Plato's Theory of Knowledge
Plato's Theory of Knowledge is very interesting. He expresses this theory with three approaches: his allegory of The Cave, his metaphor of the Divided Line and his doctrine The Forms. Each theory is interconnected; one could not be without the other. Here we will explore how one relates to the other.
In The Cave, Plato describes a vision of shackled prisoners seated in a dark cave facing the wall. Chained also by their necks, the prisoners can only look forward and see only shadows, These shadows are produced by men, with shapes of objects or men, walking in front of a fire behind the prisoners. Plato states that for the prisoners, reality is only the mere shadows thrown onto the wall. Another vision is releasing a prisoner from his chains, how his movements are difficult, his eye adjustment painful and suggestions of the effects of returning to the cave. The Cave suggests to us that Plato saw most of humanity living in "the cave", in the dark, and that the vision of knowledge and the "conversion" to that knowledge was salvation from darkness. He put it this way, "the conversion of the soul is not to put the power of sight in the soul's eye, which already has it, but to insure that, insisted of looking in the wrong direction it is turned the way it ought to be." Plato's two worlds: the dark, the cave, and the bright were his way of rejecting the Sophists, who found "true knowledge" impossible because of constant change. Plato believed there was a " true Idea of Justice". The Cave showed us this quite dramatically.
The Divided Line visualizes the levels of knowledge in a more systematic way. Plato states there are four stages of knowledge development: Imagining, Belief, ...
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... discover Forms: recollection, dialectic and desire. Recollection is when our souls remember the Forms from prior existence. Dialectic is when people discuss and explore the Forms together. And third is the desire for knowledge.
Plato's Theory of Knowledge leads us down many roads but we see the same theme through out: light to dark; ignorant to educated; reality to really real. In The Cave we move from the dark of the cave to the light of outdoors, we even see a glimps of how knowledge can effect us. The Divine Line took us from the ignorance of Imagining to the educated Perfect Intelligence. The Forms showed us that even though we can see something does not mean we can see all of it and just because we cannot see something does not mean it does not exist. All three link knowledge as the key to all, if you have knowledge there is nothing you cannot have.
Portraying the prisoners inside the cave for a lifetime further describes his beliefs on how closed minded society is in his opinion. The “light outside the cave” explains how he feels knowledge is the source of light to everyone’s lives. Without knowledge, there is lack of light. Also, since society does not want to gain further knowledge, they will seem to stay stuck in the dark tunnel. Plato also uses personification to give reader insight on how someone may treat the earth and appreciate it. For example, Plato states “Clearly, he said, he would first see the sun and then reason about him.” The reasoning behind this is to explain how a man would reason with the sun as if it were an actual speaking person. The style of Plato’s writing gives readers an understanding on why his work is named “Allegory of the Cave”. The use of his rhetorical devices give deeper meanings to the Earth and the nature it
In his Allegory Plato shows us how a man ascends from the darkness of a cave to the light of the outside world. In this ascent Plato’s man passes through four distinct stages of cognition: from imagination, to belief, understanding, and finally knowledge.
In Plato’s short story, a group of men have been imprisoned in a dark cave their whole lives and know nothing else, only the shadows on the wall. This leads Plato into questioning, “What do you think he would say if someone told him that what he had formerly seen was meaningless illusion, but now being somewhat nearer and towards more real objects, he was getting a truer view” (Plato 2)? By using this example of light imagery, Plato is showing how knowledge is represented by the light. This is because when the men are in the dark cave they know nothing, only what their senses have been telling them. Plato is trying to get the point across that what you think you know can always be challenged by knowledge. At this point the man comes to the conclusion that everything he once knew isn’t what’s reality. However, the other men in the cave weren’t enlightened like he was, and when he came back down into the cave and his eyes weren’t used to the darkness and, “They would laugh at him and say that he had gone up only to have come back with his sight ruined” (Plato 2). He uses dark imagery representing the ignorance of these men. As mentioned above, the men only know sitting in the obsidian cave watching shadows on the walls, they don’t know about the light the man was exposed to or even the whole other world outside
The 'doctrine of recollection' states that all true knowledge exists implicitly within us, and can be brought to consciousness - made explicit - by recollection. Using the Platonic concepts of 'Forms', 'particulars', 'knowledge' and 'true opinion', this essay explains what can or cannot be recollected, why all knowledge is based on recollection, and why the doctrine does not prove the soul to be immortal.
Plato's Allegory of the Cave is a symbol for the contrasts between ideas and what we perceive as reality. The Allegory of the Cave is that we are chained to a wall. Behind us is another wall with figures walking across it, behind that wall is a pit of fire. The firelight casts shadows upon the wall in front of those chained to the wall. Because we are chained to the wall we believe the figures are what they represent. Plato says there times when one tries to break away from the wall but others encourage him to join back the wall as he experiences what the world truly is. Because we are chained to the wall we are afraid of the unknown. But breaking free could change the perception about the world and feel truly free. Plato also argues that we are the cave slaves. We live in a world of shadows, where we don't see the reality of ideas. However, it is possible to climb out of the cave, to be released from our shackles but it’s difficult. And when we ( s...
Inside the cave the only knowledge that you can experience is the knowledge that is already installed into your head. In the cave viewpoint “The truth would be literally nothing but the shadows of the image.”(Plato 450) M This quote explains that everything that is viewed in the cave is only a shadow of the real thing. But, the outside of the cave is made up of real images that can be hurtful “He will require to grow accustomed to the sight of the upper world” (Plato 451). This quote explains how humans need to adjust to new knowledge. At first, the outside of the cave is defined as unreal, because you are in denial that there is more to the world than just your cave. When one realizes the actual things that are present outside the cave one will want to spread the word and tell the other prisoners. But, one will not spread the word because the other prisoners will not be open to the knowledge. They will see your viewpoint as being insane do to the fact that they have not been exposed to the
- Chappell, Timothy. "Plato on Knowledge in the Theaetetus." Stanford University. Stanford University, 07 May 2005. Web. 08 May 2014.
In Plato’s “Allegory of the Cave”, Plato described a group of people that have lived their lives confined to a cave, tied to a pole making them face a wall. On this wall you could only see shadows of what was going on behind you, and from that they misperceived shadows from reality. One day, one of the inhabitants broke free and was able to leave the cave, only to be shocked by what “true reality” was outside of the cave and what was different from the shadows he saw on the cave wall. He was so excited that he wanted to go back into the cave and basically enlightened the other prisoners about what he saw,
In The Republic, Plato presents the relationship of the Divided Line and the Allegory of the Cave in connection to his epistemology and metaphysics. Throughout the Republic he discusses his beliefs on many topics using examples that express his ideas more thoroughly. He is able to convey very complex beliefs through his examples of the Divided Line and Allegory of the Cave. Plato’s epistemology depicts his idea of the Divided Line which is a hierarchy where we discover how one obtains knowledge and the Allegory of the Cave relates to Plato’s metaphysics by representing how one is ignorant/blinded at the lowest level but as they move up in the Divided Line, they are able to reach enlightenment through the knowledge of the truth.
As people, we tend to believe everything we see. Do we ever take the time to stop and think about what is around us? Is it reality, or are we being deceived? Reality is not necessarily what is in front of us, or what is presented to us. The environment that we are placed or brought up has a great impact on what we perceive to be the truth or perceive to be reality. Plato’s Allegory of the Cave is one of the most significant attempts to explain the nature of reality. The cave represents the prisoners, also known as the people. They are trapped inside of a cave. They are presented with shadows of figures, and they perceive that to be reality. The cave can be used as a
In "The Allegory of the Cave," prisoners in a cave are forced to watch shadows as people behind them are forced to accept these shadows as reality -- "To them... the truth would be literally nothing but the shadows of the images. One prisoner, however, is released, and stumbles into the real world, containing more depth and complexity than they had ever known. At first, the prisoner will be pained at the bright, piercing light, but will eventually recover. According to Plato, the freed prisoner is then obligated to return to the shadows of the cave, to inform the shackled prisoners left behind of the real world. The prisoners, however, will not believe the freed prisoner, and may even go as afra s to kill him for such "lies" contrary to their "reality." The pursuit of the truth is, therefor, a painstaking but rewarding process. According to Plato, the physical world is a world of sight, one that lacks meaning if left alone. Only those who manage to break into the sunlight from the cave will ascend to the intellectual world. The prisoners in the shadows only know of the dull physical world, while those who ascend into the sunlight learn of the spiritual world, and are exposed to the first hints of truth. The soul ascends upward into the realm of goodness and of the truth, where "... souls are ever hastening into the upper world where they desire to dwell.." The pursuit of goodness and of the truth, then, improves the soul, as the soul desires to be elevated to a higher state of knowledge and morality. Caring for the self and the soul involves freeing the shackles of the physical world and ascending to the "... world of knowledge... the universal author of all things beautiful and right... and the immediate source of reason and truth in the intellectual..." The soul yearns to dwell in a world of morality and knowledge, and only the pursuit of
To begin, Plato’s Allegory of the cave is a dialogue between Socrates and Glaucon and its main purpose, as Plato states is to, “show in a figure how far our nature is enlightened or unenlightened.”(Plato) The dialogue includes a group of prisoners who are captive in a cave and chained down, only with the ability to stare straight at a wall. This wall, with the help of a fire, walkway, and people carrying different artifacts and making sounds, create a shadow and false perception of what is real. This concept here is one of the fundamental issues that Plato brings up in the reading. “To them, I said, the truth would be literally nothing but the shadows of the images.” (Plato). These prisoners, being stuck in this cave their entire life have no other option but to believe what they see on the wall to be true. If they were to experience a real representation of the outside world they would find it implausible and hard to understand. “When any of them is liberated and compelled suddenly to stand up a...
The basic premise of Plato's allegory of the cave is to depict the nature of the human being, where true reality is hidden, false images and information are perceived as reality. In the allegory Plato tells a story about a man put on a Gnostics path. Prisoners seating in a cave with their legs and necks chained down since childhood, in such way that they cannot move or see each other, only look into the shadows on the wall in front of them; not realizing they have three-dimensional bodies. These images are of men and animals, carried by an unseen men on the background. Now imagine one of the prisoners is liberated into the light, the Gnostic path will become painful and difficult, but slowly his eyes will begin to accommodate what he sees and his fundamentalist view about the world will begin to change; he sees everything through an anarchic thinking and reasons. When he returns into the cave, his fellow prisoners will not recognize him or understand anything he says because he has develop a new senses and capability of perception. This is the representation of the human nature, we live in a cave with false perception of reality that we've been told since childhood, but we must realize that these present perception are incomplete.
The circumstances that are described by Plato have a metaphorical meaning to them. The allegory attacks individuals who rely solely upon; or in other words are slaves to their senses. The shackles and chains that bind the prisoners are in fact their senses .In Plato’s theory, the cave itself represents the individuals whom believe that knowledge derives from what we can hear and see in the world around us; in other words, empirical knowledge. The cave attempts to show that believers of empirical knowledge are essentially ...
Plato, a student of Socrates, in his book “The Republic” wrote an allegory known as “Plato's Cave”. In Plato's allegory humans are trapped within a dark cave where they can only catch glimpses of the world above through shadows on the wall.2 Plato is describing how the typical human is. They have little knowledge and what they think they know has very little basis in fact. He describes these people as prisoners, in his allegory, and they are only free when they gain knowledge of the world above the cave.