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Setting and atmosphere of return of the native
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A reddleman is traveling with a young woman, across Egdon Heath on a November day, when he crosses the path of a stranger on the road and keeps the woman’s identity a secret. The two talk and eventually depart when they split paths to rest at night. From there the reddleman notices many figures on a hilltop and later finds out that these people are the heath folk who have come to start a fifth of November bonfire.
The Reddleman safely returns Thomasin Yeobright, to her aunt, Mrs. Yeobright. Thomasin Yeobright was to be married to Damon Wildeve that day. Mrs. Yeobright takes Thomasin with her to see Wildeve at the inn he owns, to ask for an explanation of why the two did not get married yet. The heath folk, after the bonfire, come to congratulate the supposed newlyweds. After a while, Wildeve gets rid of them and then goes off to see Eustacia Vye. Eustacia Vye watches for Wildeve and sets up a signal fire near her grandfather’s house. Wildeve, who was once her lover, finally arrives.
The Reddleman accidentally learns of the meeting between Eustacia and Wildeve. The Reddleman then purposely overhears the conversation of Wildeve and Eustacia the next time they meet. Then he tries to get Eustacia to help Thomasin, and finally tells her that he knows about the meeting between her and Wildeve. He also tells Mrs. Yeobright that he wants to marry Thomasin. Though he is rejected, Mrs. Yeobright uses him to put pressure on Wildeve. Wildeve goes immediately to Eustacia to convince her to leave with him, but she will not answer right away.
The news of Clym Yeobright’s arriving during the Christmas holidays is widely talked about on the heath, even in Captain Vye’s house (Eustacia’s grandfather). Eustacia hears a lot about Clym, while Mrs. Yeobright and Thomasin make preparations for his arrival. After getting a glimpse of him, Eustacia is very interested in Clym because she wants to get away from Egdon Heath and live in Paris. At a party in Mrs. Yeobright’s house, she is successful in meeting Clym, but she is wearing a costume. Because she becomes interested in Clym, she tells the Reddleman that she would like to see Wildeve married to Thomasin. They do marry and Eustacia serves as witness. Mrs. Yeobright, who had once opposed the marriage, does not attend, and Clym finds out about it after it has been done.
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we have the wrathful love of her father confronted by the love of her daughter for the man who is not her fathers’ choice. The love theme is further complicated by the arrival of Helena. Here we see the platonic love of two friends.
The hilarious play, A Midsummer Night’s Dream, by William Shakespeare, tells the twisted love story of four Athenians who are caught between love and lust. The main characters: Hermia, Helena, Lysander, and Demetrius are in a ‘love square’. Hermia and Lysander are true love enthusiasts, and love each other greatly. Demetrius is in love with Hermia, and Helena, Hermia’s best friend, is deeply and madly in love with Demetrius. Hermia and Lysander try to elope in the woods because Egeus, Hermia’s father, disapproves of Lysander. Helena, hearing about their plans, tells Demetrius, and all four of them end up in the woods where Lysander’s quotation, “The course of true love never did run smooth”(28), becomes extremely evident due to several supernatural mix-ups, authority, and jealousy.
She knows the consequences of refusing her father and the Duke, she exclaims, “If I refuse to wed Demetrius”(I.i.66). After she said this, the Duke explained that the law did not include her choice to be with Lysander; consequently, Lysander came up with a plan to get away from Athens which is why they were in the woods at all. Because Hermia chose to disobey her father, she and Lysander had to run away to be together taking a path through the woods. While Helena complains that Demetrius will never love her, Hermia informs Helena that Demetrius will not see her again. As she speaks to Helena telling her the plan, Helena is given the option to tell Demetrius that his potential bride plans to leave. Hermia explains to Helena, “Take comfort: he no more shall see my face. / Lysander and myself will fly this place”(I.i.207-208). Because Demetrius does not love Helena, Hermia reassures her friend that he will no longer see her around, and Helena can have him to
Comedies contain blocking figures and in this play it is Egeus. If he was not in the way, Hermia could marry Lysander. Since he is causing problems in his daughters life by trying to make her marry Demetrius, this begins the journey into the woods. Egeus threatened Hermia with death if she were to marry Lysander so she thinks the only way they can be together is to run away.
In the 1940's white people were clearly the majority and superior race. Whites looked down on all other races, especially blacks. This superiority had been going on for hundreds of years and was never challenged until the 1950's and 1960's. During this time period there were many civil rights movements led by Communists and other groups who believed in racial equality. Martin Luther King, Jr. was the most famous spokesman and adamant believer in racial equality.
Contrastingly, Mrs. Darling, his wife, is portrayed as a romantic, maternal character. She is a “lovely lady”, who had many suitors yet was “won” by Mr. Darling, who got to her first. However, she is a multifaceted character because her mind is described “like the tiny boxes, one within the other, that come from the puzzling East”, suggesting that she is, to some extent, an enigma to the other characters, especially Mr. Darling. As well as this, she exemplifies the characteristics of a “perfect mother”. She puts everything in order, including her children’s minds, which is a metaphor for the morals and ethics that she instils in them. Although ...
which was a barrier in her plan of obtaining Mr. Darcy. This is observed in a fragment of a
(…) I pity any poor woman whose husband is not called Ernest” (p. 912). This ridiculous requirement causes the reader to realize that the characters’ strange concept of a functional relationship and the simplified view of love is somehow a social norm in that period. Another evidence of a foolish behavior is when Gwendolen and Cecily first meet. Wilde problematizes a social norm that corresponds to women’s behavior which is that women are known to change their minds. Once Gwendolen meets Cecily she immediately says “Something tells me that we are going to be great friends. I like you already more than I can say” (p. 913). After a short conversation and realizing that they are both engaged to Ernest Worthing, instead of being furious at the man who, as they thought, had proposed to both of them, they argue about whose right it is to marry the liar. Then, ironically, Gwendolen says “From the moment I saw you I distrusted you. I felt that you were false and deceitful” (p. 916). The reader recognizes both humor and hopelessness in the situation. This
Our original plan had been to wait at least until the following spring but my experiences had changed me greatly, so that I now had an urgent sense of time, a certainty that we should not delay, but seize upon any joy, and good fortune, any opportunity, at once, and hold fast to it. Why should we wait? What was there beyond the mundane considerations of money, property and possessions to keep us from marrying? Nothing. And so we married, quietly and without fuss, and lived in my old rooms, with another room added, which the landlady had been more than willing to rent to us, until such time as we could afford a small house of our own. We were as happy as a young man and his bride may possibly be, content in each other’s company, not rich but not poor either, busy and looking forward to the future. Mr. Bentley gave me a little more responsibility and a consequent increase in salary as time went on. About Eel Marsh House and the Drablow estate and papers I had expressly begged him that I be told nothing and so I was not; the names were never mentioned to me
...r Laura to have a gentleman caller was another failure. Jim was engaged and is to be married soon. Amanda was furious because the plan did not work out. She accused him of playing a practical joke on them, by intentionally bringing another woman’s fiancé’ to disgrace them. Amanda was obviously surprised, the evening had been expensive for the Wingfields, and her dreams for her daughter have been shattered.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
In his novel, Native Son, Richard Wright favors short, simple, blunt sentences that help maintain the quick narrative pace of the novel, at least in the first two books. For example, in the following passage: "He licked his lips; he was thirsty. He looked at his watch; it was ten past eight. He would go to the kitchen and get a drink of water and then drive the car out of the garage. " Wright's imagery is often brutal and elemental, as seen in his frequently repeated references to fire, snow, and Mary's bloody head.
The Woodlanders is a story with a complicated plot. George Melbury, a timber-merchant of Little Hintock, the place where the events take place, decides to marry his daughter Grace to Giles Winterborne, an honest woodsman and the son of an old friend. For Giles, Grace is his childhood sweetheart and the ever object of his affection despite himself being loved by Marty South. However, When Mr. Melbury considers the educational status of his daughter, he changes his mind concerning marrying her to Giles. He has the ambition to marry her to a man of a higher status and treats Giles with an unaccustomed coldness. In the meantime, Dr. Edred Fitzpiers comes on the scene. He seizes Grace’s fascination with him and the opportunity that Giles is no longer favoured by Mr. Melbury to step into the vacant place in Grace’s heart (Sherren, 1902). He falls in love with her, asks her father for permission to marry her and they get married. Soon after the marriage, Fitzpiers blames himself for marrying a woman who is beneath him and becomes more interested in Mrs. Felice Charmond, a fashionable widow. They meet in secret and finally decide to leave for the continent. He just leaves Grace a note about his departure. Grace becomes interested once again in Giles but her father’s efforts to get her divorced by the new law and set free fail. Finally, Fitzpiers gets separated from Mrs. Felice Charmond who is reported to be killed in Germany. He comes back to Little Hintock and is asked by his wife Grace to save the life of Giles. He does his best but Giles dies. After the death of Giles, Fitzpiers asks Grace for forgiveness and they get reconciled. The novel ends with a romantic note with Marty standing at the grave of Giles and saying: “If ever I forget...
Both Algernon and Jack assume the identity of "Ernest" yet ironically, they both plan on starting their married life with a lie. Lady Bracknell represents the typical aristocrat who focuses the idea of marriage on social and economic status. She believes that if the men trying to marry these girls are not of proper background, there is to be no engagement. Through this major exaggeration, Wilde satirically reveals the irrational and insignificant matters that the upper class society uses to view
She had ironically died of a fever "the only warmth, I believe, that ever came to that woman's body" (14). Now alone because his daughter is away at a nunnery, he's found someone that can add a little life to his elite, high class existence; a little someone, we learn, that has a past that doesn't quite fit in with the rest of his friends. The problems begin in Act One, the exposition, on the night before Aubery's wedding to an unknown individual. Aubery has drinks and dinner with his three closest friends, Cayley Drummel, a bachelor, Doctor Gordon Jayne, and Frank Misquith, Q.C., M.P.