Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The good and evil in scarlet letter
Introduction about scarlet letter by Hawthorne
Introduction about scarlet letter by Hawthorne
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The good and evil in scarlet letter
The struggle between good and evil is the basis for any good work of literature. The Scarlet Letter is a unique story when it comes to the battle of light over darkness. There is not a set of good characters versus a set of bad; each individual has his own sins, whether hidden or exposed, that blights his nature. Despite this, there is one main struggle that dominates throughout the book. Pearl and Roger Chillingworth contend brutally over the soul of the minister Arthur Dimmesdale.
Although seen as a holy magistrate, Reverend Dimmesdale committed the sin of adultery. Not only did he violate his reverence for Hester Prynne’s soul (Hawthorne 234), but he also wronged her husband, Roger Chillingworth. In addition to this, Dimmesdale hid his sin while Hester suffered public humiliation and degradation. His cowardice acts invited the war over his soul, which attacked him mercilessly throughout the story.
Roger Chillingworth is the representation of evil warring against Dimmesdale. Ironically one of the minister’s closest friends, Roger’s purpose in life is to seek out, like a search for truth, the man who wronged him (Hawthorne 66). He wants to make him tremble and shudder (Hawthorne 67). From the very beginning of the conflict, Chillingworth’s dark intensions and his evil heart are clearly seen. He is not after justice, but rather a sinister revenge. Justice and public exposure would have paved a path for retribution, but Roger wanted a destruction that would disintegrate the very fabric of Dimmesdale’s being. Chillingworth wanted to suck every trace of life from the minister’s body and mind. In order to achieve his dark desires, Roger digs into Arthur’s soul trying to uncover the hidden sin like miner searching for gold (Hawthorn...
... middle of paper ...
...gainst the powers of the dark world and against the spiritual forces of evil in the heavenly realms (New International Version, Ephesians 6.12). Each person must choose whether to allow God’s illuminating love to expose his sin and take it away in order to enter into His salvation.
Roger Chillingworth’s wickedness was finally silenced, and Arthur Dimmesdale was able to find the salvation that Pearl offered him. Although the story was unique in its struggle, good eventually won and evil lost again. In the end, the battle between Pearl and Roger for the minister’s soul was finally completed, and his burdensome sin exposed to all. The Scarlet Letter is an excellent work of literature.
Works Cited
New International Version Study Bible. Barker, K. gen. ed. Grand Rapids, MI: Zondervan, 1985. Print.
Hawthorne, N. The Scarlet Letter. New York: Signet Classics, 1999.
18th century’s perception of the Puritan Society was that Puritans were a zealous community of people that lived with strict moral standards which allowed them to live in perfect harmony. However, the truth is Puritans were overly zealous whose values created paranoia and intolerance for other views. Through the characters Dimmesdale and Chillingworth who are also falsely perceived, Hawthorne suggest they are representative of the dour living of Puritan society that is hidden by the puritan’s tranquil and utopian outlook.
People often keep secrets in an effort to hide their sins from others. This is a risky since secrets have a way of manifesting themselves externally, and thus, letting everyone know of their owner’s sins. Hidden sin is a prominent theme in Nathaniel Hawthorne’s, The Scarlet Letter. Names like Chillingworth and Dimmesdale let the reader know how, in reality, these characters are, before ever really encountering them. Characters whom the reader will encounter in this novel are going through some type of dilemma on the inside, which begins to show itself in the exterior of the particular individual. In The Scarlet Letter, two studious individuals, Roger Chillingworth and Arthur Dimmesdale, two of the main characters in the novel, each possess their own sins which begin to show themselves in their outermost features, each brought apon themselves for their own respective reasons.
The Scarlet Letter involves many characters that go through several changes during the course of the story. In particular, the young minister Dimmesdale, who commits adultery with Hester, greatly changes. He is the moral blossom of the book, the character that makes the most progress for the better. It is true that Dimmesdale, being a minister, should be the role model of the townspeople. He is the last person who should commit such an awful crime and lie about it, but in the end, he confesses to the town. Besides, everybody, including ministers, sin, and the fact that he confesses illustrates his courage and morality.
Arthur is surprised by Roger’s kindness and states this, “Doust thou know me so little… then to give the medicine against all harm” (Hawthorne 68). Arthur knows Chillingworth so little that he is surprised at how kind he has been to him, and is very grateful at the fact. It was probably hard for Chillingworth to do such a thing for Arthur because of the hatred he has for him. Roger had a lot more darkness in him than he did light. Hawthorne describes Roger’s purpose in life leaving him by stating, “Old Roger Chillingworth knelt down beside him with a blank dull countenance, out of which the life seemed to have departed” (232). This example describes how his sole purpose in life seizes to exist, the revenge that he lived for was taken at that exact moment and he had no other reason to live. Roger Chillingworth is the most troubled character in the book; He wanted to be light but revenge slowly ate him alive until he was a dark person.
In Nathaniel Hawthorne’s The Scarlet Letter, Mr. Dimmesdale’s greatest fear is that the townspeople will find out about his sin of adultery with Hester Prynne. Mr. Dimmesdale fears that his soul could not take the shame of such a disclosure, as he is an important moral figure in society. However, in not confessing his sin to the public, he suffers through the guilt of his sin, a pain which is exacerbated by the tortures of Roger Chillingworth. Though he consistently chooses guilt over shame, Mr. Dimmesdale goes through a much more painful experience than Hester, who endured the public shame of the scarlet letter. Mr. Dimmesdale’s guilt is much more damaging to his soul than any shame that he might have endured.
Roger Chillingworth utilizes his deceptiveness in a number of occasions throughout the novel. For example, in chapter three, Roger Chillingworth innocently approaches Hester Prynne, acting as if he has never once seen her. Roger Chillingworth even interrogates a local townsman about Hester Prynne and her committed sins. This shows that Roger Chillingworth purposely intends to concept a deceptive knowledge of his character in order to disconcert one who may read The Scarlet Letter. Although Roger Chllingworth is the foremost antagonist of the novel, his deceptiveness empowers him to withhold an excessive amount of moral ambiguity. With this moral ambiguity, Roger Chillingworth is able to surreptitiously accomplish a various amount of things, including the death of Arthur Dimmesdale himself.
In further developing Dimmesdale's character, Hawthorne portrays him as a hypocrite. His outward demeanor deceives the villagers, appearing as a completely holy man. However, before the action of the novel begins, he stumbles into sin, by committing adultery with Hester Pryn...
Roger Chillingworth’s main internal conflict was his personal revenge towards Arthur Dimmesdale. Roger is a dynamic character who changes from being a caring and mindful doctor to a dark creature enveloped in retaliation. His character possesses a clear example of the result when a person chooses sin by letting his vengeance get the better of him. For example, Roger constantly asks Hester to tell him who has caused her punishment. As Roger visits Hester at the prison, he is determined to find out who Hester’s lover was, “...few things hidden from the man, who devotes himself earnestly and unreservedly to the solution of mystery” (64).
Every human has sinned but Dimmesdale’s evil deeds led him to live a double life—one as a godly minister and another as the “greatest sinner.” Meanwhile Hester was at trial and being punished for her sin, Dimmesdale showed no sign of guilt and he did not have the valor to stand by her side and take full accountability for his actions. Not only did Dimmesdale fail as a lover, but he also failed as a father by denying Pearl and allowing her to live as an outcast. The townspeople held the minister as a saint but little did they know that he disobeyed the eighth commandment from Exodus 20:16, by hiding the truth from his church Dimmesdale became a liar. Moreover, in chapter twenty Dimmesdale confesses all the evil thoughts that roam in his mind and that his flesh desires to do. He even states how he has used his eloquence to manipulate the youngest female member to attend church. As a result of all the evil deeds, the minister seems to depart from his relationship with God and is confused. Dimmesdale becomes lost and desperate, he habitually questions life and his identity but ironically the famed theologian finds no concrete answers to h...
The Scarlet Letter, containing some of the most important metaphors and symbols pertaining to human nature, does not grab the reader’s attention with high impact drama, but instead, with the narrator's uniquely penetrating descriptions of his characters' thoughts, feelings and relationships. The plot is constantly interrupted with Hawthorne’s own thoughts, or other’s points of view. It’s tragically, yet realistically romantic, because it delves deep into the human heart and explores the character’s dedication to religion, one’s self and to others.
Hawthorne's statement through Chillingworth offers insight into Dimmesdale and Chillingworth along with a representation of Hawthorne's disapproval of the Puritan values. This disapproval is the driving force of the novel, and it underlies the relationship between Dimmesdale, Chillingworth, and the prevailing greater justice of God. The contrast of the Puritans' justice and God's makes the message of the story greater than a love story or a story of a sin. With this theme, The Scarlet Letter becomes a comparison of the flawed justice of humans and the divine justice of God.
The New Interpreter's Study Bible: New Revised Standard Version with the Apocrypha. Nashville: Abingdon Press, ©2003.
In Nathaniel Hawthorne’s The Scarlet Letter, there are many moral and social themes develped throughout the novel. Each theme is very important to the overall effect of the novel. In essence, The Scarlet Letter is a story of sin, punishment and the importance of truth. One theme which plays a big role in The Scarlet Letter is that of sin and its effects. Throughout the novel there were many sins committed by various characters. The effects of these sins are different in each character and every character was punished in a unique way. Two characters were perfect examples of this theme in the novel. Hester Prynne and The Reverend Dimmesdale best demonstrated the theme of the effects of sin.
Nathaniel Hawthorne’s The Scarlet Letter is a study of the effects of sin on the hearts and minds of the main characters, Hester Prynne, Arthur Dimmesdale, Roger Chillingworth. Hester, Dimmesdale, and Chillingworth. Sin strengthens Hester, humanizes Dimmesdale, and turns Chillingworth into a demon.
The historical context, psychological exploration of the characters, and realistic dialogue make this fictional novel more realistic. The symbolic representation of the scarlet letter, Pearl, and the settings along with the morals taught by the stories of the characters make the novel more insightful, symbolic, and allegorical. These aspects of The Scarlet Letter make the novel a brilliant combination of the literary devices of Realism, symbolism, and allegory, and fill the novel with profundity, suspense, romance, and tragedy.