In Regards to Literary Merit
A book with literary merit is enthralled with components of human life and experiences. These components are what make this book so powerful and rich. In the book A Prayer for Owen Meany, characters such as Harriet Wheelwright and his cousin Hester were complex, adding meaning to the novel. This book’s ability to relate to the struggles of coming of age is uncanny. Irving was able to not only write about the struggles throughout a boy’s adolescence, but also the coming of age of girls, which can be difficult. This is related in such a universal way and can be relatable to readers of all ages. A Prayer for Owen Meany by John Irving embodies incredibly complex characters and personal growth in coming of age, which
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Characters such as Harriet Wheelwright, John’s grandmother, are very complex with multiple layers of personality. Harriet wasn’t just John’s superficial grandmother. As a pillar of her community, she was someone who was supposed to be a role model of morals. She was silently judged by her peers for her daughter’s illegitimate child, yet continued to be a loving mother and grandmother. When John states, “Harriet Wheelwright had a gift for making a regal entry”(Irving 213) his opinion of his grandmother is that she’s self righteous, though there’s more to her than that. Parts of her were contradicting. “[She] thought that the lumber business was clean and the that granite business was dirty” (Irving 22), but she was a mentor for Owen Meany. She bought Owen all of his clothes that he needed to attend Gravesend Academy, including his tux for their formal dance. They shared the love of Liberace and criticizing all other types of T.V. shows together. Their relationship went beyond her superficiality; she loved Owen despite where he came from. Reflecting the human ability to be complex is an important factor in literary merit. Another character with a complicated story is John’s first cousin, Hester. Hester is an interesting character because of her relationship with her parents and brothers. Hester feels that her parents treat her unfair compared to her brothers and retaliates by being known for her sexuality and anger. She understood her place compared to her brothers, but resented the fact that her parents treated her that way. She was upset because her parents didn’t put as much effort in her future as they did for them. Hester goes on to become Hester the Molester, and although she becomes successful, her parents still disapproved of her. Hester shows that you can do whatever you chose whether or not you’re supported by your family. Characters as complex and unique as Harriet
In literature of significant standing, no act of violence is perpetrated without reason. For a story to be legitimate in the area of fine literature violence cannot be used in a wanton manner. In John Irving’s modern classic, A Prayer for Owen Meany the audience is faced with multiple scenes of strong violence but violence is never used without reason. All of the violent acts depicted in the novel are totally necessary for the characters and the plot to develop. This plot-required violence can be seen in the novel’s first chapter when Owen accidentally kills John’s mother and in the novel’s last chapter when John relates Owen’s grotesque, while heroic, death to the audience. The violence that is shown in this novel is used in such a calculated manner that it leaves a great impression on the audience.
Touching, intriguing, depressing, these are all words that would describe the book A Prayer for Owen Meany. This story shows those characteristics by how showing how one’s life can change for better and worse, by having a good friend. One of the main characters in this book is a man by the name of John Wheelwright. John is led to religious faith by the life of his best friend Owen Meany. Owen believes in fate and he has visions of what the future holds.
A Prayer for Owen Meany, a novel by John Irving, is a touching and morbid novel riddled with death and uncertainty. It’s overall story, however, about two young boys growing up in the 1950’s, is a story where relationships are tested and also strengthened because of a peculiar child, Owen Meany. Even after the death of Owen Meany himself, the relationship between the two is as strong as ever because after death Owen continues to protect Johnny and let him know he’s not going to leave him. While alive Owen protected Johnny by making it so he could not get drafted into the Vietnam War by cutting off his index finger, effectively making it so the he cannot shoot a gun. Owen however, went along with the war and enlisted himself into it by the ROTC
The main theme of A Prayer for Owen Meany is religious faith -- specifically, the relationship between faith and doubt in a world in which there is no obvious evidence for the existence of God. John writes on the first page of the book that Owen Meany is the reason that he is a Christian, and ensuing story is presented as an explanation of the reason why. Though the plot of the novel is quite complicated, the explanation for Owen's effect on Johnny's faith is extremely simple; Owen's life is a miracle -- he has supernatural visions and dreams, he believes that he acts as God's instrument, and he has divine foresight of his own death -- and offers miraculous and almost undeniable evidence of God's existence. The basic thematic shape of the novel is that of a tension being lifted, rather than a tension being resolved; Johnny struggles throughout the book to resolve his religious faith with his skepticism and doubt, but at the novel's end he is not required to make a choice between the two extremes: Owen's miraculous death obviates the need to make a choice, because it offers evidence that banishes doubt. Yet Johnny remains troubled, because Owen's sacrificial death (he dies to save the lives of a group of Vietnamese children) seems painfully unfair. Johnny is left with the problem of accepting God's will. In the end, he invests more faith in Owen himself than he invests in God -- he receives two visitations from Owen beyond the grave -- and he concludes the novel by making Owen something of a Prince of Peace, asking God to allow Owen's resurrection and return to Earth.
...the future to see that his life is not ruined by acts of immaturity. And, in “Araby”, we encounter another young man facing a crisis of the spirit who attempts to find a very limiting connection between his religious and his physical and emotional passions. In all of these stories, we encounter boys in the cusp of burgeoning manhood. What we are left with, in each, is the understanding that even if they can’t see the light at the end of the tunnel, we can. These stories bind all of us together in their universal messages…youth is something we get over, eventually, and in our own ways, but we cannot help get over it.
At the age of ten, most children are dependent on their parents for everything in their lives, needing a great deal of attention and care. However, Ellen, the main character and protagonist of the novel Ellen Foster, exemplifies a substantial amount of independence and mature, rational thought as a ten-year-old girl. The recent death of her mother sends her on a quest for the ideal family, or anywhere her father, who had shown apathy to both she and her fragile mother, was not. Kaye Gibbons’ use of simple diction, unmarked dialogue, and a unique story structure in her first novel, Ellen Foster, allows the reader to explore the emotions and thoughts of this heroic, ten-year-old girl modeled after Gibbons’ own experiences as a young girl. Kaye Gibbons’ experiences as a child are the foundations for this.
In Edith Warton’s novel, The Age of Innocence the main character Newland Archer has a complex personality that is filled with hidden desires and ideas; some of these ideas are controversial in the society that he lives in. The arrival of Ellen Olenska and the harsh realization of living in a boring society help expose these unseen traits.
In the book each character had their own characteristics and personality. There was something special about each character in the book. Each of them had their strong points and weak points for example Grant was always running away from his problems. There were a lot of things in his life that he could not handle and he just wanted to run away. He didn’t know what to do about Jefferson at first and wondered why he had to teach him. He didn’t really know how to handle his job as teacher in the Quarter. He couldn’t make his mind up about God so he just decided to leave it alone. Aunt Emma was a very strong character in the book. She would do almost anything to help Jefferson before he died. She begged to the Guidry’s on several occasion to help Jefferson feel more comfortable while he was in jail. She begged Grant for his help even though Grant did not want to help Jefferson. She got Mose Ambrose and Grant to finally work together to help Jefferson instead of always arguing.
Nature has a way of ensuring that things change and develop as necessary. However, there are times that nature needs a bit of a push. The agent that provokes this quick and life changing push is called the catalyst. In the novel A Prayer for Owen Meany by John Irving Owen is the catalyst. It is through a series of literary devices that Irving discloses the immense effect that Owen has had not only on the life of his best friend, John, but on everyone that he encounters.
‘Some idea of a child or childhood motivates writers and determines both the form and content of what they write.’ -- Hunt The above statement is incomplete, as Hunt not only states that the writer has an idea of a child but in the concluding part, he states that the reader also has their own assumptions and perceptions of a child and childhood. Therefore, in order to consider Hunt’s statement, this essay will look at the different ideologies surrounding the concept of a child and childhood, the form and content in which writers inform the reader about their ideas of childhood concluding with what the selected set books state about childhood in particular gender. The set books used are Voices In The Park by Browne, Mortal Engines by Reeve and Little Women by Alcott to illustrate different formats, authorial craft and concepts about childhood. For clarity, the page numbers used in Voices In The Park are ordinal (1-30) starting at Voice 1.
Carl Jung was a Swiss psychologist and psychiatrist who developed many theories concerning the unconscious mind. Jung’s theories state that the unconscious part of a human’s psyche has two different layers, the personal unconscious and the collective unconscious. The personal unconscious is unique to every individual; however, the collective unconscious “is inborn.” (Carl Jung, Four Archetypes, 3) The collective unconscious is present in everyone’s psyche, and it contains archetypes which are “those psychic contents which have not yet been submitted to conscious elaboration” (Jung, Archetypes, 5); they are templates of thought that have been inherited through the collective unconscious. Jung has defined many different archetypes such as the archetype of the mother, the archetype of the hero, the archetype of the shadow, etc. These Jungian archetypes are often projected by the collective unconscious onto others. If the novel A Prayer for Owen Meany by John Irving is examined through a Jungian archetypal lens it is possible to discern different archetypes projected by the protagonist’s unconscious self to illustrate the effects of the collective unconscious on character and plot analysis.
Center stage in Kaye Gibbons’ inspiring bildungsroman, Ellen Foster, is the spunky heroine Ellen Foster. At the start of the novel, Ellen is a fiery nine-year old girl. Her whole life, especially the three years depicted in Ellen Foster, Ellen is exposed to death, neglect, hunger and emotional and physical abuse. Despite the atrocities surrounding her, Ellen asks for nothing more than to find a “new mama” to love her. She avoids facing the harsh reality of strangers and her own family’s cruelty towards her by using different forms of escapism. Thrice Ellen is exposed to death (Gibbons 27). Each time, Ellen has a conversation with a magician to cope with the trauma (Gibbons 22-145). Many times Ellen’s actions and words cause it to be difficult to tell that she is still a child. However, in order to distract herself, Ellen will play meaningful games (Gibbons 26). These games become a fulcrum for Ellen’s inner child to express itself. Frequently, Ellen will lapse into a daydream (Gibbons 67). Usually, these daydreams are meant to protect herself from the harsh reality around her. Ellen Foster’s unique use of escapism resounds as the theme of Kaye Gibbon’s Ellen Foster.
The coming of age novel, Atonement by Ian McEwan, discusses guilt, forgiveness, and the complicated nature of love through the struggles of growing up. The novel begins in England during World War II, where 13-year-old Briony Tallis is part of a family with dysfunctional dynamics. Her older sister, Cecilia, experiences true love with the family’s gardener, who is the son of their housekeeper, but their relationship is riddled with many obstacles. Most troubling is that Briony naively imagines their intimacy as something more aggressive towards her sister. Her innocence and shielded view of the world causes an unfortunate series of events that tears the family apart and alters the course of the rest of Briony’s life. In Atonement, McEwan demonstrates the maturation of love and how prosperous, yet destructive love can be between lovers and family alike.
Jane does not experience a typical family life throughout the novel. Her various living arrangements led her through different households, yet none were a representation of the norm of family life in the nineteenth century. Through research of families in the nineteenth century, it is clear that Jane’s life does not follow with the stereotypical family made up of a patriarchal father and nurturing mother, both whose primary focus was in raising their children. Jane’s life was void of this true family experience so common during the nineteenth century. Yet, Jane is surrounded by men, who in giving an accurate portrayal of fathers and masculinity in the nineteenth century, fulfill on one hand the father role that had never been present in her life, and on the other hand the husband portrait that Jane seeks out throughout the novel.
Innocence is something always expected to be lost sooner or later in life, an inevitable event that comes of growing up and realizing the world for what it truly is. Alice Walker’s “The Flowers” portrays an event in which a ten year old girl’s loss of innocence after unveiling a relatively shocking towards the end of the story. Set in post-Civil War America, the literary piece holds very particular fragments of imagery and symbolism that describe the ultimate maturing of Myop, the young female protagonist of the story. In “The Flowers” by Alice Walker, the literary elements of imagery, symbolism, and setting “The Flowers” help to set up a reasonably surprising unveiling of the gruesome ending, as well as to convey the theme of how innocence disappears as a result of facing the harsh reality of this world.