Ghostbusters’ reboot debuted in theatres in the US on July, 15 2016. With a female-led cast, this film reaped US$46 million in North America. However, Ghostbusters’ reboot shows how an internet rating is serious problem. And people has the rights to ask the reliability of this business.
Sites such as Rotten Tomatoes, Metacritic and IMDb explained how men quickly judged entertainment pieces aimed at women. “Sex and The City” is a clear example how male users on IMDb, despite making up only 40 percent of male raters, rated the TV show a 5.8, while female raters assigned an 8.1 rating.
An investigation was launched into an online movite rating site, Fandago. The conclusion: any site that aggregates reviews and rating tends to be subjective as users have their personal judgments to consider what an ideal rating is.
…show more content…
People tend to believe easily in numbers shown online (even before the show starts) and oversimplify the matter.
Varied ratings on media and the comparison with the original
On YouTube, the Ghostbusters reboot trailer triggered more”dislikes”, which was believed to be concerted by some fans of the original version of Ghostbusters. One of the media that gave the movie four stars in a UK-based The Guardian, saying the movie’s director Paul Feig’s female boot is a blast.
The New York Times also praised the movie, saying the move has a lot of enjoyable, disposable fun.
However, no matter that Ghostbusters’ reboot shows how an internet rating is serious problem, it is interesting to see that most people are comparing the current version with the 32-year old version. The female-led cast, consisting of Melissa McCarthy, Kristen Wiig, Leslie Jones and Kate McKinnon, seemed to work hard to satisfy demanding fans, who mostly were wondering about whether they will feel the hype such as they used to feel 32 years
Michael Abernathy’s article “Male Bashing on TV” uses many television sources and percentages to explain how men are treated like idiots inside of the media. Abernathy is a television reviewer, cultural critic, and queer culture commentator (350). While Heather Havrilesky's article “TV’s New Wave of Women:Smart, Strong, Borderline Insane” is the opposite and uses television sources to explain how women are treated as smart yet crazy inside of the media. These two articles describe how men and women are portrayed differently in television shows and the media. The articles have smaller subtopics in common which are the portrayal of men and women in the media, the comparison of men and women in each article, and how Abernathy and Havrilesky want
The gendered patterns in advertising that Craig outlines in his essay still exist today, in commercials of how men and women are portrayed. In Steve Craig’s, “Men’s Men and Women’s Women,” it is stated that large advertisers and their agencies have evolved the pseudo-scientific method of time purchasing based on demographics, with the age and gender of the consumer generally considered to be the most important predictors of purchasing behavior. Therefore, Craig argues that computers make it easy to match market research on product buying patterns with audience research on television viewing habits, eventually building a demographic profile of the “target audience.” According to an article titled Web Advertising: Gender Differences in Beliefs, Attitudes and Behavior, previous research suggests males and females exhibit different beliefs about and attitudes toward traditional media advertising along with different advertising-suppressed consumer behaviors. Craig talks about how in John Fiske’s book, Television Culture (1987, Chs.
With the release of JJ Abrams’ Star Wars Episode VII: The Force Awakens in late 2016 recording a staggering domestic gross of over $936 million (Box Office Mojo 2016), the Star Wars series continues to be one of the biggest pop culture icons of the 21st century. However, for a film targeted towards all ages and demographics, with women making up 52% of all movie goers in North America (Motion Picture Association of America **), there is a startling lack of female representation within the series. Furthermore, with the growing prevalence of media in our daily lives combined with media’s role in the development of beliefs and ideas in its viewers, the messages delivered by mass media texts are partly responsible for the for the
In terms of a remake, especially with film, one is expected to reboot and refresh the original. This can be divided into aspects regarding the plot, cinematography, actor choice, etc. In the case of both John Carpenter’s versions of the Fog, many critics and myself agree that the 2005 version did not do its best in revamping the original. It did not reboot nor refresh the original 1980 film and so has made itself into a not so great remake. This can be argued for many modern remakes of films, especially for ghost stories. There is only so much that can be changed. THESIS.
Rosemary's Baby may not be the most frightening horror film of all time. However, with greater performance, the controversial subject, and the dark events that followed it, the 40-plus-year-old film still made audiences come to
...he main character and the portrayal of women; however, when I asked males for their opinion about the film, they had nothing but praise for the movie stating that it was “inspiring”. The ability of the film to be interpreted various ways also fits my personal definition of art because I believe that upholding multiple interpretations and not having a clear right or wrong interpretation is art’s defining factor. Lastly, the surrounding space heavily influenced my judgement because the theatre’s massive size filled with multiple individuals magnified my uncomfortableness due to the film’s abundant use of nudity which directly influenced my judgement. My uncomfortableness affected my judgment negatively and highlighted more of the aspects I disliked such as the sexism in the film instead of positive aspects such as the superb and diverse background music that was used.
Darabot, Frank and Stephen King (1993) Rita Hayworth & Shawshank Redemption: Screenplay. Netflix.com Viewed 4/7/14
every film we watch we see the same character over and over again. The female is in
Everyone Is A Monster In Frankenstein, Mary Shelley uses emotional intensity and nature as refuge as her main focus. She tells us that nobody is born a monster, it is society's personal view that makes you who you are. The Monster has been on his own ever since the beginning. He tries to be a good civilized person more than once and fails. Victor shows us what all society will think of him right at the beginning of the chapter.
Trigger warnings? Some may say necessary while others think of it as people being weak. Imagine sitting in a class and the topic at hand is the war. The professor without giving any warning decides to show a video of the gruesome war. Little did they know in their class sits a student who has just returned from the war and wanted to push their life forward. By not giving this warning, the student freaked out and caused a whole disruption. They managed to calm him down and tired to continue the lesson. Now would you be comfortable to continue the lesson after a huge disruption, or do you think that even a little warning in the beginning of class could have prevented this? Trigger warnings help even in the smallest ways. Trigger warnings are
Clueless is a rare film in the pantheon of teen films primarily because of its ability to satirize high-school melodrama without disparaging it. It may continually poke fun at the dimwittedness of its characters, but it never judges them. It’s a ridiculously optimistic film with incredibly low stakes, situated in a frothy, neon-pop, fantastical universe. And yet, Clueless is perhaps one of the most loved and universally relatable of all the teen movies, continually finding new life generation after generation. The film’s care for its characters, coupled with its heightened cartoon-90s universe, is what makes it surprisingly lasting. It both feels like a time capsule and timeless at the same time.
The jury was locked in the room to deliberate because they don't want them to leave until they have come to a decision. If the jury was allowed to leave, they might just go when they want and not return. Also, the accused could try to come in to convince the jury that he is innocent.
A common trend in the entertainment industry today is the objectification of women in society. Sexualizing women are seen in media such as; movies, advertisement, television show and music video, where their main focus is providing the audience with an image of women as sexual objects rather than a human. This is detrimental to society since the media is producing social stereotypes for both genders, which can further result in corrupted social habits. Objectification in media are more focused on females than male, these false images of women leave individuals with the wrong idea of the opposite sex. As media continuously use sexual contents regarding women, the audience starts underestimating women. Specifically movies, it allows media to shape the culture’s idea of romance, sex and what seems
Gender stereotypes and biasses exist in media. In most situations, women are associated with more negative stereotypes and their portrayals can “undermine their presence by being “hyper-attractive” or “hyper-sexual” and/or passive” (Smith, 2008). In The Wolf of Wall Street women are objectified. They are treated
Another major factor that influences millions of impressionable females and males is television. Not only does the television teach each sex how to act, it also shows how one sex should expect the other sex to act. In the current television broadcasting, stereotypical behavior goes from programming for the very small to adult audiences. In this broadcasting range, females are portrayed as motherly, passive and innocent, sex objects, or they are overlooked completely or seen as unimportant entities. Stereotyping women is not only rampant in the adult world; it also flourishes in the kiddie universe as well.