder. Despite being a foreigner from Africa, Othello has gained his war hero reputation and greatness from his excellence on the battlefield. He earned the respect from his troops and when dealing with military matters, his confidence is at it’s peak. Othello’s insecurities are put into the background while he receives this war hero fame, however, Iago is able to poke at these hidden feelings and slowly break down Othello’s character. Othello’s lack of confidence is considered one of his biggest flaws, eventually causing the death of Desdemona.
Iago makes his actions of revenge toward Othello almost immediately by informing Brabantio, a Venetian senator and father of Desdemona, that "an old black ram (Othello) is tupping (his) white ewe (Desdemona). " (l.i.97) Iago's next motive becomes clear when he convinces Othello "that he (Cassio) is too familiar with his (Othello's) wife." (1,iii.4399) Iago's motive here is to break the bond between Othello and Desdemona.
In the play ‘Othello’ by William Shakespeare, the tragedy of the play is largely a result of Iago’s animosity towards Othello. Iago’s hatred for Othello emanates from the very core of his being and is further amplified due to Othello’s status as an outsider in the ‘white’ Venetian society. This alone causes Iago to perceive Othello as a threat to society, as he goes against the societal and contextual values of the time. Although Iago is acting and reacting based on his own character traits, he is also acting upon the societal norms and expectations which classified Othello as a threat. The accumulation of Iago's hatred
Shakespearian tales always leave us with a plethora to ponder about the Elizabethan age and Shakespeare himself. “Othello” is no break in this mold, leaving us to ponder the roll of Iago within the harsh tale of love and murder. Iago is the one to tell Othello of his wife’s betrayal with Cassio, hence making up a story that will work to his favor yet betray those around him. Iago betrays his wife, Emilia, but not only her as he drags Othello, Desdemona, and Cassio into the mix of lies and the hatred he is spreading to improve his rank with Othello. But were Iago’s acts unjust and done for the sake of it? Is he a heartless man who’s only happiness is to bring sorrow upon others? No, Iago has a just reason for what he does, even though he causes the deaths of Cassio, Emilia, and Desdemona in his search for revenge; Iago is not a heartless fiend, just a man wronged.
The character of Iago uses racial stereotypes both to disparage Othello and to plant the seeds of jealousy in him. Iago calls to Brabantio "an old black ram / is tupping your white ewe." (I,i,96-7) He uses this image to enrage the old man and to denigrate Othello. Later in the scene, Iago refers to Othello as a "Barbary horse," indicating his North African heritage and at the same time conveying a sense of inferiority. (I,i,124) He continues this insulting metaphor by referring to Othello and Desdemona’s future progeny as "gennets," a term for Spanish horses. (I,i,126) This opening scene sets the stage for not only Iago’s hatred of Othello, but for his prejudice against him. In his consolation of Roderigo, Iago calls Othello "an / erring barbarian" whom Desdemona will leave when she is tired of him. (I,iii,377-8) Again to Roderigo, Iago queries "what delight shall" Desdemona "have to look upon the devil?" (II,i,258) While drinking with the men of the watch in Cyprus, Iago raises a toast "to the health of black Othello." (II,iii,30) These remarks eventually are turned on Othello himself as Iago suggests that Desdemona would not love a Moor. Iago claims that all Venetian women are prone to infidelity in his speech:
Iago proceeds to tell the news of Desdemona and Othello's marriage to a shocked Brabantio. He uses offensive imagery, showing the extent to which he will go to win Brabantio's support against Othello. While not in the company of either Othello or Brabantio, Iago debases the marria...
Iago and Emilia’s relationship in The Tragedy of Othello: Moor of Venice is similar to a lion, on one end it can be fierce, while on another it can be sly and cunning, and in the end it is the cunning side that becomes the strongest when stalking prey.
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
In this tragedy, Othello, Shakespeare, has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons for the lives lost in this play and the reasons that led to Iago’s downfall. Iago’s hatred of Othello and Cassio causes him to seek revenge, and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49).
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Iago, the evil villain of Shakespeare's Othello, is more than just a villain. In many ways he is the most intelligent and appealing character in the play. Iago shows superiority over the rest of the characters in the play. He has the ability to manipulate the characters in the play, therefore controlling the play with every sequence of events. His intelligence shines through his ability to deceive, his ability to strategize, and his ability to twist the truth. Iago is appealing to the characters of the pay because he gives them what they want. Iago is appealing to the reader as well. His character is totally unconflicted about being evil, making him known to some authors as the villain of all villains. Iago is, in many ways, the most intelligent and appealing character in the play.
The Tragedy of Othello the Moor of Venice was written by William Shakespeare, and it is only one of countless notable plays he wrote. A reoccurring theme in Othello is jealousy brought on usually by deception; throughout the play people often hide their true intentions and are not always what they appear to be like W.H Auden said “There 's always another story. There 's more than meets the eye.” The relationships Iago built on manipulation, lies, and false promises were a crucial part of the play; Iago was able to deceive other characters by twisting the situation so that characters like Roderigo, Cassio, and Othello misinterpreted what they saw. However, he was not the only one to put up a front in Othello; Emilia also put up a façade when