Like any good story, the beginning of a painting is always the hardest to write. You stare at the paper and think: this is abyss, this is absolute zero. Then, you lower your hand, and it trembles delicately like a fall leaf. Yes, starting a painting is a monumental prospect. It’s all in the first brushstrokes. The way that the color leaves your hand in sparks and fizzles and slaps is all important. Personally, I can’t remember the first time I painted. Was it before I could walk, my pudgy hands smearing paint in thick lines? Or sometime in kindergarten, comparing my work to the other children with an unsatisfied pout. However I learned, I believe my first painting must have been the most important moment of my life.
Painting taught me that mistakes make unique people and art. I most often paint in watercolors. Most people avoid them because they run together in a spontaneous curly-cues of color. Painters feel the need to control watercolors, but the most beautiful watercolors come from artists who know how to let them run. In this way, I feel that I identify with those inanimate paint tubes I leave on my desk. I say to them, “I understand the way you feel, bottled up inside, like you can’t let any sparks out.” Of
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Whether it is painting, or writing essays, or creating bridges. People are unique because of their mistakes. Painting has helped me to understand that, as well as apply it. I’ve also learned that painting helps me to understand myself and appreciate others’ talents. The most important moment of my life is one that I can’t even remember. I can pretend, though. I was five and I dipped my fingers into those runny sets of watercolors children use. I smeared that water across a page with all five of my fingers and laughed. I didn’t know that that moment, suspended in time, would be of utter significance. There is something about painting that I didn’t tell you, It takes a lifetime to really see
Joseph Hirsch’s painting Daniel was painted in 1976-1977. In 1978 during the153rd Annual Exhibition of the National Academy of Design, it won the First Benjamin Altman (Figure) prize. It measures 38 inches by 45 inches (96.52 cm x 114.3 cm) with a five inch gold wood frame surrounding it. The medium is oil on canvas. Everything within the painting is centered to draw your eyes to the action of the turned head and the pointed finger. According to the placard next to the painting this is a modern day version of the biblical story of Belshazzar’s Feast following the sacking of Jesualism from the Book of Daniel. From this point on, each figure within the painting will be addressed as Hirsch intended. The painting depicts a seated king, a dozing courtesan and Daniel. The three figures are the focal point of the composition. Hirsch uses a strong color palette to give the painting a luxurious and wealthy feel. Although the detail is not miniscule, the composition as a whole is easily understood. The use of oil paint allowed Hirsch to play with the composition as it was created.
This book was also one of my first encounters with an important truth of art: that your work is powerful not because you convey a new emotion to the audience, but because you tap into an emotion the audience already feels but can't express.
The different characters show signs of obsession and longing for something the desperately need. While many of the characters found a connection between the painting and their problems, the painting was never the source of their misfortune. Their own thoughts and actions marked their lives. Their experiences in life have shaped who they had become, not the painting. It is easy for them to credit the painting for changing their lives, but it was their actions that did. But in the end, no one goes through life
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
... some points I'm going to cross common experiences. Some of them are going to stick and become a little bit peculiarly mine . . . I don't worry about that. I worry about the paintings . . . the drive to make art ("Concepts in career: Frank Stella").
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
When we see little kids running around and playing or sound asleep, most of us think of them as angels sent from heaven. We, as parents and future parents, love to see our children grow to become handsome sons and beautiful daughters. We do everything in our hands to keep them in the right tracks to become respectful human beings. We would want to be with them every second of their lives, but at some point we have to let them go and set them free. At one point in life, everyone hold secrets, including our own children.
In his book Art for God’s Sake, Philip Ryken breaks away from “… a negative view of the arts” (11) which he perceives in the church and argues for the evangelistic and philosophical value of art. He attempts to defend the arts and outline how they ought to be used within the church, but his vision falls short. Art for God’s Sake contains important ideas, but it is poorly researched and fails to develop a complete vision of what it looks like for art to glorify God.
Art provokes oneself to express a feeling that one has encountered in their lifetime and allows the artist to display their masterpiece for an observer to connect to. Artist Berthe Morisot once said, “It is important to express oneself… provided the feelings are real and are taken from your own experience”. With the usage of movements, hues, sounds, shapes, or methods articulated in words, an artist can communicate his or her beliefs by making emotional connections to their audience. Art allows individuals to express themselves in creative ways that can bring many individuals closer by having a connection. In Aldous Huxley’s novel, Brave New World, nearly everyone is conditioned in the modern world to show the impact of what art can influence
“Dance is movement aware of itself. Dance is purposeful movement that employs artful communication to express ideas and feelings, meaning that aesthetic intention is present” (Cornett, 2014, p 394). Art could be anywhere and anything it just needs to have creativity in order to make it unique and beautiful. One simple art form, could speak for a thousand words and convey many significant messages such as the art form of dance. Baile Folklorico is a great example of communicating in a unique and a stunning art form. Baile Folklorico is a folk dance that elaborates different dances, music and costumes to represent a Latin or Mexican culture.
The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.
As we grow up, we paint on our canvas. As we fall down, get bruises, get cuts, break bones, pull muscles, it is just more colors added on to your canvas. As we get old, we paint on our canvas. As we get wrinkles, sun spots, stretch marks, lose hair, friends, loved ones, it is just more colors added to your canvas. From that time when you were 5 years old and you dropped your first bunny in your backyard and you thought that your life was over, to that time when you are in your mid 30s and you are working at the number one Animal Hospital in the country saving animals lives, has all been added to your canvas and who you
For years, researchers have uncovered the benefits of art related enterprises as they relate to therapy for distressed and anxious individuals. Similarly, and more related to the stressed and overworked individual today, coloring an intricate design or an inspirational message can act as a soothing and therapeutic release for the individual partaking in the activity. Neuropsychologist Dr. Stan Rodski and brain scientist Dr. Joel Pearson both agree. In an interview, Dr. Rodski shares his belief that coloring for adults can encourage a relaxed state as the coloring individual focuses their attention on the detail and intricacies of a particular image.
The arts have influenced my life in amazing ways. Throughout my life, art has been the place I run to and my escape from the world. As I’ve grown older, art has become so much more than that. Every piece of art I create is a journey into my soul. It’s a priceless way to deal with my emotions and my struggles. I create art not only because I enjoy it and because I want to, but because I have to. Somewhere deep inside there is a driving force, urging me to put my heart down on paper. I become emotionally attached to each of my pieces because they are like dashes on the wall marking my growth. Each one is the solution to a problem I have dealt with and overcome.
"A picture can paint a thousand words." I found the one picture in my mind that does paint a thousand words and more. It was a couple of weeks ago when I saw this picture in the writing center; the writing center is part of State College. The beautiful colors caught my eye. I was so enchanted by the painting, I lost the group I was with. When I heard about the observation essay, where we have to write about a person or thing in the city that catches your eye. I knew right away that I wanted to write about the painting. I don’t know why, but I felt that the painting was describing the way I felt at that moment.