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In this article, written by D.M Soulliere, a professor at the University of Windsor, research is carried out to figure out how policing in television shows compares to policing in real life.
a) Citation
Soulliere, D. M. (2004). Policing on Prime-Time: A Comparison of Television and Real-World Policing. American Journal of Criminal Justice, 28(2), 215-233. doi:10.1007/bf02885873
b) This article asked the questions
How are police and policing activities depicted on prime time television? How do these presentations compare to how policing and policing activities really are? How are these portrayals distorted? What is the effect of any possible distortions?
c) To answer these questions, the researcher
Chose three popular television series
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Gender and Race of Officers
- In all three shows, policing was shown as being a predominately white male occupation. This is in line with how the occupation really is. As such, this depiction should not distort a person’s idea of who they expect officers to be.
b. Organization and Specialization
- In the two entertainment based shows, viewers were shown that police do not work alone, that there are others involved in investigations (detectives, paramedics and so on and so forth). Viewers of these shows are given a fairly realistic portrayal of the environment of policing. - In the reality based show, COPS, viewers were only shown the initial patrol stages, so there are few portrayals of support personnel. Viewers of these shows are less likely to fully understand the nature of real life policing.
c. Police Response to Crime and Overall Role
- Both shows portray policing as having more of a reactive approach to crime (not unlike the real world). However, In Law and Order and NYPD Blue, offenders always left the scene before the police arrived- leading police on a wild goose chase to identify and find the offender. The researcher stated that, although this added to the dramatic effect of the show, it is not far off from what really does happen in policing. COPS, on the other hand showed that offenders were always found near or at the scene- something that rarely, if ever,
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Huey, L. (2010). 'I 've seen this on CSI ': Criminal investigators ' perceptions about the management of public expectations in the field. Crime Media Culture, 6(49), 49-68. doi:10.1177/1741659010363045
b) The research question asked in this article.
What is the influence of CSI and other forensic/police procedural shows on public perception of the investigative process? How do police investigative personnel view media representations of their work?
i. Do they believe they have a negative or positive influence?
Is there a sense of role strain on these officers because of these shows?
c) To find the answers, the researchers
a. Interviewed thirty-one Canadian police investigators
i. Contacted personnel in British Columbia and Ontario
1. Seven municipal/regional police units representing two major Canadian cities (and several medium-sized communities) participated in the study.
b. The interviewees were split into two groups for the study: Police investigators and Forensic Identification officers.
i. These groups consisted of
1. Major Crimes Investigators
2. Homicide Investigators
3. Sex Crimes Investigators
4. Property Crimes Investigators
5. Forensic Identification Officers ii. Interviews lasted anywhere between 1-2 hours (average was 1.5
Marques, O. (2013, October 23). Issues in Policing [Lecture]. SSCI 1000 Introduction to Criminal Justice. University of Ontario Institute of Technology . Retrieved November 18, 2013
According to Kelling, Pate, Dieckman, & Brown (1974), patrol is the “backbone” of police work. This belief is based around the premise that the mere presence of police officers on patrol prohibits criminal activity. Despite increasing budgets and the availability of more officers on the streets, crime rates still rose with the expanding metropolitan populations (Kelling et al., 1974). A one year experiment to determine the effectiveness of routine preventive patrol would be conducted, beginning on the first day of October 1972, and ending on the last day of September 1973.
The modern police agencies have grown and developed since the early 1600s to become an increasingly organized group that endeavors to prevent crime while preserving the rights and professionalism of citizens. Generally, modern policing in the United has been shaped by the early English police styles (“The History of the Police”, n.d.). This is primarily because the first organized policing agencies were witnessed in the early 1800s but exper...
The documentary “Policing the Police,” by PBS, assists in providing insight into problems facing the city of Newark, New Jersey, and its police department. The documentary displays the opinions of both the police officers and the people of the communities on the most pressing crime related issues in the city and the solutions to them. The variety of perspectives that documentary provides is very informative and forces the viewer to look at the problems of police brutality in a more complex manner rather than black and white. Ultimately, the documentary exposes the failure of the Newark Police Department to work effectively and the solutions new leaders are beginning to implement.
In a world filled with criminal shows on television, it is difficult to get an accurate idea of what it truly means to be a police officer or a detective. It seems easier to absorb the analysis they present and simultaneously solve the case; however, is that truly how it works? Criminal Minds is one of the most popular shows on television today. This is due to the way it portrays the FBI in their endless search for villains unfound and rampant. Law and Order portrays the entire process of find, justifying, and incriminating offenders. Another show similar to Law and order is 24. 24 goes through an entire day in one, twenty-four episode, season. It does this in great detail to show the audience how they arrived at conclusion of who was guilty.
Lawrence analyzed more than 500 incidents of police use-of-force covered by the New York Times and in the Los Angeles Times from the year 1981 to 1991. Lawrence informs readers of the structural and cultural forces that both shape the news and define when police use excessive force. Lawrence claims that police brutality incidents occur in greater numbers than those that are reported. She also explores how media is obtained, so the public can see a new perspective on policing policies. Journalists decide whether one story makes it to the news if the issues and events need light shone upon them.
& Forst, L.S. (2016). An Introduction to Policing (8th Edition). Boston, MA USA: Cengage Learning. p.243 (245). Retrieved June 6, 2017, from https://www.betheluniversityonline.net
Walker, S., & Katz, C. (2012). Police in America: An Introduction (8th Edition ed.). New York:
Rutkin, Aviva. "Policing The Police." New Scientist 226.3023 (2015): 20-21. Academic Search Premier. Web. 17 Oct. 2016.
Both of these articles were focused on the Strategy of Policing, but the author’s approaches to the ‘hot topics,’ couldn’t be more difficult. Williams and Murphy focused on the different eras of policing, and how the racial conflicts have overlapped policing efforts. Whereas, Kelling and Moore focused on how police have evolved with the eras. The articles were dramatically different, however, the policing eras: Political, Reform, and Community Orientated eras were influenced largely as the main focuses for each academic article.
National Center for Women & Policing. (2013). Changing the Face of Policing. Retrieved May 27, 2014, from http://womenandpolicing.com/
Cordner, G. W., & Scarborough, K. E. (2010). Police administration (7th ed.). Albany, N.Y.: LexisNexis/Anderson Pub.
Media portrayal of crime and criminal justice has become incredibly widespread in the last decade, with crime often considered both a source of news and entertainment. As a source of entertainment, crime and criminal justice have emerged as central themes across various sources of media. Most individuals do not have any direct experience with the criminal justice system, so their only source of information on this topic is the media. Particularly in television shows, portrayals of crime and criminal justice can be seen in everything from courtroom dramas to nightly news programs. Indeed, the popularity of crime shows has lead to some of television’s most enduring series, such as Law and Order and CSI. Because of this, fictional
The key characteristics of community policing are as follows: Police officers are usually called upon to be particularly thoughtful, creative problem solvers. They are asked to listen to the concerns of community members, to logically reason out the roots of problems, to identify and research potential answers, to implement solutions, and to assess results. Police officers work in partnership with concerned citizens. The second characteristic is that police officers are visible and accessible component of the community and work with youths and other community members top address delinquency problems. On the third characteristic, police officers patrol a limited number of jurisdictions on foot. The so-called foot patrol officers are believed to be more approachable and offer a comforting presence to citizens. The fourth and last characteristic that will be mentioned on this paper is that the community policing have decentralized operations, which allows officers to develop greater familiarity with the needs of various constituencies in the community and to adapt procedures to accommodate those needs.
Television has seen plenty of producers, writers and viewers attracted to crime and deviance. The crime drama series is not an unchanging structure but develops in an intricate relationship with audiences, media institutions, social contexts and other genres. Crime drama series’ structure often begins with some strains to the social order by criminal forces. Historically police officers or “cops” are good and the criminals are bad. However today we can notice “bent” cops and sometimes sympathetic villains.