In the case of discriminating and judging people based on their looks, history has not changed in the past five centuries. In William Shakespeare’s play “Othello,” Othello is respected for his status as military general for the Venetian army and his stance while he is discriminated for his looks and race -a commonality of the time as the Moors were not accepted by society. This eventually led to the demise of Othello and his “falling” into society’s perceptions. Similarly, because of the media portrayal and our looks, hispanic females in today’s American society are both dominating for the “spicy latina” and as a symbol of sex and “spiciness” for “spicy latina.” As a result of these “spicy latina” portrayals, Latina women are put in a position where it is expected for them to dress and act the way they are portrayed in the media. …show more content…
Although he was portrayed by society’s point of view, Othello did have some respectable qualities. He was a Venetian general, so he had a high status among his people and was known to be a respectable, honorable gentleman. These characteristics could be seen in Act 1 when saying he’s not afraid to face Brabantio’s wrath as he confidently states “my services which [he has] done the signiory/ Shall out-tongue his complaints.” (1.2) and when Brabantio talks to the Duke, the Duke remarks that he thinks “[Othello’s] tale would win [his] daughter over.” (1.3). Othello’s status and respect can also be seen through Iago’s monologues and how people act around him like in Act 2 when everyone’s worried about Othello and they promise to “throw out [their] eyes for brave Othello,” showing respect and devotion to Othello. The contrast in how Othello’s personality changes throughout the book exemplifies the theme that no matter how high status one is or how respectable, all will be judged by their perception of them and
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
Othello is the Cultural Other in Venetian society, and while he is very learned, it is probable that he is not fully aware of the social and cultural mores that govern Venice. As a Moor, Othello was reared outside Venice, and thus remains separate and exoticized. Although a great military man, and accepted by the elite of Venice, there is still a foreign-ness to him. The characters in the play, for the most part, call Othello "the Moor" (1. 1. 37, 1. 1. 161, 1. 2. 56). By calling Othello "the Moor," his proper name is taken away and he is left as an object. He is only accepted because of his military prowess, and seems to be used almost as a commodity; he is sent to Cyprus, with little warning--almost at the whim of the Duke. It is only because he is valuable to Venice that he is not punished for marrying the white Desdemona; Brabantio's anger is a clear indication that miscegenation is not an acceptable practice. Therefore, being a stranger to Venetian society, even a vague inkling that he is only a body used to fight may lead to insecurity that only exacerbates the deep-seeded, pre-existing ...
Othello's reputation also plays a big role in this play and the outcome of it. He has the reputation of a no nonsense military general. This status in fact partly causes Desdemona's death. He becomes so distraught when he hears from Iago that Cassio and Desdemona and cheating on him he becomes angry and wants to kill her. "I will chop her into messes! Cuckold me?" He is surprised and astonished that she would go behind his back and do this. His reputation doesn't allow him to confront her with the situation and talk things over. He is also angry that his reputation would be tarnished when found out that he is a cuckold. He proves that his reputations means a lot to him when he says, "For nought I did in hate, but all in honour." Othello believed that reputation was everything, because of his status as a general and the fact that those under him and above him respected him. Othello's reputation played a big role in the outcome of the play and in part caused Desdemona's death and his own.
In Shakespeare's Othello, reputation is one of the main themes that is expressed. Every characters reputation played a vital role in how and why certain events were played out. For instance, Iago analyzed each individual's reputation, found their weaknesses, and used them to his advantage. Characters like Iago, Cassio, Desdemona, and Othello were all concerned with their reputations throughout the tragedy. If the concern of each characters reputation was not part of Othello, then the story and events that took place would have played out differently.
The Myth of the Latin Woman: I Just Met a Girl Named Maria, an essay written by Judith Ortiz Cofer, discusses the racial stereotypes Cofer struggles with as a Latin woman who travels across America. Throughout her life, Cofer discusses her interactions with people who falsely misjudge her as a Latin woman. Additionally, Cofer mentions other Hispanic women she has met in her life, who also suffer with racial assumptions. Although several people would disagree with Cofer and claim that she is taking racial remarks too seriously, racial stereotyping is a significant issue that should not be overlooked in our society. People should not base someone’s worth by their outward appearance or their ethnic background.
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
He admits, when he says "rude am I in my speech" that he is no great orator, and this perhaps contributes to his honesty and open level with all other characters. He is "unvarnished", as opposed to Iago, whom one could say is so 'varnished' that only the audience can see through all his layers to the deceit within. Neither character is wholly positive. Whilst we recognise Iago as the 'melodramatic' villain, we can also see that Othello is not altogether good, and that his possessiveness of Desdemona could get the better of him and prove his downfall.
Conflict is a major issue in Othello, the source for all the problems in the story all lead back to love and jealousy. Love can be an extremely powerful thing in life. It can easily draw two people closer together or simply destroy something that could have been great. Ironically similar, jealousy can tear something apart just as fast as love can. This timeless tragedy starts out in Venice, with a plot to attain revenge on Othello. Iago and Roderigo are simply jealous with the fact that Othello has promoted Cassio to his lieutenant instead of Iago, along with the bitterness they both shared towards Othello to begin with (Shakespeare for Students, Othello). Together, Iago and Roderigo have come up with a plan to ultimately push Othello over the edge. For starters, Cassio unwillingly has told Iago that he is capable to be easily intoxicated and well obviously Iago uses this information against Cassio. Long story short, Cassio has stirred up a brawl to which in the long run costs him his new status as lieutenant. After all of this goes down Iago, trying to seem like the concerning friend, convinces Cassio to speak with Desdemona, Othello’s new bride, about the situation. Luckily, so Cassio thinks, Desdemona does such and tries to talk with Othello to have his dear friend reinstated. It is possible for people to make mistake. Once again Iago uses Cassio’s ignorance against him. All through the story almost every little detail and event all leads back to the scheme of Iago. Iago is thinking this could not work out better for me, so his next thought of process is that this conversation between Othello and his dear wife Desdemona will make Othello’s mind play tricks on him. Soon there after Othello is advised to keep closer watch of hi...
As Othello is known in the play as the Moor, he often faces discrimination that his peers did not face. When Brabantio finds out that Othello married his daughter, he claims that Othello must have “enchanted her” (1.2.64) and that his daughter “…t’incur[ed] a general mock,” (1.2.70) by “run[ning] from her guardage to the sooty bosom.” (1.2.71) In other words, Brabantio is saying that he is in disbelief as to why Desdemona would marry a Moor when her socioeconomic status was so much higher. As a result of being treated as an inferior due to skin colour, Othello puts more weight on honour and reputation. Since his high ranking position in the army set him apart from other Moors, he uses it as compensation towards many aspects of his life such as marriage. For example, Othello associates the “…services which [he] has done the seignniory” (1.2.17) to Brabantio’s criticisms about him. Othello knows that his position holds power, and he is able to confidently articulate why he is suitable candidate to marry Desdemona. Unfortunately, Othello’s confidence does not last later in the play when his honour is suddenly threatened by presumptions that Desdemona is engaged in unfaithful acts. Soon thereafter, he loses his
From the beginning, Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically, become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all one piece. His trust, where he trusts, is absolute.
The character Othello, from the tragedy Othello, is portrayed as faultless in many ways in the beginning. However, as the story goes on, many unattractive qualities are revealed through Othello’s actions. One flaw of his is that he is too trusting. Othello believes Iago’s lies and so unable to trust from then on. Such as, when he believes Iago when Iago tells him that Desdemona gave Cassio her handkerchief, although this is quite untrue. Later on, he does not believe Desdemona when she continually tells him that she is not cheating on him, as his trust has been destroyed. Another equally important flaw of his is jealousy. Othello is jealous of the suspicious relationship between his lieutenant Cassio and his wife Desdemona. This is ironic because there really is no such affair between the two. Othello has many flaws which allow him to seem more humanlike and connect to society.These many flaws of Othello allow for more genuineness to be seen within him, and as a result he appeals more to the public. Authenticity is imperative for the public to connect with the character Othello and really enjoy the Shakespearean tragedy. Othello is...
The tragedy of Othello, the Moore of Venice. As it hath beene diuerse times acted at the Globe, and at the Black-Friars, by his Majesties servants. Written by William Shakespeare set in Venice. The plot is based on a story about two people who love each other dearly and the problems and conflicts they face from the start. The conflicts are, for the most part, tied in with racial issues and questions of loyalty. These conflicts stem from the society around the couple, as well as from the couple themselves as they too are part of this society, but with very different backgrounds: The female protagonist is the daughter of a highly-respected Venetian senator: Brabantio. Othello--also known as the Moor--is a foreigner, black in color, has a past
In Othello, a book by William Shakespeare, Othello's complex character is revealed through diverse concepts such as imagery, figurative language, and most of all conflict within self. Shakespeare demonstrates these elements in line - 300 when Othello compares himself to a toad while staying that he would "rather live upon the vapor of a dungeon." Before line 300, readers see Othello face internal conflict when he reveals his thoughts, "Happy, for I am black and have not those soft parts of conversation." Soon after, we get a sense of superiority that comes from Othello. This adds to the complexity of Othello's character.