Our Town
"Our Town", by Thornton Wilder, written in 1938, was first performed at the McCarter theatre, New Jersey, on the 22nd of January1938. It is an example of meta theatre, and chronicles the lives of ordinary, everyday people, during their ordinary, everyday lives. The story is based in Grover’s Corners, a small town in New Hampshire, set at the turn of the century.
The play involves three main acts, each focussed upon a different aspect of life.
Set in 1901, the first act simply discusses the passing of an uneventful day in the town. We are exposed to all the characters, particularly two teenage characters, Emily Webb, and George Gibbs.
The second act focuses upon ‘love and marriage’, and takes place in 1904, the day of Emily and George’s wedding. We are exposed to all the tremulous events of marriage, yet the scene ends happily.
The final act, set in 1913 involves the funeral of Emily Webb. After her death Emily chooses to return to her past, selecting her 12th birthday. Emily is soon returns to the cemetery, finding the whole experience saddening, as she realises the waste her life has been, taking everything for granted, not cherishing the smallest of treasures. Emily accepts death.
Throughout this seemingly simple plot Wilder illustrates the relationship of the individual to the vastness of the universe, in fact, it is the simplicity of the plot that allows this topic to be addressed.
I have been offered the position of a director of this play, and will further discuss my methods, adhering carefully to those suggested by Wilder.
Thornton Wilder once referred to "Our Town" as "an effort to find the dignity in the trivial of our daily life, against those preposterous stretches which seem to rob it of any such dignity" This is an important aspect of the play, especially in today’s society. Our whole idea of life is entertainment which is short, exciting, and requires no thinking. People prefer a roller coaster ride to smelling the roses.
With the main theme of "Our Town" being focussing upon the small, everyday aspects of life, and celebrating them, it is difficult to guarantee the audience is not bored. I believe the key to ensuring the audience accepts, and comprehends the ideals of the play, by advertising the play as a mental workout. If the play is promoted as deep, touching upon our ...
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...e extent of comprehension for the audience, but not to the extent of comparison. The audience must be able to relate to the emotions, not compare themselves with the actors feelings. The actor must show generic emotions, as their character "types" would do. This would allow the audience to see the universal person rather than a particular person in a particular town.
The main characters must show their individual "types", making their stereotype obvious, enabling the audience to see the individual picture. The minor characters must play down their roles, to allow the audience to see the universal picture. by doing this they will help to covey the idea that in ordinary events, value can be found.
Black shirts and pants would accent the simplicity of the set, and plot, once again allowing audiences to relate to the characters, and see the deeper meaning of the play.
By conveying the themes and issues of "Our Town" in a method easily accessible to an audience through advertising, casting and acting, the concept of "Our Town" can be truly comprehended by an audience, in relation to my philosophies, and those of Thornton Wilder.
Thornton Wilder’s Our Town is a work of “sentimental fiction” because it connects all the people living in the small town of Grover’s Corners. In a small town like Grover’s Corners everybody knows each other within the town, so there is a deeper connection of companionship, friendship, and love within the town. The residents of Grover’s Corners constantly take time out of their days to connect with each other, whether through idle chat with the milkman or small talk with a neighbor. So when love and marriage or death happens in the town, it will affect the majority Grover’s Corners residents. The most prominent interpersonal relationship in the play is a romance—the courtship and marriage of George Gibbs and Emily Webb. Wilder suggests that
character, hyperbole, a dramatic setting, imagery and a huge tragedy in order to display the
Arthur Miller’s Death of a Salesman and Thornton Wilder’s Our Town both explore the fulfillment of life. Emily and Willy Loman fail to take advantage of their lives because they have the wrong priorities and do not take the time appreciate what they already have. Willy focuses solely on achieving his dreams of success as a salesman and helping Biff become a great man, resulting in him ignoring his family, declining status in society, and reality, leading to his demise. He never realizes what he has lost by chasing after inconceivable dreams; however, Wilder’s Emily reflects on her life after she dies and begins to understand that her lack of appreciation for the little moments took away from the fullness of her life. Even though Wilder and Miller tell two unique stories, they use similar methods to show their thoughts on living and essentially convey the same message about how dreams can ruin people and how not appreciating the little things takes away from the quality of life.
are characters that can be defined by their traits as certain archetypes. All novels and films contain archetypes that allow their audience to understand and relate more to
Throughout the play, there is a level of intensity that can be seen. Sound effects, lightning and props help make the story seem intensely realistic. It helped engage the audience's attention and emotions throughout the entire play. It is as though we are living vicariously through these characters. With these characters, there is a life lesson to be learned. We create education in favor of ourselves from which we learn and journey to travel through time and time again. The playwright leaves an impression on our lives, which is to say that as society moves on, so should our paths that lead to greater understanding. A project such as moving on as a society and gaining better understanding of people and their lifestyles are elements the entire cast and the playwright has presented, a project that is appropriately entitled -- The Laramie Project.
The Stage Manager is a man of many roles. Usually a stage manager is part of the non-acting staff and in complete charge of the bodily aspects of the production. In Thornton Wilder’s Our Town, the Stage Manager goes well beyond his usual function in a play and undertakes a large role as a performer. In Our Town the Stage Manager is a narrator, moderator, philosopher, and an actor. Through these roles the Stage Manager is able to communicate the theme of universality in the play. The main role of the Stage Manager is that of narrator and moderator. He keeps the play moving by capsule summations and subtle hints about the future. "I’ve married over two-hundred couples in my day. Do I believe in it? I don’t know? M….marries N….millions of them. The cottage, the go-cart, the Sunday-afternoon drives in the Ford, the first rheumatism, the grandchildren, the second rheumatism, the deathbed, the reading of the will-once in a thousand times it’s interesting"(699). Here the Stage Manager is giving insight about George and Emily’s future. He is hinting about their life and fate to come. "Goin’ to be a great engineer, Joe was. But the war broke out and he died in France. All that education for nothing" (673). The incidents discussed about are great events in George, Emily, and Joe’s lives. The Stage Manage emphasizes that the short things in these people’s lives are overlooked. There isn’t realization that it is the small parts of their lives that make a difference. His role as narrator differs from most narration. The Stage Manager’s narration shows casualness. The casualness connects the Stage Manager to the audience. "Presently the STAGE MANAGER, hat on and pipe in mouth…he has finished setting the stage and leaning against the right proscenium pillar watches the late arrivals in the audience."(671) The informality is evident since he smokes a pipe, wears a hat, and leans formally against the proscenium pillar. He also greets and dismisses the audience at the beginning and end of each act. The stage manager interrupts daily conversation on the street. The Stage Manager enters and leaves the dialog at will. He is also giving the foresight of death in the play. His informality in dress, manners, and speech, connects the theme, universality, of the production to the audience.
Without the men of the town, the audience would not know the things that they do when
Have you ever stopped to realize life for what it truly means? Every day we go about our lives taking things for granted without even realizing the value in every moment we are given. Playwright Thornton Wilder portrays this message in the play Our Town and he does it using unorthodox theatrical approaches. By using the Stage Manager to break the “fourth-wall”, Wilder is able to have a stronger impact on those who are listening. Wilder also creates not only a seemingly boring town, but also extremely bland lives of flat characters. By doing this, he is able to emphasize events such as marriage, birth, and death with characters Emily Webb and George Gibbs. Through them, Wilder intentionally shows how beautiful life itself is, especially the seemingly insignificant moments. He uses the technique of manipulating time by rushing through each act as well as including
Thornton Wilder’s background contribute to his way of writing as well as his outlook on
The first half of the play concerns a celebration - twins Girlie Delaney and Dibs Hamilton are celebrating their 80th birthdays, and with the gathering of their families comes the eruption of simmering resentments and anxieties about the future of Dibs and Farley Hamilton's farm, Allandale. The second half starts with a funeral and portrays the shattering of the tenuous links that held the family together.
People who thinks of Thornton Wilder primarily in terms of his classic novella “Our Town,” The Bridge of San Luis Rey will seem like quite a switch. For one thing, he has switched countries; instead of middle America, he deals here with Peru. He has switched eras, moving from the twentieth century back to the eighteenth. He has also dealt with a much broader society than he did in “Our Town,” representing the lower classes and the aristocracy with equal ease. But despite these differences, his theme is much the same; life is short, our expectations can be snuffed out with the snap of a finger, and in the end all that remains of us is those we have loved.
The story begins just when miss Emily died. The author doesn’t tell us much about that time except that many people were interested to see what was in her house.
An ironic ending is also foretold by the town’s setting being described as one of normalcy. The town square is described as being “between the post office and the bank;” every normal town has these buildings, which are essential for day-to-day functioning. The townspeople also establish a normal, comfortable setting for the story. The children are doing what all typical kids do, playing boisterously and gathering rocks. The woman of the town are doing what all stereotypical females do, “exchang[ing] bits of gossip.” The men are being average males by chatting about boring day-to-day tasks like “planting and rain, tractors and taxes.”
Thornton Wilder effectively demonstrates the importance of life’s repetition in Our Town through the cycle of life, George and Emily’s love, and the playing of “Blessed Be the Tie that Binds.” The cycle of life is shown repeating from birth to life to death and back to birth again. George and Emily’s love is repetitious and unending, even after the death of Emily, which demonstrates the importance of life. As “Blessed Be the Tie that Binds” is recurrently heard throughout the play, it serves as a bridge through a void of time or place, which is important in understanding the play. It is no wonder that Wilder achieved a Pulitzer Prize for his in-depth work of life.
One of the main symbols of the story is the setting. It takes place in a normal small town on a nice summer day. "The morning of June 27th was clear and sunny, with the fresh warmth of a full summer day; the flowers were blooming profusely and the grass was richly green." (Jackson 347).This tricks the reader into a disturbingly unaware state,