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Theme of marriage in Wuthering Heights
Theme of marriage in Wuthering Heights
Theme of marriage in Wuthering Heights
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“The convention of marriage is portrayed as a force which is detrimental to characters achieving their desires”
Set in the North of England, the convention of marriage is prominent in Victorian society. This is shown as very detrimental to many characters in Brontë’s ‘Wuthering Heights’ leading to marriages in which, neither the bride nor groom know each other well enough to spend their lives together, causing a breakdown of their relationship and pain for surrounding characters. Brontë shows that, without love, a marriage is unable to function and prevents those involved from achieving their desires. In ‘Scarlet Letter’, Nathaniel Hawthorne proves to the reader that an unfortunate marriage can lead to adultery, revenge and unhappiness, caused by traditional conventionality.
Catherine’s marriage to Edgar Linton is motivated by her desires to advance socially causing severe emotional damage for herself, Linton and of course, Heathcliff, who feels total adoration towards her. The force of conventionality is shown by Brontë here, as although Catherine is so powerfully in love with Heathcliff and has such intense feelings towards him, she marries Linton instead, with whom she shares nothing like the love and connection that she has with Heathcliff. Brontë not only shows here the faults within Catherine’s character but also the problems within society at the time, that money and status are most important in finding a husband. Heathcliff views this marriage as betrayal, bringing out the worst in his character as he dedicates his life to planning revenge. By denying herself union with Heathcliff she causes herself and Heathcliff deep emotional pain. The convention in Victorian society of marriage being a way of advancing socially ...
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...as an obligation, where you were unable to choose your husband or had to choose for financial stability rather than love and companionship. The Church at the time of the setting was highly condemnatory against sin, most particularly in this case where a woman betrays the contract of marriage as men were seen as the most important and respect worthy in a marriage with women treated as second class citizens.
In conclusion, one can see that in both novels the idea that the convention of marriage can cause many problems and can overall be detrimental to characters achieving their desires as in Wuthering Heights we see the torment of characters whom the marriage has caused pain and we also see the damaging effects of marriage in The Scarlet Letter as we see Hester’s love life shatter as she breaks the bond of marriage that was so sacred in the 17th century by adultery.
The angry tone of Wollstonecraft’s “Vindication of the Rights of Women” significantly contrasts with the cautionary tone of Austen’s “On Making an Agreeable Marriage,” seeking to reform society rather than guide people to live in that society. When Austen describes the drawbacks of loveless marriage, she writes that “Anything is to be preferred or endured rather than marrying without affection” (Austen 72-73). Austen uses “preferred” and “endured” to warn her niece against marrying too quickly, creating a cautionary tone. Moreover, “anything” emphasizes the miserableness of a marriage without affection, beseeching Austen’s niece to verify her love before diving headfirst into a marriage. In contrast, when demonizing the education system, Wollstonecraft
In class there have been many discussions over the relationships and marriages among the books we have read. When someone thinks of marriage, a fairy tale with a happy ending might come to mind, or possibly a safe haven for those looking for something stable. In The Awakening by Kate Chopin, and “The Yellow Wallpaper” by Charlotte Perkins Gilman, marriage takes a turn for the worse. Marriage is no longer the happy memories in a lifetime. It can be the thing that hinders the women in these stories from developing their full potential or experiencing the world and other lifestyles. Through these texts and this time frame, we will analyze the meaning of their marriages, how they function, and the end result of both.
In Nathaniel Hawthorne’s The Scarlet Letter, Hester Prynne is virtually banished from the Puritan society because of her crime. She was guilty for adultery with the town’s minister, Arthur Dimmesdale. However, the reader is kept in the dark that Dimmesdale is the child’s father until latter part of the novel. Although Hawthorne’s novel accurately depicts the consequences that Hester and Dimmesdale suffer from their sin, the novel does not accomplish the task of reflecting upon the 17th century Puritan gender roles in Hester and Dimmesdale. For one, the mental and physical states of Hester and Dimmesdale are switched. Hester takes on the more courageous role throughout the novel whereas Dimmesdale takes on the more sensitive role. In addition, Hester is examined in accordance to the gender roles set for today’s American women. Nathaniel Hawthorne’s The Scarlet Letter is written in a manner that accurately depicts 17th century Puritan society, but does not accurately show gender roles.
In the end, readers are unsure whether to laugh or cry at the union of Carol and Howard, two people most undoubtedly not in love. Detailed character developments of the confused young adults combined with the brisk, businesslike tone used to describe this disastrous marriage effectively highlight the gap between marrying for love and marrying for ?reason.? As a piece written in the 1950s, when women still belonged to their husbands? households and marriages remained arranged for class and money?s sake, Gallant?s short story excerpt successfully utilizes fictional characters to point out a bigger picture: no human being ought to repress his or her own desires for love in exchange for just an adequate home and a tolerable spouse. May everyone find their own wild passions instead of merely settling for the security and banality of that ?Other Paris.?
In the gothic novel Wuthering Heights by Emily Bronte, the author hides motifs within the story.The novel contains two major love stories;The wild love of Catherine, and Heathcliff juxtaposing the serene love of Cathy,and Hareton. Catherine’s and Heathcliff's love is the center of Emily Bronte’s novel ,which readers still to this day seem to remember.The characters passion, and obsession for each other seems to not have been enough ,since their love didn't get to thrive. Hareton and Cathy’s love is what got to develop. Hareton’s and Cathy’s love got to workout ,because both characters contained a characteristic that both characters from the first generation lacked: The ability to change .Bronte employs literary devices such as antithesis of ideas, and the motif of repetition to reveal the destructiveness of wild love versus a domestic love.
Since the beginning of time, marriage exists as a large part of life. The values of marriage change on a year to year basis and as trends continue to change so will marriage. There have been numerous reasons for marriage throughout time such as arranged, wealth, love or many others. In the 18th century, many marriages were based on one’s class and wealth and not true love. Today, many marriages do not take wealth or class into account they focus on that person’s inner self and love. Marriage exists as an overlying theme throughout Pride and Prejudice and every marriage appears for a different reason.
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
The central themes in The Scarlet Letter and The House of the Seven Gables are very similar as they indicate Hawthorne's ideals through writing. Throughout both of these novels, the theme of heart vs. Head is very apparent. In The Scarlet Letter, the heart leads Hester and Dimmesdale to commit an dreadful sin, but the intellect thoroughly damns Chillingworth (Rountree, p. 78). This same theme is easily evident when we recall the characters of Colonel and Jaffrey Pyncheon in The House of the Seven Gables. Not only are these two selfish with what power they already posses, but they are ruthless in obtaining more land and wealth (Crowley, p. 74). In both novels, the theme of heart vs. head played the central plot of each and was also evident in smaller scenes throughout each. During the course of The Scarlet Letter, Hester is developing mind as Dimmesdale is gaining heart (Rountree, p. 91). When Hester and Dimmesdale meet in the forest, Dimmesdale can at last be true; he can turn completely out of himself as their two hearts are once ...
In Pride and Prejudice, Jane Austen shows examples of how most marriages were not always for love but more as a formal agreement arranged by the two families. Marriage was seen a holy matrimony for two people but living happil...
Catherine is trapped between her love of Heathcliff and her love for Edgar, setting the two men down a path of destruction, a whirlwind of anger and resentment that Catherine gets caught in the middle of. Catherine is drawn to Heathcliff because of his fiery personality, their raw attraction and one certainly gets the sense that they are drawn together on a deeper level, that perhaps they are soulmates. C. Day Lewis thought so, when he declared that Heathcliff and Catherine "represent the essential isolation of the soul...two halves of a single soul–forever sundered and struggling to unite." This certainly seems to be backed up in the novel when Catherine exclaims “Nelly, I am Heathcliff! He's always, always in my mind--not as a pleasure, any more than I am always a pleasure to myself, but as my own being...” This shows clearly the struggle Catherine feels as she is drawn spiritually to Heathcliff, but also to Edgar for very different reasons. Edgar attracts Catherine predominantly because he is of the right social class. Catherine finds him "handsome, and pleasant to be with," but her feelings for him seem petty when compared to the ones she harbours...
married. However, “for pragmatic reasons, the author’s conclusions favor marriage as the ultimate solution, but her pairings predict happiness” (“Austen, Jane”). Als...
Many novels speak of love and indulging in passion, but few speak of the dynamics that actually make a marriage work. Jane Eyre is one of these novels. It doesn't display the fleeing passions of a Romeo and Juliet. This is due entirely to Bronte's views on marriage and love. The first exception to the traditional couple the reader is shown is Rochester's marriage to Bertha. This example shows the consequences of indulging in passion. The opposite side is shown through another unlikely would-be couple, Rosamund and St. John. Through this pair, Bronte reveals the consequences of indulging in duty. Another view of marriage is also present in the book, through the character Jane Eyre and her actions.
“ It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” This sentence, the first of the novel Pride and Prejudice is the statement of one of the major themes in the book. Within this novel there are seven different marriages that exist, and Austen uses each one to represent different attitudes that people have towards marriage in the society in which she lived. In addition, her ultimate goal was to show the reader the marriage that she believes to be the most idealistic one.
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
Within these marriages, readers get a sense of how education plays an important role in a successful marriage, as this fulfills both of their dreams of personal identity. Although women in the nineteenth century were viewed to be superior wives and mothers, manage the household, and perform domestic tasks, it was important for women to become educated as “an education was supposed to enable these girls to become successful women in society” (Leigh 117). Women were not meant to be “trained” in some way to become good wives, but needed to be formally educated in order to be a successful wife and