Political Criticism In George Orwell's Shooting An Elephant

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Shooting an Elephant
George Orwell acknowledged that every line of his serious work that he had written since 1936 was implicitly or explicitly associated with anti-imperialism and in favor of democratic socialism. By democratic socialism he mostly focused on liberal and humane beliefs rather than its political and economical principles (Meyers 2000, 90). G. Orwell grew up in such atmosphere where despotic British Empire had been dominating over the East by treating the natives in a dehumanizing manner, making them feel inferior to the empire and eliminating their personal autonomy by the idea of imperialism’s being superior. However, his experiences while working in Burma made him aware of the opposite case. In his essay “Shooting the Elephant” …show more content…

The British officer, who did not want to shoot the elephant, ultimately killed it with a reluctant intention. It depicts that a British white man killed the elephant meaning the British themselves will bring their end. The real motive of his action was his fear of being jeered by the Burmese people, which reveals that British Empire had a fear of being declined by its colonized people. While British Empire ruled the Burma’s economy and internal and external policy, they missed to take a control over the Burmese people’s wicked behavior toward Europeans. Indeed, British Empire applied on Burma a socio-cultural type of imperialism in which they tried to transform the Burmese’s language, religion and customs into their own. The aligning point is that British imperialists tried to do it by using force and violence which doubles the effect of such policy. Ultimately, it increases the rate of uprising and hatred of the natives and insidiously fastens the process of its …show more content…

The officer confronted with a dilemma whether he should kill the elephant or not. The latter case was the reflection of his identity. According to his moral values, killing such an enormous animal would be a crime. This focus of Orwell is supported by his belief that it is the case of “who we are” concerning the landscape of “where we are”. However, as Babha writes “The question of identification is never the affirmation of a pre-given identity, never a self-fulfilling prophecy– it is always the production of an ‘image’ of identity and the transformation of the subject in assuming that image” (1999, 187 In such circumstance, the officer should play a role of “whiteness” as performance in front of the native people to meet their expectations, like an absurd puppet. Because he was a white man, he could be able to undergo such crime. Despite of the fact that such action violated his moral beliefs, he had to do it in order to exist as a “white man”. As Fanon explains that in colonized country to not perform the identity of whiteness turns out to not exist (1967, 112). The officer had to act like a “white” to protect his identity. Eventually, it uncovers the idea that imperialism enslaves the colonist as well. The officer had lost his free decision-making power as he had to act like a white

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