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Dramatic Personae of William Shakespeare’s A Midsummer Night’s Dream
Dramatic personae of A midsummer night's dream
Why is puck important in midsummer night's dream
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Passion in A Midsummer Night’s Dream
Shakespeare’s A Midsummer Night’s Dream may come off as a simple comedy but is a complex play with many interesting aspects. Passion, a significant characteristic, is often expressed through the play. Characters in the play show passion for different reasons; Puck passions for mischief, Helena for Demetrius’ love and Bottom for theatrics, are a few of the many examples. Passion shows much significance, being the most important characteristic in the play.
Puck is a mischievous sprite, involved with most magical events in the play. Often playing tricks for his own enjoyment or by his master, Oberon’s, commands, Puck is depicted as a young, deceptive character. When first discovered as Robin Goodfellow, a well known trickster, Puck proudly claims the identity, quickly mentioning his best schemes. Puck says “I am the merry wanderer of the night” (II.i.43). Puck professes his role as a trickster, smiling at the thought of his pranks. Pucks' primary introduction into the play, the scene depicts the start to his reign of chaos. After disrupting the fairy and human world, Puck gladly presents his work to Oberon. A major flaw is pointed out by Oberon: the flower juice was placed on the wrong person’s eyes. Choosing to blame the humans for his mistake, Puck says “Lord, what fools these mortals be!” (III.ii.115). Puck, deeming the Athenian couples in the play as fools, portrays irony to the audience. Having caused the trouble himself, Puck was to blame for the situation. When called on account of the dilemma, Puck acts in his defence, saying he put the potion on the eyes of an Athenian man and when told to resolve the problem, Puck sadly agrees, seeing the mischief as a very entertaining. (III...
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...ssary character for comical relief, changing the play from a fantasy into a comedy.
Many take passion as an insignificant trait but passion reveals the true nature of characters within a play as explicitly shown in A Midsummer Night’s Dream. Puck’s passion for mischief, Helena’s for Demetrius’ love and Bottom’s for theatrics are testaments to the intense passions described in the play. Passion has a positive effect in the play, reflected in the actions, speech and thoughts of the actors. When lead by such emotions, each character is able to accomplish their desires, while giving a positive effect on the viewers. A Midsummer Night's Dream teaches that everybody has a passion for something and by using the passion as a guide, anything can be accomplished.
Work Cited
Shakespeare, William. A Midsummer Night’s Dream. Toronto: Harcourt Canada Ltd., 2000. Print
A Midsummer Night’s Dream is a Shakespearian comedy where Shakespeare shows many forms of passion. There are many passions shown many times in this play that would change the whole story if they were taken out. It is a trait that can reveal a person’s strong inner emotions such as in this story, friendship, love and jealousy. Helena shows a deep passion for friendship with Hermia when she thinks she has been betrayed, Titania passionately loves Bottom, and Oberon genuinely shows jealousy towards the Indian boy Titania tended to.
Is love controlled by human beings who love one another or is love controlled by a higher power? There are many people who believe that a higher power has control over love. An example of a higher power would be a cupid, a flying angel-type creature who is supposed to shoot arrows at people to make them fall in love. There are other people who reject the idea that a higher power controls love and that the people who experience love can control it. In the novel, "A Midsummer Night's Dream", by William Shakespeare, several examples of love's association with a higher power are presented. With the use of examples from the above novel, this essay will discuss the evidence that love is associated with a higher power. Examples like: Thesius arranging a marriage between himself and Hippolyta, Egeus choosing who Hermia should marry and the fairies who have the ability to control love in the Enchanted Forest.
In Shakespeare’s Midsummer’s Night Dream he entices the reader using character development, imagery, and symbolism. These tools help make it a wonderful play for teens, teaching them what a well-written comedy looks like. As well as taking them into a story they won’t soon forget.
Every action made in A Midsummer Night’s Dream revolves around the idea of love. It is a concept which few people can understand because of the extremity a person can go through to go after their love. “Lovers and madmen have such seething brains, such shaping fantasies that apprehend more than cool reason ever comprehends.” Lovers see the world in a way which everyday people cannot comprehend. The idea of love leads to them making irrational choices which may seem
...ical dialogue of the characters, it was also present in the larger-than life, comically ridiculous and unrealistic situations the characters found themselves in. Even the play's name brings it up directly, and provides a real-life analogy, as dreams themselves are often lifelike and vivid, yet still patently inane. Shakespeare's goal was to turn reader expectations of what should happen in these sorts of scenarios on their head to provide a unique play; while he achieved that goal admirably, the play itself is still of a great enough quality in part due to his masterful craftsmanship with hyperbole and exaggeration that A Midsummer Night's Dream continues to be read happily by modern audiences.
Wild contrasts, such as the implicit comparison between the rough, earthy craftsmen and the delicate, graceful fairies, dominate A Midsummer Night’s Dream.” (Jon Agera) I think the name "Puck," suits the fairy because he enjoys playing jokes and pranking humans. “In fact, “Pouk” was a typical medieval term for the devil. Sometimes Puck was pictured as a frightening creature with the head of an ass, or as a queer little figure, long and grotesque, or as a rough, hairy creature, or as the representation of the Greek god Pan.” (Dr.Ratan Bhattacharjee). Even though he may not be evil, he sure is mischievous. He reminds people that fairies aren’t just here for wishes and confetti dust. For some reason, he somewhat draws in some negative elements to Oberon and Titania’s seemingly nice and dreamy fairy realm. He summons spirits, who after a night of wreaking havoc, they return home to graves. Unlike Oberon, who honestly tries to create human happiness, Puck, on the other hand has a blast pranking and making them miserable. When he made both Lysander and Demetrius fall in love with Helena, Puck enjoyed the pleasure their confusion brought him. Even though he fixes the problem and restored the lovers as they were supposed to be for each other, he does so only because Oberon demanded. If it was up to him, the four Athenians would have lived
Similar to other works by Shakespeare, such as The Taming of the Shrew, A Midsummer Night’s Dream embellishes the pressures that arise between genders dealing with complicated family and romantic situations. The plot includes a duke who is going to marry a woman he conquered in battle, the king and queen of the fairies embroiled in a fight so fierce that it unbalances the natural world, and a daughter fighting with her father for her right to marry the man she chooses. The girl’s father selects Demetrius to marry his daughter, but she is in love with another man, Lysander, who loves her in return, and her friend Helena is in love Demetrius, but he wants nothing to do with her. Considering the fact that males were dominant during that era, whereas, men chased women, and women remained submissive, Shakespeare dallies with those traditional roles and there are several possible reasons why. Perhaps he made women a stronger force in his plays because he wanted to give his audience a break fr...
Puck causes the disruption initially, when he intervenes in the lovers' business. Jester and jokester, Puck, otherwise known as Robin Goodfellow, is like a wild, untamed memb...
In “A Midsummer Night’s Dream”, one of Shakespeare’s many plays, masterful educational artisans have disputed over whether the main element of this book is based on love being an essence of mysticality, or if it is an altered state of the human mind. Contained within the deep, dark chasms of this story, Puck is the mischievous fairy in the story, and is the main “doer” of deeds in this play, and most of what he does is what makes him such a comical character. “A Midsummer Night’s Dream” is unmistakably explaining to whoever reading it is that the book describes love as only a case of enchantment, or temporary mental alteration.
Love plays a very significant role in this Shakespearian comedy, as it is the driving force of the play: Hermia and Lysander’s forbidden love and their choice to flee Athens is what sets the plot into motion. Love is also what drives many of the characters, and through readers’ perspectives, their actions may seem strange, even comical to us: from Helena pursuing Demetrius and risking her reputation, to fairy queen Titania falling in love with Bottom. However, all these things are done out of love. In conclusion, A Midsummer Night’s Dream displays the blindness of love and how it greatly contradicts with reason.
In A Midsummer Night’s Dream, the characters are all different, from their names, to their personalities and what they do. Some are mischievous, some are in love, and some are sneaky. Each character is in love with another character and some are even trying to steal one and other away from the person they love. Puck and Bottom are the most personable characters in the story, but they are not involved in the dramatic events.
“A Midsummer Night’s Dream” begins as many typical romantic stories. Two people are in love; in this case, Hermia and Lysander. But an obstacle stands in their way; in this case, Hermia’s father who wants Hermia to marry Demetrius. However, this is where this play begins to differ from all others. Shakespeare leads four crossed lovers, Hermia, Helena, Demetrius, and Lysander, through a winding path that somehow magically ends with everyone happily getting married. The pivotal aspect of this play is Shakespeare’s development of the different characters. In the drama enactment; a character’s appearance, personality, and character are used together to help unfold the story. Characters convey many different kinds of information through an art form called characterization. In the play, “A Midsummer Night’s Dream,” William Shakespeare does an exceptional job of describing each of the four young lovers. Each one of the characters was given personality, whether distinct or vague, that set them apart from the other characters in the play. Through the actions of the different antagonists, Shakespeare reveals to the audience the different and distinct aspects of each character, including each character’s physical appearances, personality, and specific traits. One aspect that causes the four characters to differ is their physical appearance. While the author Shakespeare makes the appearance of Lysander and Demetrius having virtually indistinguishable physical and monetary figures, he comparatively makes the appearances of Hermia and Helena quite distinguishable, their names being the only thing that is remotely being similar between the two of them. Hermia’s physical appearance is described as having “blessed and attractive eyes,” (ACT ...
The plot of this Shakespeare's plays is comical and, at times, ironic. As summarized by Puck in the last stanza of the play. Puck suggests to both the watchers and, consequently, to the readers, that if they did not enjoy the tale, they should pretend it was a dream, an impression so convincing that at times the audience is left confused. The lines from the last stanza communicate the ending of the play to be ironic and humorous, much in the same way as the rest of the story was told. The general plot, with certain characters implementing stresses on jokes more than others, also contributed to the humor in A Midsummer Night's Dream. Shakespeare had a way of placing puns in this play, such as when Puck states,"[a]nd, as I am and honest Puck/ Else the Puck a liar call". (G. J. Thomas R. Arp) In Shakespeare's time the Puck was a mischievous nature sprite or fairy (Teller). As a result, the audience was deceived into believing that the story was a dream. Many stanzas were merged into the plot that contained deep thoughts behind them that made the scenario of the scenes complex and deceptive. Puck's important role contributed to these situations is obvious in the unfolding of his character to seem unreal and ...
“A Midsummer Night’s Dream,” by William Shakespeare is a play that offers an interesting insight into the conflicting emotions of the human psyche. Throughout the play Shakespeare uses his settings to provide us insight into human conflict; rational versus the irrational and more emotional characteristics we encounter. The logical, more rational side would be the palace, with its society and rules. The fun yet wild emotional side is represented by the woods, where human logic is overtaken by magical things that do not make sense and appear more dream like.
Shakespeare’s A Midsummer Night’s Dream is often read as a dramatization of the incompatibility of “reason and love” (III.i. 127), yet many critics pay little attention to how Shakespeare manages to draw his audience into meditating on these notions independently (Burke 116). The play is as much about the conflict between passion and reason concerning love, as it is a warning against attempting to understand love rationally. Similarly, trying to understand the play by reason alone results in an impoverished reading of the play as a whole – it is much better suited to the kind of emotive, arbitrary understanding that is characteristic of dreams. Puck apologises directly to us, the audience, in case the play “offend[s]” us, but the primary offence we can take from it is to our rational capacity to understand the narrative, which takes place in a world of inverses and contrasts. The fantastical woods is contrasted to the order of the Athenian law, and Elizabethan values of the time are polarised throughout the narrative, such as Helena’s feeling ugly even though she is tall and fair. A Midsummer Night’s Dream is thus not solely a comedic meditation on the nature of the origin or meaning of love, it also cautions against trying to rationalise the message of the play. Puck, who by his very nature cannot exist in rational society, propels the action of A Midsummer Night’s Dream. He is a manifestation of mischief and the unpredictability of nature, which governs not only the fantastical woods outside of Athens, but also the Athenians themselves when it comes to love. Yet, it is Puck, and thus nature, which rectifies the imbalance of the lovers in the beginning of the play. Rationalising, o...