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Reflection of literature
Reflection of literature
Reflection of literature
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“And maybe the only way to find what you’re looking for is to get lost along the way”(Alsaid, 296). In the novel “Let’s Get Lost” the author, Adi Alsaid wrote about five strangers who travel along with Leila on her 4,268-mile expedition helping her discover the essence of her journey. Alsaid presented his personal experiences in traveling alone, conquering hopelessness, and heartbreak through these five teenagers as they too searched for their purpose. jjjjjMany intellectuals have used and evaluated the works of other writers in order to present relations between literature and their personal experiences. In the article “Learning How to Get Lost: Goethe in Italy” the author, John Zilcosky, argues that “sometimes you have to get lost in order
To his surprise, his belief was quickly shut down after a brutal heartbreak on prom night! "How unfair is it that the person breaking your heart could still be resoundingly beautiful, that her face was still the one you loved the most”(Alsaid, 156). Similar to Elliot’s feelings after his negative outcome, Greg Moraw author of the article, “Dump Your Dream Girl – Confessions of a Hopeless Romantic”, argues that after betrayal there isn’t any hope. He shares his experience with feeling hopeless after a heartbreak and feeling lost/alone in the world. “I expected heaven-on-earth, I was searching for another great romance to be found with a mere mortal. But God is a better storyteller than Disney”(Moraw, 7) Previously Moraw was with a woman who was “the ideal by which all mortal women of flesh and blood were compared”(Moraw, 9). She had the “physique of a model” and the “smile of a cover girl” as he stated later on in the paragraph. After a cruel heartbreak, he was left feeling invulnerable to decay and wither. “I desired love- just not a blemished one found in a fallen world. I didn’t escape the inevitable: finding romance with tears, fights, and frustrations”(Moraw, 9). Moraw feels as if he is hopeless in finding a romance similar to his past “ideal” relationship and seeks guidance in finding himself. After much self-exploration and support, Eliot, through his
Foy was an intellectual child of nature with a father who took responsibility for her education until his death when she was only fourteen , Foy discovered that the world around her was sacred. She explains her passionate interest in feeling the “mystical experience”. “It means everything to me-(author’s emphasis)I mean as a thing separate from any practice, from love or the arts or work of any kind, the pure quiet sudden thing, like a fire-no, a light… it is the thing, the only thing, live by… the one way of finding out what things are”(Foy, 16). Foy goes on to express her experience of “the feeling of belonging to a place” in what she labeled as her “Sacred Wood”. She began her discovery of the origins in her spiritual inspirations then in her physical encounters. Foy believes, from experience, that you need to independently explore the world to really find out what things are. This is exactly what Hudson’s dad preached in his many lessons as a philosophy professor and a father. “Everyone needs at least one long road trip in their lives. I was probably about your age when I took mine.”(Alsaid,
In the passage from the novel LUCY, author Jamaica Kincaid dramatizes the forces of self and environment, through her character whose identity is challenged with a move. The new home provided all she needed, but it was all so many changes, she “didn’t want to take in anything else” (15-16). Her old “familiar and predictable past”(40) stayed behind her, and she now had to find who she was in her new life. Kincaid uses detail, metaphor, and tone in the passage to show her character’s internal struggle.
...h the speaker from "The Bass, the River, and Shelia Mant" did not have a great first date or love, he learned to be himself, not to change who he was so someone will like him. Although both speakers lost their innocence and gained experience in love and dating, they still have a lot more to learn in both. Innocence may be loss in a subtle or life altering way, negative or positive, but when all is said and done the experience gained will help one to succeed in life.
To conclude, if there’s one thing “Ethan Frome” has taught us is that love is powerful, blind, and stupid. It has the power to change fate, but the stupidity to make other’s irrational. Love blinded Ethan into marrying his cynical “beloved”, Zeena. And later it blinded Mattie, rendering her unable to think of a better way to express her love than by hitting an Elm tree. Love takes us all by surprise; but when it does, we should plan for it. Ethan and Mattie are perfect examples of the destructive power of love. However, most misfortunes can be avoided if rationality is used and steer away from quick decisions.
The couple, Mel states, was driving down the interstate when an intoxicated nineteen-year-old “plowed his dad’s pickup truck” into the couple’s camper (146). Though the driver was pronounced dead on arrival, the couple survived. They were, however, in critical condition. During their recovery, Mel states, the man was depressed: even after learning that his wife was safe. The reason being that, “…he [the man] couldn’t see [his wife] through his eye –holes…his heart was breaking because he couldn’t turn his goddamn head and see his goddamn wife”, an idea that would, by popular accounts, define the real nature of true love: of the two becoming one (151). Despite his self-proclaimed knowledge on the topic of love, Mel cannot fathom the thought of two people having such a level of affection for one another that the reality of not being able to see one another interferes with their ability to heal. As a cardiologist, it is Mel’s job to fix broken hearts. It is the one area where he feels he can relate to the heart. Yet with this couple, though he could physically mend the man’s broken heart, Mel cannot mend the man’s heartache. This leaves Mel feeling confused and
Cassandra Clare, author of the best-selling novel City of Bones, once wrote, “To love is to destroy, and to be loved is to be the one destroyed”. As an author of a series of young adult books, Clare wishes to send a message to adolescent readers regarding the destruction that young, passionate love can lead to. A similar theme is explored in William Shakespeare’s Romeo and Juliet, where two adolescents from feuding families fall in love with one another. When they first see each other on the night of the Capulet party, they quickly fall in love and are soon married by Romeo’s friend and mentor, Friar Lawrence. Their love, being full of passion in its quick course, faces many trials such as Romeo’s banishment from their hometown of Verona, as well as Juliet being forced to marry Paris, kinsman of the Prince. The affection they feel for one another, being all consuming, often leads them to want to sacrifice everything for each other, including their own lives. Their self-destructive, rushed love ends with their deaths, occurring just a multiple days after they first met. In William Shakespeare’s play Romeo and Juliet, many characters such as Friar Lawrence, Romeo, and Juliet illustrate that young, passionate love is a powerful force that leads to destruction.
Leo Gursky loved many things, but that is not what The History of Love explores. “To lose you have to have had” (Krauss 120). Leo loved and had Alma, his family, son, book, heart, and himself, but over the course of the book and his life, Leo loses each and every one of those. His love covers up the real truth of the book; how one handles loss defines their mental strength and sense of self. One can work long and hard to build up and maintain love, but in what can seem to be a blink of an eye, all of it can be gone. When an individual is drowning in loss, it is a true test of their mental strength and perseverance; one of which Leo Gursky did not pass.
The entire basis of this book deals with communicating from both character to character, and narrator to reader, on a very high cerebral level. Because of this analytic quality of the book, the most important events also take place on such a high level. In fact, the major theme of the novel, that of the narrator searching for his past self, as well as the cognitive change between the "...
L’Engle, L'Engle. “Focus On The Story, Not Readers…” Writer Apr 2010: p. 24-25. MAS Ultra-School Edition. EBSCOhost. Web. 25 Feb. 2014.
A physical journey occurs as a direct result of travelling from one place to another over land, sea or even space. The physical journey can occur individually or collectively, but always involves more than mere movement. Instead physical journeys are accompanied by inner growth and development, catalysed by the experiences and the decisions that impact the outcome of the journey. These journey concepts and the interrelationship between physical and emotional journeys is exemplified in the text; The Adventures of Huckleberry Finn by Mark Twain, The Road Not Taken by Robert Frost, the children’s book Lost and Found by Oliver Jeffers and the film Stand By Me directed by Rob Reiner.
Mastery of the material an author writes about is not merely enough to get one’s point across, yet Butor uses his mastery of how to travel wherever you are in life and, in addition, uses language that presents the picture in such a manner that one does not have to delve deep into the meaning behind the words to retain the full idea portrayed in them. The higher arching purpose to his work, though, turns out to be the overall connection of ties between the book and travel ultimately depends on the book’s “literariness” to determine what journey one might have while reading (83). All in all, the tone of voice and writing style that Butor uses in this piece are second to none in their ability to influence a reader of following his procedure of travel transformation, and a rhetorical analysis essay on his work only reassured the authenticity of the section about how Butor chose to entertain the reader as the main purpose behind his essay. His attitude toward the audience was strong enough to elicit advice that originated straight from the heart, and in doing that, he empowered readers with the ability to look at books and reading differently for the rest of their
Therein lies the unique chance for a sick soul to heal, to be cleansed and rested. But good cannot come of evil, and so the sickness of his soul only further infects his state of being. His mental disintegration, once proposed to be on purpose, continues uncontrolled. In the desert of his mind, void with the utter emptiness of the knowledge of death (his father's and the death of his faith in his mother) lies the supreme enemy to neurotic despair: romantic love. For romantic love assures power, it can create a sense of purpose, inspire heroism and beauty.
Abcarian, Richard, Marvin Klotz, and Samuel Cohen. Literature: the Human Experience. Boston, MA: Bedford/St. Martins, 2010. Print.
...res that make these books continue to live on for centuries. Due to the constraints of the essay not all aspects of the narrative perspective could be discussed and the role they play with the novellas.
The criticism that Mphahlele's awareness of his being a "hybrid' person imparts an inability to his being able to "write his story himself " is a criticism contrived out of literal derivations of the Greek components of the word "autobiography". The textual landscape of Down Second Avenue includes many varied and detailed arenas, the rural setting and its many dimensions, the city and its many dimensions. In the sense that autobiography is part of the genre of biography in the postclassical European tradition, that being the life accounts of saints and princes, the criticism is perhaps true to some extent. However, in the aspect of the autobiography being a search for identity and hybridity being the essence of Down Second Avenue, it is hybridity per se that is the author's story.
Clugston, R. W. (2010). Journey into literature. San Diego, California: Bridgepoint Education, Inc. Retrieved from: https://content.ashford.edu/books/AUENG125.10.2/sections/h2.1