The world of Stephen Crane’s novel, Maggie: A Girl of the Streets, is a dark, violent place. People curse one another openly and instigate fights over petty issues. The intense poverty of the populace leads to a feeling of general despair and creates a lack of self-confidence in each individual. People want to feel that they mean something. They want to know that their life does not go unnoticed. They desire power over others lives. The poor, who are constantly controlled by the rich, yearn for the opportunity to control their world. In a typical society these urges would be satisfied by successful careers and families but in the torn and impoverished world of Maggie people gain power and control only through violence and the moral desecration of others. This thesis will be shown through the fighting amongst the children, the violence of the household, and the family’s treatment of Maggie’s death.
The kids in the world of Maggie fight each other for the positions of control and power among other children. The novel opens with a scene of violence. Two different groups of boys are engaged in a bloody scuffle. Crane writes, “A very little boy stood upon a heap of gravel for the honor of Rum Alley. He was throwing stones at howling urchins from Devil’s Row who were circling madly about the heap and pelting at him'; (Crane 3). That the kids are battling for the so-called “honor of Rum Alley'; (Crane 3) shows that the kids are trying to gain a position of power through battle. If they can injure those who stand in their way in front of everyone else they will earn the respect and, therefore, the control and power they are seeking. Donald Pizer explores this idea in his essay, “Stephen Crane’s Maggie and American Naturalism';. Pizer states that the scene quoted above of the boy on top of the rock pile fighting with the other kids has what he calls a “basic chivalric cast'; (Pizer 188). He writes, “The very little boy is a knight fighting on his citadel of gravel for the honor of his chivalrous pledge to Rum Alley'; (Pizer 188). Pizer compares the fighting for control and power to medieval battles in which knights (who were all from the noble class) battled for fame and fortune (Pizer 188). A further examination of the theme of medi...
... middle of paper ...
...ve been uttered at all but for the neighbors’ prodding. As they repeatedly ask if the mother will forgive, she senses that it would be a fine gesture to make; it would make her out a martyr'; (Overmyer 185). Maggie’s mother wants the power and control that being a martyr encompasses.
Maggie is a powerful work of fiction. It sets us in a desolate and hopeless world. But the world that it creates is closer to reality than some would like to think. The characters in the book are not born with evil in their souls. They are shaped by their environment just as much as everyone else that has ever lived. It just so happens that the environment around them is so oppressively bleak that it affects them in a negative way. This environment leads people to feel inadequate and unimportant. The characters in Maggie want to have an element of control and power in their lives. But in their horrifying world they must use violence and the moral destruction of others to gain that power and control. This is shown through the fighting amongst the children, the violence of the household, and the family’s treatment of Maggie’s death.
As you can see, I strongly agree with the narrator of the story and her choice in giving Maggie the quilts. Dee (Wangero) has been given enough in her life. She has beauty, confidence and her education. Maggie has wonderful qualities too, but has been through hardships. All which make her more deserving of the family quilts.
...sents some discrepancies in how people value their family history. To some, family does not mean much at all but others are very much aware of their ancestors and the traits that they share in common. Some people use this self-awareness to better themselves while others find ways of exploiting it to satisfy their superficial needs. Dee is the type of individual that misuses her heritage. She is using it to fit in and attract the new religious group with which she has begun to associate. Maggie just seems oblivious, although the story does not allow the reader to know what she is thinking. The truth is that Maggie and her mother are living their heritage. This is the lesson that Dee's mother is trying to teach her; to accept and embrace who she is rather than continuously search for something she is not. She could search for her entire life and never be fulfilled.
Maggie, although not the main focus of Recitatif, plays an extremely important role in the sense that she represents the idea that there is more to a person’s identity as well as oppression than just their race.
... Maggie ultimately garners respect for herself and her husband- “You're a backward lad, but you know your trade and it's an honest one,”- with her will. The challenge to overcome her father’s oppression garnered her ‘good life’ alongside the respect her father and his family business (Hobson). The search for our definition of the good life is wrought with trials and tribulation, working to overcome deep seeded trends of oppression within society and family.
She presents two contradictory images of society in most of her fiction: one in which the power and prevalence of evil seem so deeply embedded that only destruction may root it out, and another in which the community or even an aggregate of individuals, though radically flawed, may discover within itself the potential for regeneration. (34)
When we meet our narrator, the mother of Maggie and Dee, she is waiting in the yard with Maggie for Dee to visit. The mother takes simple pleasure in such a pleasant place where, "anyone can come back and look up at the elm tree and wait for the breezes that never come inside the house." (Walker 383) This is her basic attitude, the simple everyday pleasures that have nothing to do with great ideas, cultural heritage or family or racial histories. She later reveals to us that she is even more the rough rural woman since she, "can kill and clean a hog as mercilessly as a man." (Walker 383) Hardly a woman one would expect to have much patience with hanging historical quilts on a wall. Daughter Maggie is very much the opposite of her older sister, Dee. Maggie is portrayed as knowing "she is not bright." (Walker 384)
In this story, Maggie is a lot like her mother. They both are uneducated, loving, caring, and allow Dee to run over them. Maggie has been through more things than her mother has though, because of the incident that happened. Maggie has scars like Emily, except Maggie’s scars are from a house fire (319). The house fire has impacted Maggie’s life tremendously, since she is very self-conscious and shy. Walker stated that Maggie is “ashamed of the burn scars down her arms and legs (318). The mother is protective of Maggie and will be there for her whenever she needs her too. Even though her mother knows all her struggles, she still supports her and pushes her to be better. I think that is one reason she pushes her to marry John Thomas, because she wants her to become her own person and to be strong (319). The mother of “Everyday Use” is opposite from the mother in “I Stand Here Ironing”, because she is there for her children no matter what their financial status
Maggie is introduced as someone who was shy and walked like “a lame animal” sidling up to someone who “was ignorant enough to be kind” (156). This is partly because of her self-consciousness of the scar scattering her arms and legs. Dee, by comparison, is the picture of confidence. She walks and speaks as if the world owes her everything she ever asks for. She feels powerful for getting away from what she saw as a prison. While Maggie is humble and kind, Dee will not hesitate to demand things and is ruthless in her pursuit. At least, Dee is ruthless in her pursuits, in Mama’...
In the story “Everyday Use” Walker weaves us into the lives of Momma, Dee, and Maggie, an underprivileged family in rural Georgia. Momma is described as a loving, hard working woman who cares more about her family’s welfare than her appearance. The conflict comes along with Momma’s two daughters Dee and Maggie whose personalities are as different as night and day. Dee, the younger, is an attractive, full figured, light skinned young lady with ample creativity when it comes to getting what she wants and feels she needs. Maggie on the other hand, is darker skinned, homely and scarred from the fire that destroyed the family’s first house. Throughout the story we are told about Maggie’s timid and withdrawn behavior. Her own mother described her as “. . . a lame animal, perhaps a dog run over by some careless person rich enough to own a car . . . That is the way my Maggie walks . . . chin on chest, eyes on ground, feet in shuffle, ever since the fire.” (Handout, Walker) She is constantly overpowered by her dominant sister who “held life in the palm of one hand, that “no” is a word the world never learned to say to her” (Handout, Walker). It seems as if Walker herself find Maggie inferior, seeing as how she is a minor character in the story. Things begin to turn around for Maggie towards the end when she receives the family’s...
With this in mind, the mother, or the narrator of the story describes herself as a big-boned, manly woman with hands so rough from years of physical labor. She is a tough parent, taking the role of both mother and father for her daughters and providing for them. Taking into account that they are a poor family and most of them are uneducated. By her mother’s observation and words she describes Maggie as shy. “Maggie walks chin ...
Maggie lives with a poor and dysfunctional family and a hopeless future with only the small possibility of change. The environment and setting she grows up in do not support anything more than a dull, dreary and pathetic future for her. An old woman asks Maggie's brother Jimmy: "Eh, Gawd, child, what is it this time? Is yer fader beatin yer mudder, or yer mudder beatin yer fader? (Maggie, 10)" while he runs to Maggie's apartment one night. The lack of love and support of her family hinders Maggie's ability to live a happy and fulfilling life. Without knowing that someone loves her no matter what she does or how she acts Maggie may feel desperate enough to change her situation by any means she can, and without any useful guidance. Even without any positive influences Maggie grows up different from the low-life's living with and around her. Crane explains Maggie's uniqueness in the passage "None of the dirt of Rum Alley seemed to be in her veins. The philosophers up-stairs, down-stairs and on the same floor, puzzled over it" (Maggie 16). Maggie's uniqueness gives her the chance to improve her life, but only a slim chance. Even though Maggie differs from the people around her they remain sleazy, making it harder for her to change her life because she must go outside of her community for help.
They may argue Maggie could of escape from the slum life and she didn’t have to let it take a hold of her. They may also say that Maggie was her own downfall and demise by letting a boy drag her down to the mud and damage her good name. However, because of her upbringing, it was hard for her not to be affected by her environment and social factors.
Have you ever seen the Disney movie Cinderella? Cinderella was always jealous of her step sisters always being up lifted, while she was always degraded by her step mother however, at the end everything changed for Cinderella just as it did for Maggie. There are a numerous of themes throughout the story “Everyday Use”. Race is showed when Dee leaves home and comes back embracing her African American cultural. Family also plays a major role in “Everyday Use”. In “Everyday Use” Maggie’s characterization presents her as ignorant; however, a closer look reveals Maggie ignorance is not a representative of her potential but, rather her mother’s bias.
Maggie relationship with Dee is full of jealousy and envy. Maggie thinks that her sister is better, prettier, and smarter than she will ever be. Because of that, Maggie is shy and intimidated when her sister and her boyfriend come home to visit for the first time in years. Dee on the other hand does not make it any better, because of her jealousy and judgmental ways make Maggie feel unloved and unappreciated. When Maggie is burn in the house fire Dee shows no concern if her sister lives or die. Even their mother knows that their relationship is nonexistent. Dee’s mother said “I used to think she hated Maggie” (Walker 154). Even as adults Dee and Maggie love for one another is arm distance away. Dee feels that her mother and sister are not claiming their heritage and are close minded country
Maggie is a nervous wreck around other people, especially around her sister Dee: “Maggie will be nervous until after her sister goes: she will stand hopelessly in corners, homely and ashamed” (Walker 77). Maggie feels inadequate compared to her sister, always