Pablo Picasso. Self-Portrait. 1907. Oil on canvas.
The formal and visual elements most utilized, recognizable, and original in Pablo Picasso’s Self-Portrait 1907 are line, texture, time, and color. As far as principals of design go, emphasis on proportion and scale of certain features makes them stand out, thus enhancing the expression of his face. I chose this artwork because the simplicity of the painting, especially the bold use of line, is appealing to the eye and looks like something I’d draw.
It appears as though Picasso started the painting with a heavy outline describing and exaggerating the shape of the head and its features, then went on to fill in the body and background. The lines outlining the eyes, cheekbones, and nose are much heavier than the lines making up the mouth. Perhaps this is because he saw himself as more the observer who expresses himself better through his art than through his words. With the eyes and nose overstated, the expression is one of curiosity and constant awareness, as well as optimism and enjoyment. Picasso makes great use of directional lines in this self portrait. His forehead slants at the same angle as his jaw and ear, collar, and lapel. His hair is combed at an angle that matches with the neck, left cheekbone and collar. His right cheekbone is a continuation of the line representing where his shirt buttons up which also matches the line of his left lapel. It looks like he...
Starting with visual elements I saw lines, implied depth, and texture. I see lines by him using lines created by an edge. Each line is curved not straight but it works with the piece. By using this he creates the piece to make it whole. He uses many curved lines within the painting I don’t know if there is a straight line in the whole thing. The next element I saw was implied depth. Using linear perspective you can see the mountains but they look smaller than the rest of the piece. They are the vanishing point in the back making it look as if you can walk down and they will get closer and closer to you. The last element that I saw was texture. They talk about Van Gogh’s painting, The Starry Night having texture through a two- dimensional surface, in which this painting has that similar feel. Van Gogh uses thick brush stokes on his paintings to show his feelings. There is actually a name for this called, Impasto,
Even though it has eyes, a nose, and teeth, the painting gives us the illusion and feeling that the face is incomplete, and the bones are the coming through the surface from underneath. The head is filled with Basquiat’s graffiti, giving the impression there are figures and forms within the face, but when you look closer the face is just a lot of abstract lines and shapes. In his work you can see the anger and intense emotion he had from past experiences, this is what drove his art and reason why he was accepted in to the artworld and why his work is being displayed galleries across the
· Rubin, William, ed. Pablo Picasso: A Retrospective. New York: The Museum of Modern Art, 1980.
Pablo Picasso is well renowned as an artist who adapted his style based on the changing currents of the artistic world. He worked in a variety of styles in an effort to continually experiment with the effects and methods of painting. This experimentation led him to the realm of cubism where Picasso worked on creating forms out of various shapes. We are introduced to Picasso’s nonrepresentational art through the advent of the cubist style of painting. During his time working on this style, Picasso developed the painting Woman in the Studio. A painting created late in Picasso’s artistic career, this painting displays many of the characteristics common in cubism. The painting’s title serves as a description of the painting and explains the scenario depicted by Pablo Picasso. In analyzing this work, it is important to observe the subject matter, understand the formal elements of the painting, and attempt to evoke and comprehend the emotions represented in the painting. Woman in the Studio is a painting of cubist origin that combines the standard elements of cubism in order to produce a monochromatic depiction of a woman associated with Picasso.
When observing Kahlo’s self-portrait, it is important to notice the small details as she places every detail in the painting on purpose. In the very center of the portrait you see Frida Kahlo standing on a stone, that has inscribed in it ‘Carmen Rivera painted her portrait in the year 1932’, while wearing a traditional Mexican pink dress. She is holding a Mexican flag in one hand and a cigarette in another. To the left of her is a more rural landscape; on the foreground of the painting there are a variety of plants and cacti in bud and bloom. In the middle of the left side there are what seem to be Aztec statues, next to them there is a traditional Mexican skull. At the top of the left side there is an Aztec pyramid in ruin. Above the Ruin are a sun and a moon separated by a thunderbolt. On the right of Frida is a more city-like landscape full of technology. In the background of the right side there are towering skyscrapers and factories that ...
Diego Rivera was deemed the finest Mexican painter of the twentieth century; he had a huge influence in art worldwide. Rivera wanted to form his own painting fashion. Although he encountered the works of great masters like Gauguin, Renoir, and Matisse, he was still in search of a new form of painting to call his own (Tibol, 1983). His desire was to be capable of reaching a wide audience and express the difficulties of his generation at the same time, and that is exactly what h...
One of the many symbols that Picasso used was an anguished mother with a dead child. On the far left of the painting, we can see that a woman’s head is being thrown back and her mouth is wide open, as if she is screaming out on the top of her lungs while holding onto the body of a small, limp child. Perhaps she was a mother who was crying out in pain and despair over the her dead child in her arms. Her eyes, nose and lips were drawn in the shape of tears which may symbolize how much distress she was feeling after she realized that her child became a victim of the
... though employing a familiar subject (the female form), shows the transformation from busy mosaics with gold embellishments to a brighter palate of colors and the use of stronger, bolder lines. The piece exemplifies his versatility as an artist.
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.
Picasso ignored the traditional aesthetic canons governing the representation of the female nude. The bodies are deformed. The woman sitting presents both his back and his face. The influence of African art, which replaces that of Orientalism of the nineteenth century, is very clear in the
Along with George Braque, Picasso was responsible for the invention of cubism. Cubism is one of the most radical restructuring of the way that a work of art constructs its meaning. Cubism is a term that was derived from a reference made to geometric schemes and cubes. Cubism has been known as the first and the most influential of all movements in twentieth century art . Before Picasso did any cubism paintings, there were works exibititing a raw intensity and violence due to his reading of non western art aligned with European primitivism. This contrasting position provided the dynamic for Picasso’s work. In his paintings such as Mother and Child, Picasso showed the fetishistic and simplifying aspects of primitivism. In his paintings Picasso used bright hues and subdued grays and earth colors. Picasso found out that shapes could have meaning and identities by their arrangement .
Picasso used artistic techniques from El Greco, a 16th-century artist, to illustrate the old man's lengthy limbs, and his cramped posture (artic.edu). Picasso painted a malnourished, older man in ripped clothing sitting on the ground while leaning on the wall behind him, playing the guitar. The man's posture can give the viewer a sense of pity because he is sitting in an uncomfortable position since it is obvious he is a poor man during this time in Spain. His bent head represents his lower status since beggars of the time were often looked down on. The eyes of the man are closed which signifies that the man is blind.
The Web. 12 Mar. 2014. The 'Standard' of the 'Standard'. http://pablo-picasso.paintings.com/biography/>. Warncke, Carsten & Peter.
Pablo Picasso and Raoul Dufy both had a very different vision than any artist back in their time had. They both wanted to show that art could be different, but at the same time also beautiful. However, not everyone back in their time thought it was beautiful. In their works they both used women to show their different style. Picasso used the method of Cubism and Dufy used the method of Fauvism. They both wanted to show how they thought that a woman should look to portray their different visions. These two works of art are both very different because, Picasso made his woman dark and exaggerated and not so pleasing to the eye. Meanwhile Dufy wanted to show the beauty and grace of his woman with his colors. They both show their brilliance by the way they portray their women.