In the minds of many, legendary director Alfred Hitchcock’s infamous shower scene in the 1960 classic Psycho brought the phrase “point of view” into the language of the general public. What most do not realize is that those in the many spectrums of entertainment have been taking full advantage of the benefits brought on by an audience being dealt a limited field of vision for hundreds, if not thousands, of years. Prior to the advent of film and theater, the best place to find this method in use was literature. The origin of the point of view in literature can be traced back to the earliest forms of literature, where much of what was dictated and recorded was recounted from life experiences. It is of no surprise to most that the idea of point of view stayed, and evolved into many subsections, thanks in full to the fact that every story has a point of view. In the 19th century, point of view hit a creative peak, with the wildly inventive writers of the period finding new avenues to pursue with their works. Stories from that time period authored by individuals such as Edgar Allen Poe and Ambrose Bierce are still read today. What allows Poe’s “The Cask of Amontillado” and Bierce’s “Occurrence of Owl Creek Bridge” to be taught as shining examples of wonderful literature are not expert characterizations, moody settings, or heart-wrenching themes as one may expect after studying their other works. Instead, it is the point of view methods that both authors employ that make their works so revered.
When many think of Edgar Allen Poe, their recollection of the man most likely comes back to his gothic classic, “The Raven.” Despite parodies of the story appearing on classic television shows such as “The Simpsons,” “The Cask of Amontillado” is probably the last Poe story the average person will identify by name. The subject matter of “Amontillado,” though, is not something that would normally be the topic of ridicule. It’s a frightening tale of revenge, humiliation, and murder. Just as Hitchcock would do over a hundred years later, Poe chooses for his audience to see the story through the eyes of a character that is far from the usual suspect; a murderer. Written forty years before the “Sherlock Holmes” era of literature, where stories found themselves based on a well-mannered detective who solved crimes instea...
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... breaks, leading him to fall into the water beneath the bridge that was to be the sight of his death. The story follows Farquhar as he escapes the barrage of bullets flying at him, even making it far enough to nearly embrace his wife. It is then, unexpectedly, that Bierce introduces the truth to the audience; it was all in Peyton’s head. “Peyton Farquhar was dead; his body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek bridge.” The innovative narration by Bierce, who wrote hundreds of works during his life, marks this tale as a true classic.
Each of these stories both represent two different point of view forms. Originating from two equally amazing writers, “The Cask of Amontillado” and “An Occurrence at Owl Creek Bridge” continue to survive the test of time. When one considers that vast amount of literature published before the 21st century, it is a feat in itself to even be a part of a literature anthology. But to be a highlight of that anthology, as Edgar Allen Poe and Ambrose Bierce’s expert use of point of view allows them to, is an even more staggering feat regardless of the eyes being looked through.
Nathaniel Hawthorne’s “Young Goodman Brown,” and Edgar Allan Poe’s “The Cask of Amontillado” utilize character responsibilities to create a sinister plot. For Hawthorne, protagonist Young Goodman Brown must leave his wife at home while he partakes in a night journey. For Poe, ancillary Fortunato covets a pretentious manner towards his wine tasting skills, and after being ‘challenged’ decides to prove his expertise by sampling Amontillado. Hawthorne and Poe showcase a theme of darkness but differ in their approach to the setting, characters, and fate of entrapment.
Ambrose Bierce’s “An Occurrence at Owl Creek Bridge” brings upon many questions relating to its change in perspectives and the focus on the character. The story is classified as realism based on the fact that the author, Bierce, focuses more on the character than the plot itself. Readers worry about the characters hanging, not about the war and the chicanery used by both opponents. Bierce also uses a change in perspective throughout the story to show emphasis on the character and his thoughts. The change alters the reality in the readers minds, in a way they truly believe that he will survive the hanging and escape free to his family. Sadly, that wouldn’t have given readers the opportunity to classify it as realism and it wouldn’t have given Bierce the chance to show the readers the way our brains play tricks on us.
Edgar Allan Poe’s “The Cask of Amontillado,” is a short psychological thriller. The murder of Fortunato haunts Montresor so greatly that he feels the compulsion to tell the story some fifty years after the fact. He appears to be in the late stages of life desperately attempting to remove the stain of murder from his mind. That it is still so fresh and rich in specifics is proof that it has plagued him, “Perhaps the most chilling aspect of reading Poe’s ‘The Cask of Amontillado’ for the first time is not the gruesome tale that Montresor relates, but the sudden, unpredictable, understated revelation that the murder, recounted in its every lurid detail, occurred not yesterday or last week, but a full fifty years prior to the telling” (DiSanza).
In the last three paragraphs of An Occurrence at Owl Creek Bridge told by a third person point of view, Farquhar is being hanged by the rope, and when the rope is undone, Farquhar escapes and sees the light of the river. The light in this particular story represents a warm bright light from heaven. On other hand on the complete opposite side, in The Tell Tale Heart the light (lantern) signifies fear of the eye. However the narrator reveals that Farquhar?s escape is a hallucination that lasts only from moment the rope breaks his neck at the end of the fall.
One of the most famous authors in American history is Edgar Allen Poe, thanks to his intricate and unsettling short stories and poems. One of the strongest aspects of Poe’s writing style is the allure and complexity of the narrator of the story. These narrators, ranging from innocent bystanders to psychotic murderers, add depth to such a short story and really allow Poe to explore the themes of death and murder which he seems to have an unhealthy obsession towards. Furthermore, he uses these narrators to give a different perspective in each of his many works and to really unsettle the reader by what is occurring throughout the story. The narrators, whether an innocent witness of death as in "The Fall of the House of Usher" or a twisted murderer as in "The Cask of Amontillado" are used by Poe to discuss the themes of death and murder within these stories and, depending on their point of view, give a different take on such a despicable act such as murder.
“The Cask of Amontillado” is a dark piece, much like other works of Edgar Allan Poe, and features the classic unreliable narrator, identified by himself only as Montresor. This sinister central character is a cold ruthless killer that is particularly fearsome because he views murder as a necessity and kills without remorse. Montresor is a character who personifies wickedness. Poe uses this character and his morally wrong thoughts and actions to help the reader identify with aspects of the extreme personage, allowing them to examine the less savory aspects of their own. The character of Montresor detailing the glorious murder he committed is a means of communicating to the reader that vengeance and pride are moral motivators that lead to treacherous deeds and dark thoughts.
In Edgar Allan Poe’s “Tell-Tale Heart”, Katherine Anne Porter’s “The Jilting of Granny Weatherall” and Tobias Wolff's “Bullet in the Brain” these are the type of stories that most readers would enjoy if they are into spontaneous sudden death. In these short stories each one of them has a different point of view. Trying to find out who point of view in these stories can be a little tricky to some readers like in the stories “The Jilting of Granny Weatherall”, or in the story Bullet in the brain.” In “Tell-Tale Heart” most readers can tell who point of view they are reading from the first sentences. Every story has there own tone to give readers a more of a deeper feeling, and the point of view can help us see what the character in the stories see, think, and hear.
"The Cask of Amontillado" is one of Edgar Allan Poe's greatest stories. In this story Poe introduces two central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresor's friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his life and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story.
Poe’s first-person narration style in “The Cask of Amontillado” allows the reader to experience the story from a different level and the ability to look at the story from a different light. An unusual perspective. From the mind of a killer, the narrator and main character making him familiar with the reader. Poe focuses more of the thoughts and emotions of the main character rather than physical attributes of Montresor which made for a more intimately disturbing story for the reader.
When writing literature, authors will adapt points of view to mold the perceptions of their readers. Three points of view that authors use to draw readers into their works of fiction are the limited perspective, the first-person perspective, and the objective perspective. Three stories will be examined and critiqued for their use of these narrative techniques. Of the three perspectives that will be examined, the first-person perspective is the most useful for sharing the authors’ vision.
Edgar Allan Poe's strong use of symbols throughout "The Cask of Amontillado" is what makes this story worthy of examination. The clever use of these devices by the author to shape this horrifying and gripping short story has made this piece be regarded as a classic American horror story, which revolves around the theme of vengeance and pride.
Edgar Allen Poe’s gruesomely fascinating tale of vengeance and murder, “The Cask of Amontillado”, achieves its effect only through its usage of the first person point of view. This unusual perspective enables the reader to view the characters and conflicts through the eyes of the narrator, as he first discusses and justifies, and eventually, carries out his plans for the ruthless murder of his friend. The eerie tone and disorienting and materialistically-related setting of the story contribute to its theme of defending one’s honor and name and avenging all wrongdoings, even something so small as an insult.
Edgar Allan Poe is one of America’s most celebrated classical authors, known for his unique dealings within the horror genre. Poe was a master at utilizing literary devices such as point of view and setting to enhance the mood and plot of his stories leading to his widespread appeal that remains intact to this day. His mastery of aforementioned devices is evident in two of his shorter works “The Black Cat” and “The Cask of Amontillado”.
Poe, Edgar Allan. “The Cask of Amontillado.” The Norton Anthology: American Literature. Ed. Wayne Franklin, Philip F. Gurpa, Arnold Krupat. New York: Norton, 2007. 1612-1613, 1616. Print.
Edgar Allan Poe is a famous writer in writing detective stories and horror stories. One of his horror stories, “The Cask of Amontillado” was talking about how a man took his revenge to his friend. However, to look deeply in this story, I found that this story was not just simply a horror tale about how a man gets his revenge in the safest way. Instead, it also demonstrates much irony in several areas: the title, the event, the season, the costume, the environment, the characters’ personalities, a man’s dignity and cockiness and at the end, the public order. he are