Othello: The General & The Wife Othello is one of the typical Shakespearean plays in that it deals with the tragic hero. Othello is convinced that his wife, Desdemona, is cheating on him with Cassio. Beginning with the aperture lines of the play, Othello remains at a distance from much of the action that concerns and affects him. Roderigo and Iago refer equivocally to a “he” or “him” for much of the first scene. When they commence to designate whom they are verbalizing about, especially once they stand beneath Brabanzio’s window, they do so with racial epithets, not designations. These include “the Moor” , “the thick-lips” , “an old ebony ram”, and “a Barbary horse” (Cite). Although Othello appears at the commencement of the second scene, we do not hear him called by his name until well into Act I, scene 3. Later, Othello’s will be the last of the three ships to arrive at Cyprus in Act II, scene 1; Othello will stand apart while Cassio and Iago suppositious discuss Desdemona in Act IV, scene 1; Othello will postulate that Cassio is dead without being present when the fight takes place in Act V, scene 1. Othello’s status as an outsider may be the reason he is such easy prey for Iago. Although Othello is a cultural and racial outsider in Venice, his adeptness as a soldier and bellwether is nevertheless valuable and indispensable to the state, and he is an integral part of Venetian civic society. He is in great demand by the duke and senate, as evidenced by Cassio’s comment that the senate “sent about three several quests” to probe for Othello (Cite). The Venetian regime trusts Othello enough to put him in full martial and political command of Cyprus; indeed, in his dying verbalization, Othello reminds the Venetians of the “service” ... ... middle of paper ... ...f her imminent death. She, not Othello, asks Emilia to put her wedding sheets on the bed, and she asks Emilia to bury her in these sheets should she die first. The last time we visually perceive Desdemona afore she arouses to find Othello standing over her with murder in his ocular perceivers, she sings a musical composition she learned from her mother’s maid: “She was in love; and he proved mad / And did forsake her. She had a musical composition of willow. / . . . / And she died singing it. That musical composition tonight / Will not go from my mind” (IV.iii.27–30). Like the audience, Desdemona seems able only to visually examine as her husband is driven insane with jealousy. Though she maintains to the cessation that she is “guiltless,” Desdemona additionally forgives her husband (V.ii.133). Her forgiveness of Othello may avail the audience to forgive him as well.
Iago takes on many different persona’s to enact his plan of revenge upon Othello. He plays the friend, a trustworthy and credible source of information for Othello in his feat of drama with his innocent wife, Desdemona. He also plays the wingman for Roderigo who is madly in love with Desdemona, encouraging him to make advances towards her to woo Desdemona away from Othello. Iago even persuades Roderigo to kill Cassio with his lies about Cassio and Desdemona’s affair. “...you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us.” Iago promises to assist Roderigo in the murder of Cassio and he will be rewarded with Desdemona’s love (Navigators.) Iago’s true persona, though, is a heartless, woman-hating villain who would go to great lengths to get revenge against Othello for preferring Cassio over him for the military promotion.
She never truly changes, even after all of the hardships that she faces throughout. Her final words illustrate how powerful and loyal she was. She says to Emilia, “Nobody; I myself. Farewell. Commend me to my kind lord. O farewell” (V, ii, 125-6). Before saying this, Othello strangled and tried to kill Desdemona. He thought that she was dead, but just as Emilia came in, Desdemona said her last few words. Emilia asked her what happened and who had done this to her. And in response, Desdemona said that quote above. Although Othello was the one who killed her, she did not want to expose her husband. She remained loyal to him even after all of the terrible things that he did to her. Desdemona never said anything negative about Othello throughout the play, and did not use animal imagery once. Although not every character was evil, the ones who used animal imagery were truly separated from those who never used
Othello had a public perception of being a military man, and a courageous leader. “Valiant
Society dictates the way people live. It determines how they interact, their position in life, and the standards uphold themselves to. John and Othello, the main characters of Brave New World and Othello, begin to have their lives shaped by the society they are now immersed in. John and Othello have one thing in common: they both have set high moral standards, for themselves and others. But as the pressures of society begin to increase, the differences between these two men become more and more apparent. It was these moral standards, coupled with their roles in society, that identified them as outcasts and ultimately led to their suicides.
Othello, a play by William Shakespeare, tells the tragic tale of the black Venetian general, Othello, and how he is manipulated by his ambitious friend, Iago. Iago becomes angry at Othello when he promotes Michael Cassio rather than Iago to the lieutenancy. Iago then schemes a plot to take down Othello. Iago uses Desdemona, Othello’s new wife, to take down the great general. He leads Othello to considering that his wife is cheating on him with Michael Cassio. This causes Othello to become suspicious and eventually drives Othello into killing Desdemona. In the end, Othello learns that his wife was faithful, and Iago had lied to him. This upsets Othello and causes him to also kill himself. Iago’s many motives are never revealed to the audience or the characters as in the last scene he states, “Demand me nothing. What you know, you know. From this time forth I never will speak word.” (Othello. Act 5 Scene 2: 355-356). In the play Othello, Iago is the master manipulator that formulates devious plots against the characters of Roderigo, Cassio, and Othello by using their desires to his advantage to reveal their underlying weaknesses.
Othello is the tragedy, and, incidentally, the name of a Moor who serves as a general in the Italian military. He spends the first act of Shakespeare’s play in Venice, but is ordered shortly to Cyprus to fight the Turkish invasion. His journey isn’t officially noticeable at all in the play. One moment he’s defending himself in the Senate of Venice, the next he’s in Cyprus, taking credit for being victorious in a battle the storms fought for him against the Turks. The story unravels from there. His soon-to-be-lieutenant, Iago, whispers in his ear about his wife, Desdemona, and the unforgivable crime of adultery, throwing Othello’s orderly world to the winds of fate.
Debra Winger had stated once that “Most bad behaviour comes from insecurity”, this could not hold anymore truth in Shakespeare’s “Othello” as the story progresses only due to the insecurities of the characters. For starters, Othello is the protagonist so we get to see his internal conflicts about societal standards and judgement on display. Meanwhile, Iago’s vulnerabilities as a villain are only showed during his monologues as he is hinted to having a superiority complex against Othello, and a complete reverse of Iago, Cassio’s issues are visible from the readers perspective and the characters as his reputation is slandered and used against him. These are all prime examples of how insecurity was used as a primary plot device to advance the
Othello, by Shakespeare, involves two women; Desdemona and Emilia. These two women have a lot of things in common. Both have husbands who are full of adventure and physically powerful. Desdemona is the wife of Othello, the Moor of Venice. Emilia’s husband is Iago, is youngest of the two men, employed as a confidante to Othello. Iago is filled with so much guilt towards Othello; he wants total revenge and makes Othello’s life a living hell for him and anyone he loves. Othello doesn’t know any of this revenge and confides in Iago and trusts him with everything, because he is “the most honest” (2.3.6). While all this deceit is going on around them, both women are oblivious to it, and Emilia doesn’t
The European Renaissance forever changed the life of the contemporary individual. Explosive advancements in education, technology, and trade broadened geographic and mental horizons; however, in England these developments were paired with population crises of poverty and unemployment. In addition, the increased interaction with foreign cultures fomented by various commercial and diplomatic engagements gave rise to apprehension in English sensibility. Eventually, Christian England would attempt to reshape these ‘strangers’ in their image and modern racial tensions sprung forth. Recursion of the trope of race, under the guise of blackness, heathenry, or even femininity occurs extensively in literary tradition, and especially within Shakespeare’s oeuvre. “There exists in all literature an archetypal figure who escapes both poles of the classic definition – appearing sometimes as hero, sometimes as villain, sometimes as clown…[he] has been named variously the ‘shadow,’ the ‘other,’ the ‘alien,’ the ‘outsider,’ the ‘stranger.’” It is with this borderline figure, mired in ambiguity, that this investigation is concerned: primarily with the stranger as the Moor in Othello, the Welsh in Henry IV, Part 1, and the woman in both.
Professor Bradley described Othello as ‘a tragedy of a good and nobleman’ and although Othello’s final speech does contextualize this tragedy to some extent it does not take into account the role his hamartia and the impact other characters played in the tragedy. Othello, one of Shakespheres most well known plays, is an account of a noble man who lived honorably up to the moment when everything he understood about life changed catastrophically. Othello’s summation of the tragedy was accurate in the aspect he was a fool a fool who thre away a precious pearl with his own hand and he was tricken and manipulated and worked himself into a frenzy but his inclusion that he was a good but not wise lover and was not easily made jealous was imprecise.
... the light of heaven I know not how I lost him” (4.2.152-153). Once Iago planted the seed, created the story and showed Othello that Cassio had the Handkerchief, Desdemona was rendered guilty. It did not matter how much Desdemona protested, or denied the story, Iago’s reputation as an honest man superseded Desdemona’s reputation as a woman who, according to Iago, “…so young could give out such seeming, to seel her father’s eyes up close as oak, he thought ‘twas witchcraft” (3.3.213-215). Desdemona’s final line in the play shows that she believes she was responsible for her own death. In truth, however, the only sin Desdemona ever committed was bearing loves to the moor of Venice.
Othello, a play by William Shakespeare, takes place in Venice during the invasion of the island of Cyprus by the Turks. The protagonist of the story, Othello, is a newlywed, Moorish general with a very gullible nature. The antagonist of the story is Iago, an officer under Othello who wishes to be promoted to lieutenant, but the position was given to the young and attractive Cassio. Other major characters in the play are Desdemona, Othello's wife who is accused of having an affair with Cassio. In addition, there are Roderigo, a Venetian who is deeply in love with Desdemona; and Emilia (Iago's wife) who could have prevented the death of Desdemona.
In the first act of scene 4, we see Othello and Iago discussing Desdemona’s unfaithfulness. Othello still doesn't want to believe that Desdemona is capable, or would cheat on him. They're discussing the handkerchief, it's a very significant in the play, it's one of the first signs for Othello to believe that Desdemona is cheating on him. We usually see Othello defending Desdemona and Iago accusing her, but the roles have reversed and Iago seems to be defending Desdemona, while producing more "evidence" to condemn her. When Iago simply just says “Lie-” (Page 169, Line 33) without any further elaboration, Othello immediately assumes 'Lie with her”, which gives him more proof to condemn Desdemona and Cassio. Othello almost seems to be persuading himself that Desdemona did cheat on him when he says “Lie with her? Lie on her? We say lie on her when they belie her. Lie with her -Zounds, that's fulsome” (Page 169, lines 35-37). Right after that he falls in a trance, and Iago takes this opportunity, to make his accusation more believable. He calls in Cassio and tells him to come back again...
Character Analysis of Othello “Othello” is a tragedy, and Othello is a tragic hero. Othello is a general in the service of Venice. He is good, courageous, brave and trustworthy. The sexy is the best. However, he has some weaknesses such as insecurity.
Othello is a tragedy written by William Shakespeare. The play is about a man named Othello and his wife Desdemona. Throughout the play Othello’s ensign Iago, is shown plotting against Othello and other characters of the play. Iago who is trusted by Othello, begins to manipulate many of the characters throughout the play. Iago successfully tricks Othello into thinking that his wife, Desdemona, is having an affair with his good friend and lieutenant Michael Cassio. Othello succumbs to the idea, and decides that Desdemona must die. In the end Desdemona gets murdered by Othello, and Othello kills himself. Othello’s great friend and lieutenant Michael Cassio, is one of the characters that Iago uses many times throughout the play. Cassio