Perceptions of London in William Blake's London and William Wordsworth's Composed Upon Westminster Bridge William Blake, who wrote 'London', and William Wordsworth, who wrote 'Composed Upon Westminster Bridge' are two poets from the Romantic period of the nineteenth century. Both have written a poem describing their feelings for the city of London, but they were written ten years apart. This is shown when reading the poems, as the each gives a very different perception to the other. 'Composed upon Westminster Bridge' is surprisingly written in the form of a Sonnet. A sonnet is composed of an octave first (eight lines) followed by a sextet (six lines). Sonnets are usually written about topics like love, passion, and desire; which is why it is unexpected that a poem describing a city so be written in this form. In writing the poem this way, the poet communicates his feelings of admiration and adoration for the city to the reader. Wordsworth gives the impression of femininity when addressing London, in the same way that someone may call their car 'she'. He's saying that London is like a beautiful woman and he admires it in the same way. What adds to this effect is how Wordsworth refers to other elements of the poem as 'he'; '…In his first splendour, valley, rock or hill', 'the river glideth at his own sweet will'. This gives us the image that everything else is ugly and inferior to the beauty of the city. The use of the third person to describe the city gives an impression to the reader of personification, this allows the reader to empathise and relate to what the author is describing because instead of describing the subject as a mere object the author has given it a sense of character. Personification is present throughout the poem, for example, 'This city now doth, like a garment, wear the beauty of the morning; silent, bare'. The use of personification can be seen in how the city is described to be wearing the beauty of the morning like a garment, just like the inhabitants of London.
There are multiple examples of visual imagery in this poem. An example of a simile is “curled like a possum within the hollow trunk”. The effect this has is the way it creates an image for the reader to see how the man is sleeping. An example of personification is, “yet both belonged to the bush, and now are one”. The result this has is how it creates an emotion for the reader to feel
Through the streets and alleyways of Nineveh the prophet Jonah trudged. At every marketplace and city gate he joyously roared his tidings of evil, “forty more days and Nineveh will be overturned!” Two and a half millennia after the great fish vomited Jonah back onto dry land, William Blake faithfully follows that path of bilge and seaweed, bile and gall, into the fraternity of prophets and oracles. Just as Jonah was reluctant to prophesy to the Ninevites for fear that his enemies would hear and repent, Blake has a vested interest in perpetuating the blindness of his readers. In fact, even as he works his metaphysics to impose his “phantasy” as the prophet who proclaims the liberation of the world, he shows a full awareness that true success can only lead to his demise as a poet. Thus, standing upon his apple-crate in the marketplace, he chokes back his voice a little and mumbles in ciphers, desperately praying that he would not be understood.
7. The personification in the second stanza is that she gives poems the ability to hide and are waiting to be found. The author states that poems are hiding in the bottom of your shoes, and they are the shadows drifting across your ceiling before you wake up. This is personification because she gives the poems traits that only a living organism can possess.
Personification is an important theme throughout this poem. In lines 1-2 it says, “The mountain held the town as in a shadow I saw so much before I slept there once:.” Also in lines 3-4 it says, “I noticed that I missed stars in the west, where its black body cut into the sky.” This is an example of personification. In lines 5-6 it says, Near me it seemed: I felt it like a wall behind which i was sheltered from a wind.” Most of the examples showing personification in this poem, are displayed in the first couple of lines of the poem.
Personification is presented by the author as the only explanation for the narrator’s consumption. “The Blue Estuaries” begins to stir the narrator’s own poems (line 24) until she bores down on the page once more, coming back into what is perceived by the reader as a much more clear state of mind. Then, the narrator claims to have “lost her doubts” for a moment (line 34). This was a turning point in the narrator’s tone- signalling a shift in her thoughts, and was a strikingly out of place claim- especially coming from somebody so preoccupied- making the reader wonder what she had thought about for a moment. The narrator then begins to read once more (Line
He uses personifications specifically in this poem to write about what is going on and to describe things. “It's a hard life where the sun looks”(19)...”And its black strip of highway, big eyed/with rabbits that won’t get across ”(2)...”A pot bangs and water runs in the kitchen” (13) None of these are really human body parts on things such as the sun, a pot, or a highway, but they help describe what something does or what something looks like. In the first instance, the sun cannot actually look at something, but it could mean that the sun is visible to the humans, and if humans are out for a long time in the sun, they can get hot and exhausted. For the second line, the big-eyed highway could mean that the highway has many cars with bright headlights that are dangerous for the rabbits, the immigrants, to get across. For the third and final line, pots are not able to bang things on their own, and it could have possibly been a human who made the pot bang, preparing the meal of beans and brown soup that they survive on. There is also a simile in this poem, “Papa's field that wavered like a mirage” (24). This simile could suggest that the wind is moving the grass or crops on his father’s field and looked like an optical illusion. According to Gale Virtual Reference Library, the literary device, “tone” is used to convey the significant change of the author’s feeling in the poem. In the beginning lines, the tone is happy. The poem talks about nostalgia of when he was little, “They leap barefoot to the store. Sweetness on their tongues, red stain of laughter (5-6). (GVRL) These lines illustrate the nostalgia and happy times of Gary Soto’s life when he was probably a child. However, after line 11, the tone becomes more of a negative one. Soto later talks about Farm Laborers and how the job was not a great one. After line 19, a brighter
The author use personification in the poem because he sees but things will be easier to explain if he uses figurative language. The metaphor comparing to things without using like or as like when she said in the poem ´´ Big ghost in a cloud´ ´ She used metaphor to give a better example of what she sees and what she sees Is cloud shaped as different animals or anything but in the poem she pretty much-seen cloud shaped as the ghost.
In line 17 the word “hearse” is used as a car to take the bride to the
... is the most important line in the poem. I think the author used personification here to make the image clearer to the reader, and help them make the connection from the line to life. The line gives the idea that the author has had to overcome his own struggles in life, and is describing how it felt in this poem.
Choosing the first person form in the first and fourth stanza, the poet reflects his personal experiences with the city of London. He adheres to a strict form of four stanzas with each four lines and an ABAB rhyme. The tone of the poem changes from a contemplative lyric quality in the first to a dramatic sharp finale in the last stanza. The tone in the first stanza is set by regular accents, iambic meter and long vowel sounds in the words "wander", "chartered", "flow" and "woe", producing a grave and somber mood.
William Blake’s “The Garden of Love” was first published in book two of Blake’s famous work, Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul. The first book in this series, The Songs of Innocence, deals with simplistic themes and a benevolent God. In 1794’s The Songs of Experience, however, Blake portrays the other, darker side of the human soul and a tyrannous God of repression. Blake’s use of vivid imagery and contradiction in “The Garden of Love” is intriguing especially when considering the historical and biographical contexts in which the work was composed.
How does William Blake convey his anger in the poem London? The poem 'London' by William Blake, reflects his feelings upon the society that he was living in, and how desperately it needed help. Blake thought that all of the poverty and misfortune that was happening on the streets were caused by the political oppression in London. The.
For example, in Sandburg’s poem Chicago, the whole first stanza uses personification. He writes “Hog Butcher for the World, Tool Maker, Stacker of Wheat, Player with Railroads and the Nation’s Freight Handler; Stormy, husky, brawling, City of the Big Shoulders”(Sandburg 764). By using personification, Sandburg gives human characteristics to non-human things. He references “brawling” and “big shoulders” which are human characteristics that a city cannot have. Sandburg showed the diversity of the city, and people through his use of personification, and he “catalogs Chicago’s glories as well as its degradation; or rather, in recognizing its weaknesses and seeing through and beyond them, he arrives at its greatness: the muscular vitality, the momentum, the real life that he loves”(Masterplots). In the poem Fog, Sandburg uses personification to personify the fog to resemble a cat and the fogs essence. In lines one thru three Sandburg uses personification, “The fog comes on little cat feet. It sits looking”(765). He describes the fogs behavior and actions as if it were a living being. I In Carl Sandburg’s poem Grass personification plays a pivital role in understanding the theme of the poem. Sandburg uses personification to give the grass human qualities to convey how the grass acts to
Romanticism was both an artistic and intellectual movement geared essentially toward emphasizing nature’s subliminal aura, the individual’s expression of emotion and imagination, and ultimately a heightened sense of consciousness. Widely acknowledged for his contributions to Romanticism, English poet William Blake is considered to be one of the most influential poets of the nineteenth century. Blake, a visionary far beyond his years, was adamant in expressing his views on the cosmos; that one cannot simply have the good without experiencing the bad nor can one have the bad without experiencing the good. Near the end of the seventeen hundreds, Blake published two highly acclaimed works supporting his claim that in order for the world to function as it does, all things in the universe must have an opposite, or a contrast. He published his poem collection entitled “Songs of Innocence and of Experience” in 1794 and finished composing his book “The Marriage of Heaven and Hell”, a few years prior to it. These two brilliant works exemplify exactly just how important a positive balance in the cosmos really is. William Black depicts good and evil in his poems with the use of the reference to joy and sorrow.
In “London” by William Blake the grunge, and domineering nature of a city engaged in a transformation of industry, is articulated through the setting. London of the poem, and the 1700s and 1800s, was griped by a sense of overwhelming entrapment in the mechanical comings and goings of industry. This massive shift is expressed through the stark nature of the setting, and the speaker’s awareness of a sense of confinement, and malaise in the face of great progress. Blake’s choices in the portrayal of industrialized London, is one aimed to express the overwhelming battle between machinery, and flesh in a city gripped by the throws of revolution.