Post-Colonialism In Puru Dutt's Movie: Cinema And Society

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Cinema and Society- MIRRORS Introduction When history is taught or written, people talk not of the economic state at that point of time. They speak of the social conditions to know what issues, struggles, and developments that era had. To depict these social conditions, they use art. Art has existed ever since the existence of mankind. Art is used to portray the life, the influences, the social structure, the social conditions and various other things pertaining to the society. Art may include dance, paintings, literature, music, theatre. Earlier, it was mostly the paintings and the documented literature that described the conditions in the society. They are probably the only real evidences, the only real depictions from an era that has endured …show more content…

The title is a metaphor used for India as a nation coping with the repercussions post-independence. The movie also implies the need for nationalism and nation-building. It also brings out how the poverty stricken and helpless folks were harassed for generations by the cruel moneylenders. It was a symbolic tale of how India was liberating itself from the oppressions of feudalism and colonialism. Another film with undertones of patriotism was Guru Dutt’s iconic film, Pyaasa. It delineated the post-independence struggles that a man had to go through to make his place in the society and to earn a living. The movie focuses particularly on an artist’s life. At a time when pursuing art to earn a living was newfangled and also sometimes looked down upon, it shows the struggle of such an artist who works hard to be accepted by the society. Another film in the 50s which depicted the society was Devdas. It was a powerful depiction of social customs that had a puissant prevalence all over India. It clearly shows how two lovers are not allowed to unite as they belong to families with different statuses. This issue has been prevalent for a long time and people in India cannot marry due to difference in statuses, religions, and

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